Friends, 

Yesterday morning I received a news brief from the Manhattan Borough 
President's office  which included this item, 

Manhattan Borough President C. VIRGINIA FIELDS
 and Council Member HELEN DIANE FOSTER
withCouncil Members:MARIA BAEZ, 
G. OLIVER KOPPELL, ANNABEL PALMA,
 MADELINE PROVENZANO, 
JOEL RIVERALARRY B. SEABROOK,
JOSE M. SERRANO
and the
MANHATTAN BROOUGH PRESIDENT'S COMMISSION TO CLOSE THE HEALTH DIVIDE 
 Invite you to a Public Hearing 
WHAT CAN GOVERNMENT DO
TO ELIMINATE HEALTH DISPARITIES
IN COMMUNITIES OF COLOR? 
Tuesday, April 27th, 2004
6:00 PM to 8:00 PM
The Bronx Museum of the Arts
1040 Grand Concourse (at 165th Street) 
*****If you have any questions or would like to sign up to testify, please 
call (212) 669-2029.*****

Suddenly a strong wind blew into the apartment, blowing one of my late wife's 
gardening magazines off the coffee table and onto the floor - mimicking how 
Allegra would sometimes throw a magazine at me when she was being "emphatic." 
As the topic was one that "fired her up," there was no doubt that I would have 
to call up the Borough President's office and get on the speaker's list. For 
the most part, the people testifying were the usual policy wonks, program 
directors and "interested parties" in the health/poverty game. Cleaned up and 
in a 
suit, I gave the attached little talk which I think blew into the hearing room 
like the gardening magazine blew at me. Everyone seemed to become conscious 
of the Elephant in the Room,  namely the Dickensian plight of many of our 
citizens a good hundred and fifty years after the author penned, "Hard Times." 

I took the subway home, went into a jazz bar and drank a couple of brandies - 
then to bed.   
 


This morning, while drinking coffee, this lovely  piece of English gardening 
journalism blew into my computer, which was a gift that I wanted to share with 
you because it was so charming in comparison to yesterday's experience. 

Everbest, 
Adam Honigman
Volunteer, 
 Clinton Community Garden 


The flower of northern pride 

Apr 28 2004


    


    


    
    
    
Orchids are on permanent show again at Tatton Park in their own brand new 
glasshouse. Peter Elson reports on this stately home tradition and digs the 
dirt 
on Liverpool's much-lamented lost orchids.

THEY are a rich and varied crew. All colours and sizes. Some are quite dowdy 
and discreet; others have to be wily to survive in their vivid, tropical 
jungle homeland.

As their boss explains: "They have to wave and shout out 'Hey guys, I'm over 
here, come and have some fun!'."

What they love is high humidity and heat. Stepping into their glassy home 
from the familiar cockle-chilling Cheshire breeze gives the body circuits a 
kick 
that could resuscitate a comatose whale.

However, it's floral, not fishy matters that concern us. The orchids are back 
at Tatton Park, as part of the larger kitchen garden restoration project.

Tatton's head gardener, Sam Youd, is an orchid fan, but like all experts 
never chooses the gaudy examples as his favourite. Reaching out for a rather 
underwhelming Polystacha, he lifts the small, yellowed-bloomed plant and 
inhales 
deeply. Thrusting it under my nose for me to do likewise. The aroma is 
absolutely beguiling.

Once famous for its orchids, Tatton Park was in the upper echelon of British 
stately homes that had the resources to create such a collection. Having been 
brought to perfection under glass, the best examples were then displayed in 
the house, adding to its impact.

The Egerton family, who built and lived at Tatton Park until 1958, had one of 
the most famous books on these alluring flowering plants, The Orchids of 
Mexico and Guatemala, written by James Bateman.

At present there's only one glasshouse (completed a few months ago) devoted 
to orchids. Yet this alone cost £100,000 with the cost divided between the 
National Trust (Tatton's owners), Cheshire County Council (Tatton's managers) 
and 
Heritage Lottery Fund.

Sam says "Nobody would have ever thought that we would see orchids back at 
Tatton Park. I would love to do more but . . ."

HE DARE not mention the sordid topic of coinage, but of course out of small 
tubers, great orchid collections grow.

"I've wanted to restore the orchid house and collection here ever since I 
arrived 20 years ago, but in gardening you've got to have patient genes.

"The orchid collection cost nothing thanks to donations. The North of England 
Orchid Society and others have been fantastically generous. We're aiming at 
having a general collection and have about 400-500 examples so far, but we're 
open to other donations.

"Orchids have always been seen as exotic. Just look at this Phragmipedium 
with its long flowing whiskers. It's much crossed hybrid, hence its horrible 
name. Or this Brassada, which looks like a starburst.

"Growing them was very elitist as they needed properly-equipped greenhouses. 
A house like Tatton Park employed a specific orchid grower. There's a lot of 
myth and magic about orchids." Indeed. Orchids create an ambience. In Raymond 
Chandler's The Big Sleep the story opens with his private eye Philip Marlowe 
visiting a geriatric colonel who sits in his conservatory hemmed in by lush 
orchids, like an old grey spider trapped in a bottle. He ekes out his existence 
sharing the orchids' tropical conditions.

Besides naturally growing wild species, Dutch specialists have developed 
numerous hybrid strains. This has made orchids more robust and available as 
house 
plants.

