Email digest for the Global Conservation Forum (ConsDistList) egroup.
------------------------------------------------------------------------------------------------------------

 1. Launch of the Microfading Tester International Discussion Group (MFT-IDG)

 2. RE: Valchromat boards Oddy test?

 3. WCG Meeting Announcement - February 6th

 4. Continued Professional Development: Colour Filling Using Epoxy Resins

 5. Job Posting: Book Conservator at the University of Glasgow

 6. RE: expertise needed in upholstery conservation

 7. Virtual seminar: Pigment identification – visual examination and polarised 
light microscopy

 8. RE: Valchromat boards Oddy test?

 9. Call for Papers: CAC-ACCR Conference, October 2025

 10. 2025 Online Meetings for Professional Practitioners Start 5 February

 11. LA Fires NHR Update

------------------------------------------------------------------------------------------------------------

1.From: Vincent Beltran
 Posted: Wednesday January 22, 2025  6:15 AM
 Subject: Launch of the Microfading Tester International Discussion Group 
(MFT-IDG)
 Message: 
Dear all,


We are happy to officially launch the Microfading Tester International 
Discussion Group (MFT-IDG), which can be accessed at the following link: 
https://tinyurl.com/5b6ash6n <https://tinyurl.com/5b6ash6n>


Approved in 2024 by the American Institute for Conservation (AIC) and sponsored 
by AIC's Preventive Care Network (PCN), this community is open to all, only 
requiring the creation of a free login for the AIC website.


The microfading tester (MFT) was introduced in the mid-1990's by conservation 
scientist Paul Whitmore, and has become an important preventive conservation 
tool for assessing the light sensitivity of an object and supporting the 
development of evidence-based lighting policies.


The MFT-IDG aims to advance MFT practice and support a global network of MFT 
users. Our audience includes prospective, emerging, and expert MFT users, as 
well as allied colleagues interested in how MFT data can impact collection care.


The MFT-IDG maintains an online community with a discussion board and resource 
library; the latter includes the results of a needs assessment survey and a 
directory of MFT users and institutions with MFT. We are committed to 
continuing the development of an information repository (including the AIC 
Wiki) and in-person and virtual programming for professional exchange.


The MFT-IDG officers would like to thank everyone who helped us reach this 
point, including colleagues at AIC (Katelin Lee, Carmina Lemare-Bertrand, and 
Bonnie Naugle) and PCN (Priscilla Anderson, Kelly McCauley, and Samantha 
Springer), and our advisory board and organizing committee (listed below).


We hope you'll join us in building the MFT-IDG community!


Officers: Vincent Laudato Beltran (Chair), JP Brown (Vice-Chair), Rio Lopez 
(Secretary), Kirsten Dunne (Information Repository), Cindy Connelly Ryan 
(Programming)


Advisory Board: Grylle Beck Carstensen, Abed Haddad, Christel Pesme


Organizing Committee: Priscilla Anderson, Vincent Laudato Beltran, Mark Benson, 
JP Brown, Kirsten Dunne, Abed Haddad, Dawn Jaros, Rio Lopez, Laura Maccarelli, 
Cindy Connelly Ryan, Greg D. Smith


------------------------------
Vincent Laudato Beltran 
Scientist
Getty Conservation Institute
Los Angeles CA
[email protected]
------------------------------


2.From: Angeliki Zisi
 Posted: Wednesday January 22, 2025  6:15 AM
 Subject: RE: Valchromat boards Oddy test?
 Message: Hei Helena 

I Oddy tested Valchromat (black) in August 2022 and indeed, it did not pass the 
test (BM protocol). It failed the lead and it 'temped' the copper. But passed 
the silver. 

Hope this helps.

All the best, 

Kiki 


------------------------------
Angeliki Zisi
Archaeological Conservator
Kulturhistorisk Museum
Oslo
Norway
------------------------------
-------------------------------------------
Original Message:
Sent: 01-21-2025 10:23
From: Helena Jaeschke
Subject: Valchromat boards Oddy test?

 Dear Colleagues  Can anyone tell me whether Valchromat boards have been Oddy 
tested? I recently discovered some small toy figures (presumably lead alloy) 
that are suffering aggressive corrosion, in a case made from glass and 
Valchromat. The paint is flaking off in small pieces  and there are odd 
crystalline growths from the metal ([photo enclosed). The case is not RH 
controlled. The Valchromat has a stippled grey colour (see photo of underside 
of case) 
   Many thanks   Helena 
   Museum Development South West   
   

3.From: Lindsay Cross
 Posted: Wednesday January 22, 2025  8:48 AM
 Subject: WCG Meeting Announcement - February 6th
 Message: 


Please join the Washington Conservation Guild for the 2nd virtual meeting of 
the 2024/2025 Season:



The Role of Conservators in Art Crime Investigations

with Catherine P. Foster, Ph.D., and Geoffrey Kelly

of Argus Cultural Property Consultants




courtesy of the FBI

Thursday, February 6th

Online via zoom  

Social time 5:15-5:30, Lecture 5:30-6:30



Dr. Catherine P. Foster is a foreign affairs expert, archaeologist, and former 
curator with two decades of experience in museum collections management, 
university teaching, archaeological fieldwork, and federal service in support 
of cultural heritage protection and preservation. 

