Email digest for the Global Conservation Forum (ConsDistList) egroup.
------------------------------------------------------------------------------------------------------------

 1. RE: handheld XRF

 2. PCBs Contaminated Artifacts

 3. Museum Textile Conservator Position at Paisley Park - Prince Rogers Nelson 
Museum

 4. Vacancy: Head, Paper Conservation Section

 5. Smithsonian/ICOMM-CC Disaster Recovery Online Conference Dec. 2-5

 6. RE: 3D printed steel sculpture

------------------------------------------------------------------------------------------------------------

1.From: Nicole van der Sterren
 Posted: Monday November 18, 2024  7:10 AM
 Subject: RE: handheld XRF
 Message: 
Dear all,


We are looking into purchasing a handheld XRF and I am a bit concerned now 
reading the problems you all have with it. Which handheld XRF do you have?





Nicole van der Sterren


KB-National Library


The Netherlands


------------------------------
Nicole van der Sterren
Paper Conservator
KB, National Library of the Netherlands
Den Haag
------------------------------
-------------------------------------------
Original Message:
Sent: 11-14-2024 01:20
From: Kathy Hall
Subject:  handheld XRF


The X-ray tube on our handheld XRF (purchased 2019) recently failed. We were 
quoted EUR 18,000 to replace the tube and the sensor.


------------------------------
Kathy Hall
Senior Conservator
INSTAP Study Center for East Crete
Crete
------------------------------

Original Message:
Sent: 11-12-2024 09:39
From: Craig Kennedy
Subject:  handheld XRF


Katharina,

I have owned two of these devices. The first one I bought around 2010 and had 
for 6 years with no issue - it was then sold when I left my last employer. I 
bought a new machine of the same model in 2021 (3 years ago) and its X-ray tube 
failed in the summer. Including tax this cost around 8000 GBP to repair. Very 
disheartening!

Craig


------------------------------
Craig Kennedy
Associate Professor
Heriot-Watt University
Edinburgh

Original Message:
Sent: 11-11-2024 10:48
From: Katharina Schmidt-Ott
Subject:  handheld XRF


Dear All,

Thank you very much for the numerous responses to our inquiry about the 
handheld XRF.
It does indeed appear that our device is in need of major repairs at an 
unpleasantly early stage. As we are still in clarification with the 
manufacturer, I am unfortunately unable to provide any device details at the 
moment.
Thank you for your understanding. Best regards,

Katharina


------------------------------
Katharina Schmidt-Ott
Head of conservation research
Swiss National Museum, Collection Centre
Affoltern am Albis

Original Message:
Sent: 10-28-2024 18:41
From: Laura Mirebeau
Subject:  handheld XRF


Dear Katharina,

What a bummer. We're doing some XRF market research here at the National 
Library of New Zealand, we're hoping to purchase a portable XRF soon. The sales 
representatives we've been talking to (Bruker, Hitachi, Evident) all have said 
that tubes should have a pretty good life expectancy (I have in mind about 10 
years, but cannot find any notes about that, so wouldn't want to make it up). 
Replacing the tube is quite expensive, around the $10,000 mark (NZD). Would you 
mind sharing which analyser you have? 

All the best,

Laura Mirebeau  




------------------------------
Laura Mirebeau
Book and Paper Conservator
National Library of New Zealand
Wellington

Original Message:
Sent: 10-24-2024 06:29
From: Katharina Schmidt-Ott
Subject: handheld XRF


Dear Community,

in our conservation research lab we have a portable XRF-device whose X-ray tube 
unfortunately has broken after only 4 years. 

We would be interested to hear if anybody else with a portable device has 
encountered the same problem and if so, after how many years.

If not, how long have your machines been in function?



Thank you very much for your feedback,

Katharina Schmidt-Ott






------------------------------
Katharina Schmidt-Ott
Head of conservation research
Swiss National Museum, Collection Centre
Affoltern am Albis
------------------------------


2.From: Katherine Ridgway
 Posted: Monday November 18, 2024  10:29 AM
 Subject: PCBs Contaminated Artifacts
 Message:  
Hello All,
 
 
 
I have had an inquiry about archaeological artifacts recovered from a site 
contaminated with PCBs (polychlorinated biphenyls) which we know can be harmful 
to human health and the environment. They also persist  in soil. These 
artifacts have been wash with tap water and subsequently bagged. The questions 
are:  Is there a way to determine if they are contaminated and the amount of 
PCBs that might still be present? Will these artifacts still be harmful to 
humans? If  they are still contaminated, is there a way to remove the 
contaminate without damaging the artifacts?
 
 
 
Many thanks for any advice!
 