Sam, 57, has worked at Tatton Park for 22 years and prior to that at 
Liverpool Council's Parks

and Gardens. Born and brought up in Huyton, his father was a keen amateur 
gardener, although he trained as a tailor and worked the wine and spirits trade.

"I helped him garden and when I was eight years old decided that I was going 
to be a gardener and nothing would dissuade me. My job is my hobby. It's a 
vocation.

"All my family went to sea (mainly with Cunard Line). My grandmother's best 
parlour was full of exotic presents brought back for her and my attention was 
caught by the Oriental things.

"While I was working at Calderstones Park as technical adviser I was 
especially taken with the little Japanese garden in the Olde English Garden. 
That 
started my great interest in Far Eastern horticulture.

"I looked out of my office window one day and saw these guys digging away and 
wanted to do that again. Simultaneously, the Militant political situation in 
Liverpool City Council was brewing up. Also, I thought I'd like my children 
(we have seven) to be brought up in the countryside, so I decided to get out .

JOB came up as a propagator at Tatton Park (coincidentally, I'd always wanted 
to work here). I thought I'd do three years here and then look for a head 
gardener's position. My boss who was dying of a brain tumour asked me to 
consider 
taking over and so I stayed."

His work has taken him all over the world ( "If I had to live anywhere else 
I'd choose China".) His office somewhat resembles the paper equivalent of a 
compost heap. There are letters, prints, magazines, plant and soil samples and 
even two Japanese rakes covering every surface. The filing system is probably 
based on carbon dating the various items. It's not exactly untidy; rather 
illustrating someone who is totally immersed in their work.

His office is in the old stables complex. Once it was home to Tatton's 
bachelor gardeners. Before World War I, Tatton Park employed 70 gardeners; now 
it 
has 13. "But we do have five tractors," says Sam.

His home is in the attractive head gardener's house at the far end of the 
stable yard. From his bedroom's bay window he can survey his flourishing 
horticultural kingdom.

In gardening, the next project is always looming. The foundations of the 
former pineapple house are being readied for its £500,000 recreation. Building 
will start in 2006 and the first pineapples could be ripening in 2010.

"Growing pineapples is a nightmare," says Sam as a mischievous glint comes 
into his eyes, "but we say yes, so eat your heart out, Mr Del Monte."

Bitter row that threatened two centuries of love and devotion

THERE is another great North West orchid collection, apart from Tatton Park. 
Once world-renowned, it was dubbed the Kew Gardens of the North.

Liverpool's justly famous orchid collection, begun by William Roscoe and 
other leading 18th century botanic experts, was threatened with destruction in 
the 
1980s after a bitter row between the city's gardeners and the then Labour 
Militant council.

As the dispute spiralled, the council demolished the glasshouses at Harthill 
and Calderstones Botanic Garden, in October, 1984, only 21 years after it was 
built as a world-class centre. Luckily, the orchids were spirited away to 
Greenhill Nurseries beforehand.

They remain, in albeit more benign council care, behind closed glass doors. 
Sam Youd, Tatton Park's head gardener, despairs that they are still hidden from 
public gaze, although the danger to life and leaf has passed.

"The orchids were hugely popular when displayed at Harthill during the 1970s. 
The glass houses were crowded with people at weekends," he recalls of his 
time working for Liverpool's Parks and Gardens.

"Most important is that exotic specimens could be easily imported through the 
port, so orchids are a key part of the city's heritage. We had an advantage 
nowhere else did. They were brought home as souvenirs and were built up into 
the most important collection in the world. Men like Roscoe had the means to 
deliver orchids to their doorsteps.

"Tatton and Chester Zoological Gardens built up collections partly because of 
their proximity to Liverpool. The Liverpool and Manchester merchants with 
their big conservatories were also keen collectors."

Sam adds: "The destruction of Liverpool's botanic collections after dedicated 
care by generations of gardeners breaks my heart. My great wish is that 
anyone with any brains will get Capital of Culture money and will begin 
retrieving 
our reputation by displaying the orchids - and they will attract visitors."

Liverpool city council is considering the best way of getting the collection 
back on permanent display. A spokesman said Calderstones Park has been 
identified as the best location and the council is looking for ways to fund the 
move. 
Part of the collection will be on display at Southport Spring Flower Show 
this weekend.

William Morris inspires main display

TATTON Park once again hosts the Royal Horticultural Society's Northern 
Flower Show in July.

The principal show garden, created by Butler Landscapes, will be inspired by 
the great 19th century designer William Morris. There will be more than 40 
show gardens and back-to-back gardens, floral marquees displaying award-winning 
blooms, expert advice and instruction in floral arrangements and floristry. 
Among the community entrants are displays from Congleton, Preston and St 
Helens. 
Extensive ranges of plants, arts, crafts.

Local produce and garden implements will also be on sale. The Tatton 
Brasserie will serve lunches and teas.

The show opens with a RHS members only day on Wednesday July 21. The public 
days are from July 22 - 25.

The ticket hotline is 0870 906 3811. Members: July 21: £20; July 22-25: £14; 
Public July 22-25: £19 on day (£17 if booked in advance). Children 5-15: £5; 
under fives free.

* FOUNDED in 1804, the RHS is Britain's largest gardening charity dedicated 
to promoting excellence in horticulture and gardening.

Membership costs £33 a year, plus £7 enrolment fee.

Further enquiries, tel: 0845 130 4646; website: www.rhs.org.uk/

    


    

















































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