Email digest for the Global Conservation Forum (ConsDistList) egroup. ------------------------------------------------------------------------------------------------------------
1. IAP Virtual seminar: Conservation Cleaning inspired by Chemistry and Cuisine 2. Review Conservator Program Application 3. Double-glazed mounting solution for art on paper 4. Free Art Bio Matters Seminar on mold in collections under 60%RH 5. OPEN POSITION Senior Conservation Specialist AMPAS, Margaret Herrick Library 6. RE: Conservation internship opportunity at the Library of Congress ------------------------------------------------------------------------------------------------------------ 1.From: James Black Posted: Monday November 25, 2024 9:03 AM Subject: IAP Virtual seminar: Conservation Cleaning inspired by Chemistry and Cuisine Message: Conservation Cleaning inspired by Chemistry and Cuisine Date: Thursday, 5th December Time: 3pm GMT Tutor: Matthew Cushman Price: £25 Platform: Zoom Registration: Eventbrite <https://www.eventbrite.co.uk/e/1003493996557?aff=oddtdtcreator> This seminar looks at the development of new biopolymer hydrogel formulations for conservation cleaning. For decades, conservator-restorers and conservation scientists have advanced the field of conservation cleaning through the introduction of new techniques and materials aimed at improved specificity and control. Recent trends have focussed on “greener” chemistry, economic sustainability, and varied working properties. Drawing inspiration from traditional foodways, modern food science, haute cuisine, and leading conservation researchers, this presentation will detail efforts to identify new biopolymer hydrogel formulations to meet each of these demands, yielding easy-to-prepare cleaning tools suitable across conservation specialisms. Matthew Cushman is Conservator in Charge at the Worcester Art Museum (Massachusetts, USA), leading the Museum’s team of conservators. He was previously Conservator of Paintings and Affiliated Assistant Professor at the Winterthur/University of Delaware Program in Art Conservation, where he taught fundamentals of painting conservation and the application of scientific principles in conservation practice. His research interests include novel materials for the cleaning of painted surfaces, structural treatment of easel paintings, and the techniques and materials of early American painting. If you have any questions please contact us by email at [email protected] ------------------------------ James Black Co-ordinator International Academic Projects London www.academicprojects.co.uk ------------------------------ 2.From: Jo Lynne Fenger Posted: Monday November 25, 2024 9:03 AM Subject: Review Conservator Program Application Message: Hi, My conservator program application is ready. Is there anyone who is willing to look it over for an edit? Thank you. ~ jo lynne [email protected] <[email protected]> 3.From: Sarah Maj Nielsen Posted: Monday November 25, 2024 9:03 AM Subject: Double-glazed mounting solution for art on paper Message: We have been asked by a museum to frame a series of two-sided color drawings (mid 20. cent.) in double glazed frames so that the drawings can be viewed from both sides. The drawings are made with watercolor and gouache on paper of varying thickness and quality, and many are cut into various levels of intricate figures, i.e. not a usual square or rectangle. There is no or limited possibility of mounting anything on the painted surfaces. We have don't want the drawings to be stuck between the two panes – we need to have a minimal distance between the drawing and the glasses. We have considered a method where the drawings are mounted with photo corners we fold ourselves, made of hard Melinex and fixed to the one glass with double sided tape (so the tape will not be in direct contact with the artwork). But we are afraid that the double sided tape will not last – so we would wish for a more permanent solution. Do anyone have any ideas or experiences how to achieve this goal – if possible? Kind regards, Michael Højlund Rasmussen, Conservator, M.Sc., FIIC and Sarah Maj Kaihøj Siewartz, Paper conservator, Cand.scient.cons. ------------------------------ Sarah Maj Nielsen Conservator Konserveringscentret i Vejle Vejle Denmark ------------------------------ 4.From: Angelica Isa-Adaniya Posted: Monday November 25, 2024 10:35 AM Subject: Free Art Bio Matters Seminar on mold in collections under 60%RH Message: Dear all, I am really excited about this talk, and I think you might be too! This conservator in Denmark is going to talk about extensive mould in a collection that is normally under 60% RH. As usual for Art Bio Matter events, you will need to join ABM to attend and discuss, but you can easily do that on the main website. Best, Angelica ------- When mould is a museum visitor – xerophilic fungal growth challenges environmental recommendations for heritage collections By Camilla Bastholm Thursday December 5th at 11:00 am ET Read the full abstract for the talk below. An Art Bio Matters Membership is required to attend this seminar. Visit artbiomatters.org/join-abm <https://artbiomatters.org/join-abm> to become a member (it's free!). Abstract: In the last decade, extensive fungal growth has developed in Danish museums parallel to climate change challenging occupational health and heritage preservation. The growth was unexpected as the museums controlled relative humidity below 60 %, according to international environmental recommendations for heritage collections. Only heritage artefacts were affected, there was no growth on building constructions, interior and museum boxes. A cross-sectional study using a multiple detection approach found that the culprits were extremophilic xerophilic fungal species able to grow at low relative humidity, which is most unusual for fungi. The study concluded that xerophilic fungal growth is nationally distributed and suggests these species as a novel contaminant in climate-controlled museum repositories. To safeguard occupational health and heritage preservation research in sustainable solutions, avoiding