 
 
Kate
 
 
 
 
     
 
 
  <https://www.facebook.com/VADHR/>   <https://www.instagram.com/vadhr_shpo/>   
<https://www.linkedin.com/company/vadhr/>   <https://twitter.com/VaDHR_SHPO>
   
Katherine Ridgway
 
State Archaeological Conservator
 
Department of Historic Resources
 
 
 
Email  [email protected] <[email protected]>
 
Phone  804-482-6442
 

 
 
 
2801 Kensington Ave, Richmond, VA 23221
 
www.dhr.virginia.gov <http://www.dhr.virginia.gov/>
     
 
 
 
 

3.From: Makayla Elder
 Posted: Monday November 18, 2024  3:24 PM
 Subject: Museum Textile Conservator Position at Paisley Park - Prince Rogers 
Nelson Museum
 Message: 
Are you passionate about the music industry? Do you love fashion, culture, and 
history? Do you work in the museum field but want to work in an exciting and 
dynamic environment?





Become a Textile Conservator in the Museum Collections Department for Paisley 
Park, where art, music, fashion, culture, and history are celebrated, 
energized, and inspired by the visionary creative spirit of Prince. This is a 
full-time position located within the Collections Department overseeing the 
proper care, conservation, and preservation of Paisley Park's Textile 
Collection.





Medical, dental, vision, pet insurance, 401K with match, HSA, complimentary 
tour tickets, employee discounts, and more.





Responsibilities


The key responsibilities of the Textile Conservator include:




Efficiently run conservation work area, including defining protocols and 
procedures

Coordinate conservation training for collections and museum staff as needed

Develop, research, lead, and implement conservation plans

Be able to identify and instruct on conservational goals

Identify and perform daily conservation tasks

Carry out stabilization and treatments for various textile mediums of a diverse 
collection for storage and exhibit

Create conservational reports and collection rotation check procedures

Ability to work with and dress textiles on custom mannequins

Advise on advancements for long-term preservation of the textiles in storage 
and exhibition pertaining to sustainability

Advise on the preservation of artifacts in storage and exhibition

Advise on and track environmental monitoring in multiple storage conditions

Other duties as assigned





Qualifications


The key qualifications of the Textile Conservator include:




At least a Master's degree in Textile Conservation

Previous experience as a conservator in a museum setting

Excellent general conservation knowledge of a variety of mediums

Experience in the physical handling of a variety of textile materials

Knowledge of the effects of environmental conditions on materials and objects

Excellent communication skills, both oral and written

Excellent attention to detail

Experience working with a team and independently - the ability to develop 
effective working relationships

Must be able to work under pressure of deadlines and competing needs

Must have a Driver's License and own a vehicle

Other duties as assigned





Some knowledge of Prince is helpful but not required





Compensation & Working Hours


This full-time hourly position is for $24-$26/hr., Monday - Friday, 8:30 AM to 
5:00 PM, working hours, including some weekends, evenings, holidays, and 
overtime as required based on the event schedule. Mandatory staffing for the 
Prince Celebration event in June. 





Physical Requirements


The primary physical requirements of the Museum Conservator include:




Must be able to sit/stand for long periods of time

Must be comfortable moving and lifting collection storage boxes

Ability to work with your hands

Excellent eyesight or vision correction

Must be able to dress and work with mannequins

Ability to lift at least 25 lbs.

Ability to transport mannequins from the work area to the exhibition space


Note: As Prince was a pescatarian, Paisley Park is a pescatarian food 
environment. Eggs, fish, and cheese are fine; beef, pork, chicken, and other 
meats can be eaten in your car, or you may take meals off-site.








Chanhassen, MN, USA, Hourly, Full-Time


------------------------------
Makayla Elder
Museum Collection Manager
Paisley Park
Chanhassen MN
------------------------------


4.From: Elmer Eusman
 Posted: Monday November 18, 2024  3:26 PM
 Subject: Vacancy: Head, Paper Conservation Section
 Message: Head, Paper Conservation Section

Library of Congress, Washington, DC

 

(Vacancy#: VAR002940)

Closing Date: 12/13/2024

Grade: GS-13

Salary: $117,962.00 to $153,354.00 (includes Washington, DC locality pay) 

 

Responsibilities

With the impending retirement of the current Section Head, the Library of 
Congress is seeking to fill the Head, Paper Conservation Section position by 
April 2025. Some overlap of the current and new Section Head may be possible, 
to provide guidance and a smooth transition. This position is located in the 
Conservation Division and oversees all work related to the assessment, 
conservation treatment, and preservation housing of artifacts on paper and 
other substrates in the Library's special collections. Reporting to the Chief 
of the Conservation Division, the Section Head works closely with all custodial 
divisional representatives to develop, establish, coordinate, and carry out a 
comprehensive, Library-wide conservation program appropriate to the 
collections' needs. In addition, the incumbent oversees the team responsible 
for the preparation of collection items for exhibitions and loans and 
coordinates the division's longstanding intern program.

