*Painting (noun, verb)*

A lecture by* Jim Coddington*

As part of the “Modern/Contemporary Materialities” series at The Art
Institute of Chicago, generously supported by the Stockman Family
Foundation.

Thursday, December 7, 2017
Lecture: 10:35 am – 11:30 am
Sustaining Fellows Lounge, Art Institute, entrance via the Modern Wing

*About the series:*
This lecture is the third event of a multi-faceted scholarly lecture and
workshop series “Modern/Contemporary Materialities” at the Art Institute of
Chicago. This series examines how renewed focus on the object in current
research impacts new thinking on modern and contemporary art. It will
feature international experts who will speak to the material complexities
of 20th-21st century artworks, the techniques used in their making, life
and care in institutions, and impact on art historical knowledge.

In the present day, new approaches to studying art and its materialities
not only supplement the most recent methodological challenges of the
object, materiality and agency, but also present a spectrum of the
different ‘scientific cultures’ of art history and related disciplines. The
impact of heterogeneous research methodologies will be discussed, namely
how insights from science and technology, cultural history, history of
science, social history, and political and economic history, as well as
current research and concerns arising from notions of materiality and
display, lead us to an understanding of modern objects as discursive, as
both profoundly embedded and embodying.

From the spring of 2017 to the summer 2018, the Art Institute will host
four lectures paired with scholars’ workshop discussions on specific topics
that impact our understanding of Modern/Contemporary Materialities today.
The series will culminate in an object-based art history scholars’ day in
June 2018 that will draw together the various threads of discussion
advanced over the course of the year. The series will bring together
interdisciplinary thinkers from art history, science and conservation, and
across fields of museum practice to engage questions such as: Can
materiality foster a new method for thinking about art, and what is its
place in art history studies? What models do material studies have to offer
that could address ontological issues while also engaging with questions of
aesthetics, politics or social history? How can we extend what we know to
apply to new works, new contexts, new problems? And in turn, how might the
experience of different ways of approaching objects brought to the fore by
our ever-broadening cannon, change us? How/why/when is the life of an
artwork culturally specific?

*About the presenter:*
Jim Coddington recently retired as Agnes Gund Chief Conservator from the
Museum of Modern Art after 30 years at the Museum. He collaborated on many
restorations, exhibitions and research projects during his tenure there.
Joint publications with conservators, curators and scientists have ranged
from studies of Jackson Pollock, Wilhelm de Kooning, and other artists to
studies of new imaging technologies and their application within the
conservation field.

Please note that the space will be limited so please RSVP at
[email protected]. The lecture will be live streamed and a video will be
archived and available after the event at the Art Institute of Chicago’s
YouTube page: https://www.youtube.com/watch?v=1_QBj7u1h-4

Organized by:
Maria Kokkori and Francesca Casadio in the Department of Conservation and
Science, and Jill Bugajski, Academic Engagement and Research, The Art
Institute of Chicago.

-- 
Maria Kokkori, PhD
Research Fellow
The Art Institute of Chicago
111 South Michigan Avenue
Chicago Illinois 60603-6404

Tel: +1 312 443 7304
Email: [email protected]

-- 



<http://http://www.artic.edu/exhibition/rodin-sculptor-and-storyteller>*Rodin: 
Sculptor and Storyteller* Through March 4

The Art Institute of Chicago
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