Hello,

El Museo del Barrio in New York City has been offered a ca. 1970s sculpture
 where lead paint is present (according to another museum in the U.S. that was 
considering adding it to its collection).  The artwork consists of a recycled 
wood, metal  and painted cast iron door, and measures 39"h x 28" x 7-1/2"d.  
Paint is prevalent on the flat cast iron section of the door, as well as on the 
metal hardware attached to the wood side of the door - most likely
 this is paint that existed when the artist found the object and metal parts.  
The cast iron side is heavily oxidized; the paint applied to this part of
 the object is heavily cracked but remains fairly well attached to the metal
 (although when I viewed the object myself at the current owner's home, there 
were a few paint chips on the floor next to the object).  According to the
 current owner (a close personal friend of the deceased artist) the artist 
admired the aesthetics of the crackled and patinated paint on cast iron side,
 and, if ever exhibited, would have displayed both sides of the object.

A federally subsidized museum in Washington DC considered this work for its
 collection, but rejected it because of the presence of lead paint (apparently 
the work was shipped to Washington DC for analysis).

My questions are:

-        Are there any restrictions in New York State regarding preserving 
objects with the presence of lead paint, considering the health hazards posed 
by lead paint?  I would imagine that, due to the prevalent use of lead paint in 
the past, there are many objects in museum collections with lead paint
 surfaces.



-        Are there restrictions in any other state within the United States
 regarding preserving or temporarily housing objects with the presence of lead 
paint (in the event, for instance, El Museo would lend the artwork to another 
US institution)?


-        Are there any restrictions in other countries around the world 
regarding preserving or temporarily housing objects with the presence of lead 
paint (in the event, for instance, El Museo would lend the artwork to a non-US 
based institution)?


-        What, if anything, can be done to preserve the painted metal sections 
on the object?


Upon request I can provide images of the object.

I look forward to your responses.

Thank you,

Noel Valentin
Permanent Collection Manager
El Museo del Barrio
1230 Fifth Avenue
New York, NY. 10029
212 660 7120 voice
347 749 4890 mobile
212 831 7927 fax
[email protected]<mailto:[email protected]>
www.elmuseo.org<http://www.elmuseo.org>




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