The Section Head manages and supervises staff at grade levels GS-09 through 
GS-12 and provides administrative and technical supervision needed for 
accomplishing the section's work; performs administrative and human resources 
management tasks related to the staff supervised; and establishes guidelines 
and performance expectations for staff, which are clearly communicated through 
the formal employee performance management system and ongoing informal 
discussions throughout the year.

When applying, you will notice that the job series defined for this position is 
Librarian. However, please note that there are no Library or Information 
Science education requirements associated with this position. We are seeking 
candidates with strong backgrounds in paper conservation, well-developed 
planning abilities, and outstanding communication skills. The successful 
candidate would be leading an exceptional team of nine experienced Conservators 
and Preservation Specialists and be a critical part of the Conservation 
Division management team with four other Section Heads and the Division Chief. 
If you are excited about working with the Library's extraordinary collections 
in an institutional environment where the conservation program is 
well-supported, we encourage you to apply:

https://www.usajobs.gov/job/819124100 <https://www.usajobs.gov/job/819124100>

 

I encourage you to contact me at [email protected] <[email protected]> for any questions 
you might have about the position or the application process.

 

Elmer Eusman

Chief, Conservation Division

Library of Congress


------------------------------
Elmer Eusman
Chief of the Conservation Division
Library of Congress
Baltimore MD
------------------------------


5.From: Tiffani Emig
 Posted: Monday November 18, 2024  7:31 PM
 Subject: Smithsonian/ICOMM-CC Disaster Recovery Online Conference Dec. 2-5
 Message: 


DECEMBER 2–5, 2024, ONLINE CONFERENCE, FREE PARTICIPATION, REGISTRATION 
REQUIRED  

What are the risks for objects in our collections? What can we do to protect 
them before, during and after disaster strikes? This international conference 
will look into preparation, response, training, research and networks to 
address and mitigate the effect of disasters on cultural heritage.    

For the conference program and registration information, visit 
https://ncp.si.edu/disaster-risk-management-cultural-heritage 
<https://ncp.si.edu/disaster-risk-management-cultural-heritage>. 


------------------------------
Tiffani Emig
Deputy Director
American Institute for Conservation and Foundation for Advancement in 
Conservation
Washington DC
[email protected]
------------------------------


6.From: Carmen Kramer
 Posted: Monday November 18, 2024  7:31 PM
 Subject: RE: 3D printed steel sculpture
 Message: 
Hello,


I do archival 3D printing, but I have not used metal, only certain polys ( as 
well as custom archival quality boxes :)) .  I have a friend who is a master 
metal sculptor in the Finger Lakes of New York where CMI used to be located.  I 
asked him to weigh in and he said the following:  "I would treat it identical 
to normal steel sculpture. It will rust and naturally patina if outside unless 
treated. I would also assume it will be much weaker than normal fabricated 
sculptures as it will very thin and lightweight. Some element of structural 
strength may even need to be added to help the works be supported. ? I use A36 
standard mild steel. I use A588 Corten weathering steel. Both will rust 
outside. If stainless steel is an option 304 is food grade, but will oxidize in 
salty environments. 316 is a higher grade stainless that will not rust."


This is from Sam Castner in the Finger Lakes of NY.  He is on Facebook.  
https://www.facebook.com/sam.castner/photos    I hope this helps :)  Carmen 
Kramer, CMI MicroClimates, Inc.  https://www.archivalboxes.com/





 


------------------------------
Carmen Kramer
President
Custom Manufacturing, Inc.
Inverness FL
------------------------------
-------------------------------------------
Original Message:
Sent: 11-17-2024 16:16
From: Martha Singer
Subject: 3D printed steel sculpture


Dear Colleagues:

(Sorry for cross-posting)
A Norwegian colleague asked if anyone has experience with 3D Printed outdoor 
sculpture in steel?  Any "dos" or "don'ts" (things to be avoided) for the 
request of printing, caring for the surface, etc.  There are a range of alloys 
that can be printed.  If you have experience--could you specify which alloy you 
are now caring for? 



Many thanks, Martha


------------------------------
Martha Singer
Chief Conservator
West Orange NJ
(973) 325-0088
------------------------------




You are subscribed to "Global Conservation Forum (ConsDistList)" as 
[email protected]. To change your subscriptions, go to 
http://community.culturalheritage.org/preferences?section=Subscriptions.  To 
unsubscribe from this community discussion, go to 
http://community.culturalheritage.org/HigherLogic/eGroups/Unsubscribe.aspx?UserKey=d16eaa87-0f69-494b-9f2f-303dbc1222e1&sKey=fab9aa4f27a04c5d876e&GroupKey=757a8f16-505f-4323-8e74-e376757aa9f7.

Reply via email to