Audiovisual Conservator
Emory Libraries—LITS
Digitization
Robert W. Woodruff Library 

Commensurate with qualifying experience and reporting to the Head of 
Digitization and Digital Curation, the Audiovisual Conservator oversees and 
conducts preservation and digitization of audiovisual materials, including 
sound recordings, video recordings, and film. The majority of audiovisual 
materials in need of preservation are held in the Stuart A. Rose Manuscript, 
Archives, and Rare Book Library, the University Archives, Pitts Theology 
Library, and the Music & Media Library. This position works closely with 
librarians, archivists, curators throughout the Emory University Libraries, and 
with outside vendors as appropriate to assist and advise on the proper storage 
and ongoing preservation of audiovisual materials.

The Audiovisual Conservator oversees and conducts preservation and digitization 
of audiovisual materials held by the Emory University Libraries. General 
direction is provided by the Head of the Access and Resource Services Division. 
Individual performance is informally reviewed on a regular basis and formally 
on an annual basis. Progress toward unit and professional goals is a key 
component of the performance evaluation process.

Type of Supervision Exercised:
The Audiovisual Conservator supervises student employees performing 
digitization work on audiovisual materials and is responsible for the hiring 
and termination of these positions. Currently, two graduate students are 
employed, representing .5 FTE.

Professional Responsibilities—
A. Audiovisual Transfer Duties:
1. Oversee digitization of sound and moving image recordings
2. Oversee packaging and ingest of audiovisual objects into the digital 
repository
3. Coordinate entry of descriptive and technical metadata, partnering with 
Metadata
Librarian for assurance of metadata quality and completeness
4. Create shelf copies on current media, where relevant, for obsolete container 
formats
5. Track ongoing work to support compiling departmental statistics
6. Keep abreast of news and developments in audiovisual preservation, including 
attending
professional conferences
7. Advise and educate faculty and staff on best practices for preservation and 
digitization of
their holdings

B. Planning and Management:
1. Manage, hire, train, and coordinate work of student employees performing 
preservation and digitization
2. Advise on the possibilities, risks, costs, and benefits of preservation 
options for audiovisual materials
3. Oversee outsourcing of individual materials and collections to vendors, 
including gathering quotes, selection of vendor, coordination of shipping and 
receiving, quality control, and invoicing
4. Prioritize work by consulting with collection stakeholders.
5. Perform collection surveys to determine preservation needs
6. Assist in development of metadata protocols
7. Assist the Digital Library Program developing strategies for delivery and 
storage of
digital sound and moving images
8. Develop and/or support development of grant applications to fund outsourced
reformatting and digitization. Where relevant, administer the awarded grants

C. Physical Conservation Duties:
1. Evaluate the condition of sound recordings, video recordings, and film
2. Repair (or outsource) damaged recordings prior to digitization, as needed

D. Technical Duties:
1. Maintain audiovisual studios and equipment for current and legacy analog 
recording formats including installation, repair, and upgrades
2. Select and acquire additional audiovisual equipment as needed to ensure 
ongoing capacity for transfer and digital preservation

University Minimum Required 
Qualifications:
A master’s degree in conservation (or a related field) with three years of 
related conservation experience beyond the internship level should also include 
administrative or supervisory experience.

Library Required Qualifications:
These qualifications are required by the library in addition to the above 
listed minimum required qualifications of the University.
▪Ability to build and sustain effective interpersonal relationships with 
library staff, faculty and students, off-campus faculty and administrators, 
campus administrators, etc
▪Evidence of analytical, organizational, communication, project, and time 
management skills and demonstrated ability to set priorities, meet deadlines, 
and complete tasks and projects on time and within budget and in accordance 
with task/project parameters
▪Demonstrated proficiency and capabilities setting up and working with a 
variety of audiovisual playback devices with analog/digital converters and 
related equipment that comprise audiovisual transfer workstations
▪Demonstrated proficiency and capabilities with personal computers and 
software, the Web, and library-relevant information technology applications, 
plus working knowledge of standard computer office applications such as 
Microsoft Outlook, Word, Excel, Access, PowerPoint or other productivity 
software
▪Commitment to fostering a diverse educational environment and workplace and an 
ability to work effectively with a diverse faculty and student population
▪Capacity to thrive in an ambiguous, future-oriented environment of a major 
research institution and to respond effectively to changing needs and priorities

Library Preferred Qualifications:
▪Experience in using Sound Forge or similar sound editing software
▪Experience with Final Cut Pro or similar video editing software
▪Experience creating custom scripts to automate digitization workflow tasks
▪Experience with relevant free and/or open source tools such as MediaInfo, 
ffmpeg, QCTools,
AV Compass, ffmprovisr
▪Experience with handling a wide variety of audiovisual formats including 
analog discs, magnetic
tapes, digital files, etc
▪Experience identifying and resolving technical issues that can afflict audio 
and video signals
during the transfer process
▪Experience in handling fragile library materials
▪Previous work experience in an archive, special collections library, or museum
▪Ability to work in dusty environment
▪Ability to lift 40 lbs

Application Procedures:
Interested candidates should review the application requirements and apply 
online at:
https://staff-emory.icims.com/jobs/28709/audiovisual-conservator/job

—Review of applications will continue until the position is successfully 
filled. 
—Emory is an Equal Opportunity/Affirmative Action Employer that welcomes and 
encourages diversity and seeks applications and nominations from women and 
minorities.
—Emory University is an Equal Opportunity/Affirmative Action/Disability/Veteran 
Employer.
   

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