Dear friends and colleagues, I’m delighted to announce a call for chapters for the peer-reviewed book Printing Colour 1700-1830: Histories, Techniques, Functions and Receptions, anticipated mid-2020. The editors are Elizabeth Savage (Institute of English Studies) and Margaret Morgan Grasselli (National Gallery of Art, with assistance from Gemma Cornetti (Warburg Institute). It will go beyond research recently presented at the conference of the same name (Institute of English Studies, London, April 2018) and in the award-winning book, Printing Colour 1400-1700 (Brill, 2015), to offer the first handbook of colour-printing techniques in the long eighteenth century. Please find details of the call below.
With best wishes Elizabeth Dr Elizabeth Savage British Academy Postdoctoral Fellow Lecturer in Book History and Communications, IES By-Fellow, Churchill College, Cambridge Institute of English Studies School of Advanced Study, University of London Room 255, Senate House, Malet Street, London WC1E 7HU The School of Advanced Study is the UK's national centre for the facilitation and promotion of research in the humanities and social sciences. Printing Colour Project: www.printingcolourproject.com<http://www.printingcolourproject.com/> Reconstructing Gutenberg’s Press: The IES' Term-Long Celebrations for 'Gutenberg Year 2018’: bit.ly/IESGutenberg2018<http://bit.ly/IESGutenberg2018> REGISTER NOW: London Rare Books School 2018: ‘Early Colour Printing I: 1400-1800’ (18-22 June) & ‘ Towards a History of Print Matrices’ (2-6 July): https://www.ies.sas.ac.uk/study-training/study-weeks/london-rare-books-school CALL FOR CONTRIBUTIONS Deadline: 8 June 2018 via www.bit.ly/PC17001830BOOK<http://www.bit.ly/PC17001830BOOK> Fields: Art History, Book History, Eighteenth-Century Studies, Printing History, Visual Culture Title: Printing Colour 1700-1830: Histories, Techniques, Functions and Receptions Editors: Elizabeth Savage (Institute of English Studies), Margaret Morgan Grasselli (National Gallery of Art) Following from the award-winning volume Printing Colour 1400-1700, Printing Colour 1700-1830 will be the first handbook of early modern colour printmaking in the long eighteenth century. It will contribute to a new, interdisciplinary paradigm for the history of printed material in the west. It aims to understand how new (and old) forms of colour printing changed communication during the late handpress period, from the invention of trichromatic printing until the Industrial Revolution and the introduction of chromolithography allowed the mass production of diverse colour-printed materials. The discussion will encompass all media, techniques, and functions, from text to image, fashion to fine art, wallpaper to scientific communication. For this reason, submissions are sought from academics, curators, special collections librarians, printers, printmakers, cataloguers, conservators, art historians, book historians, digital humanities practitioners, scientists, and others who care for colour-printed material, seek to understand how it was produced and used, or engage with it in research. Please submit 300-word abstracts by 8 June 2018 at www.bit.ly/PC17001830BOOK<http://www.bit.ly/PC17001830BOOK>. Chapters of 4,000-6,000 words (including notes and captions) with up to 10 illustrations will be due 15 February 2019 for publication in mid-2020. The book will be peer-reviewed and published in full colour. Contributors will be responsible for sourcing images and copyright for their contributions, but they will qualify for fee waivers from many heritage collections because the publisher is a charitable academic press. This book is an output of the Printing Colour Project, www.printingcolourproject.com<http://www.printingcolourproject.com/>. For enquiries, please contact Gemma Cornetti at [email protected]<mailto:[email protected]>. ****** Unsubscribe by sending a message to [email protected] Searchable archives: http://cool.conservation-us.org/byform/mailing-lists/cdl/