xerophilic growth in museum collections is most important. The talk will be followed by a discussion with members in attendance. ------------------------------ Angelica Isa-Adaniya Conservator | Customer Success Manager Conserv ------------------------------ 5.From: Dawn Jaros Posted: Monday November 25, 2024 4:58 PM Subject: OPEN POSITION Senior Conservation Specialist AMPAS, Margaret Herrick Library Message: Hello all, We have a position open to join our small conservation and preservation team at the Margaret Herrick Libary in Los Angeles California. Below is the position overview with a link to the job posting. Please reach out to me if you have questions, [email protected]. Senior Conservation Specialist <https://www.appone.com/MainInfoReq.asp?R_ID=6569181> Summary/Objective: The Senior Conservation Specialist assists the Library Conservation department with the preparation of our collections for exhibition and loan. This position requires thorough knowledge of professionally accepted preservation and collection management practices and procedures including but not limited to book, photograph and paper conservation, preventive conservation, rehousing, fabricating custom storage enclosures, and conducting collection surveys. The ideal candidate is highly organized and meticulous, possesses excellent hand skills, and able to prioritize multiple projects. This position is represented by a union. Essential Functions of the Job: Performing intermediate book, paper, and photograph conservation treatments with full documentation, under the supervision of the Conservator. Assist the Conservator with more complex conservation treatments. Performing tasks in preparation for loans and exhibits such as hinging, mounting, framing, stabilization, specialized packing, condition documentation, and exhibit installation. Assist with all preservation activities and procedures. Assist with the maintenance and organization of studio equipment and display accessories. Fabricating or adapting specialized storage housing for the collection. Supervisory Responsibilities: Assists in the training and supervising of interns, conservation specialists, and other collection personnel. Required Competencies: A master's degree preferred, a bachelor's degree accepted and/or equivalent combination of relevant education and experience. A minimum of 6 years of experience in library preservation or paper conservation. Working knowledge of accepted conservation standards, practices, and terminology and proper use of conservation tools, equipment, and supplies. Aptitude for detailed handwork and superior manual dexterity. Ability to work independently following instructions set by the Conservator and is comfortable interfacing regularly with other staff. Ability to read and interpret documents such as safety rules, operating and maintenance instructions, and procedure manuals. Conducting research into new treatment procedures, conservation materials, and protocols as related to updating policies for best practices. Strong computer skills, including experience with PC platforms and databases. Strong organizational skills. Excellent interpersonal and communication skills. Ability to collaborate well with interns and staff. Neatness and ability to share workspace respectfully with other staff. Physical Demands: Job duties include remaining in a stationary position for extended periods with occasional climbing, bending, and kneeling. Capability to move and transport up to 50 lbs. Work Environment: Working indoors in conservation studios as well as climate-controlled collections storage. Establishing a schedule between Fairbanks and Pickford locations with flexibility to adapt and travel as needed during Museum installations. Travel: Percentage of travel time expected for the position where the travel occurs, such as locally or in specific countries or states, and whether the travel is overnight. 15% Required Vaccination: Full vaccination against COVID-19 is required, including any booster vaccinations as applicable. Exception: Medical and religious accommodations approved by the Office of People & Culture. Compensation: The expected salary for this role is $40.00 per hour. The actual base pay offered will be determined by factors such as experience, skills, training, location, certifications, education, and other factors permitted by law. Decisions will be made on a case-by-case basis.) ------------------------------ Dawn Jaros, MA Associate Director, Library Conservation AMPAS, Margaret Herrick Library Beverly Hills, CA ------------------------------ 6.From: Itzel Espindola Posted: Monday November 25, 2024 9:56 PM Subject: RE: Conservation internship opportunity at the Library of Congress Message: Amelia, do you know if applications for international students still under restriction? Thank you very much for sharing this info! :) ------------------------------ [Itzel] [Espíndola] Editorial Manager [ENCRyM-INAH] [CDMX] [México] ------------------------------ ------------------------------------------- Original Message: Sent: 11-20-2024 16:24 From: Amelia Parks Subject: Conservation internship opportunity at the Library of Congress The application period for the Library of Congress Advanced Internship in Conservation for September 2025 - August 2026 is open until December 15th. Book, paper, and photo graduate students may apply for six-month to eleven-month internships. For a complete description and the application form, visit us here <https://www.loc.gov/preservation/outreach/intern/int_cons.html>. ------------------------------ Amelia Parks Preservation Education Librarian Library of Congress ------------------------------ You are subscribed to "Global Conservation Forum (ConsDistList)" as [email protected]. To change your subscriptions, go to http://community.culturalheritage.org/preferences?section=Subscriptions. To unsubscribe from this community discussion, go to http://community.culturalheritage.org/HigherLogic/eGroups/Unsubscribe.aspx?UserKey=d16eaa87-0f69-494b-9f2f-303dbc1222e1&sKey=fab9aa4f27a04c5d876e&GroupKey=757a8f16-505f-4323-8e74-e376757aa9f7.