As one of the original members of the FBI’s Art Crime Team, Geoff Kelly managed 
numerous high-profile investigations, utilizing sophisticated techniques, 
veteran interviewing skills, and good old-fashioned detective work.



If you are not a member of WCG and wish to attend, please RSVP here:

https://forms.gle/y7PsBzYFDuE1hYFX9 <https://forms.gle/y7PsBzYFDuE1hYFX9>



If you have paid membership contributions for the 2024-2025 season, you will be 
emailed the link in advance of the meeting and do not need to RSVP.



2024/2025 WCG season memberships are $35 for professionals, $25 for renewing 
emerging professionals, and free to emerging professionals who are entering 
their first season as a WCG member.
Join or renew at www.washingtonconservationguild.org/membership 
<http://www.washingtonconservationguild.org/membership>. 



For more information about this season’s meetings, please visit

https://washingtonconservationguild.org/meeting-schedule-2024-2025-season/ 
<https://washingtonconservationguild.org/meeting-schedule-2024-2025-season/>

Our meetings are public, and pictures may appear on WCG’s website and social 
media accounts. 

Follow us on Instagram, Facebook, and YouTube!

------------------------------
Lindsay Cross
Membership Secretary
Washington Conservation Guild
------------------------------


4.From: Sarah Peek
 Posted: Wednesday January 22, 2025  10:49 AM
 Subject: Continued Professional Development: Colour Filling Using Epoxy Resins
 Message: 



Sarah Peek ACR and Jasmina Vuckovic ACR are pleased to announce the next colour 
filling course, using epoxy resins, at their studio in Brighton, England.

The course runs for 4 full days Tuesday 25th -Friday 28th February 2025 at a 
cost of £600 + vat lunch included.


Aimed at conservators interested in colour filling technique.
Participants will learn the advantages and limitations of the colour filling 
technique and its application in the repair of ceramics, enamel and related 
materials.
We will be considering various epoxy resins, a range of bulking materials and 
tinting methods.
Polishing and finishing techniques will be covered.
Attendees will benefit from being part of a small focused group with a student 
to tutor ratio of 1:3 working in a bespoke studio.
Participants are tutored by Icon Accredited Conservators, who operate a well 
established commercial studio, working to achieve the highest standards.
We will be providing case study objects but participants are also welcome to 
bring their own pieces suitable for this techniques

Please follow the link for more information

https://www.sarahpeek.co.uk/colourfilling 
<https://www.sarahpeek.co.uk/colourfilling> 

Sarah Peek ACR
Senior Conservator 
Sarah Peek Limited





Many thanks for your time
Sarah






 
 
Sarah Peek ACR
[email protected] <[email protected]>
www.sarahpeek.co.uk <http://www.sarahpeek.co.uk>
Redwins rear of
6 Preston Park Avenue
Brighton BN1 6HJ
+441273 243 744













5.From: Louisa Coles
 Posted: Wednesday January 22, 2025  10:53 AM
 Subject: Job Posting: Book Conservator at the University of Glasgow
 Message:  
We are recruiting for a Book Conservator to join the Collections Management 
team at Archives & Special Collections, part of the Library Collections 
Directorate here at the University of Glasgow, Scotland.
 
 
 
The successful candidate will bring professional knowledge, expertise and skill 
for the conservation treatment of items from across our collections.  This role 
directly enables delivery of ASC's Collections  Classroom service and supports 
the College of Arts & Humanities' research project  'Take Me and Make It 
Happen! 
<https://www.gla.ac.uk/schools/mlc/aboutus/events/index.html/event/13752>'. The 
post is full time (35 hours p/w) and fixed term to cover maternity leave for up 
to 12 months.
 
 
 
Further details, including how to apply, are available here: 
www.jobs.gla.ac.uk/job/book-conservator 
<http://www.jobs.gla.ac.uk/job/book-conservator>
 
 
 
Please share, and for informal conversations about this opportunity, please 
contact:
 
Louisa Coles, Head of Conservation & Preservation: [email protected] 
<[email protected]>
 
 
 
We are also advertising for two posts that will be part of our growing 
Collections Discovery & Systems team and contribute to our programme of 
innovation within collections discovery, preservation, and access.   These 
roles are offered on a full-time, open-ended basis.
  Archivist (Digital Preservation) 
(www.jobs.gla.ac.uk/job/archivist-digital-preservation 
<http://www.jobs.gla.ac.uk/job/archivist-digital-preservation>): delivering  
expertise in the management and preservation of the University's growing 
born-digital heritage collectionsDigital Collections Systems Specialist 
(www.jobs.gla.ac.uk/job/digital-collections-systems-specialist 
<http://www.jobs.gla.ac.uk/job/digital-collections-systems-specialist>):  
bringing high quality skills to the development of the digital infrastructure 
supporting the management, discovery and preservation of the Library's heritage 
collections 
 
 
Together these posts will support the management, discovery and preservation of 
the University's internationally significant collection of books, manuscripts 
and archives.  
 
 
 
The Library Collections Directorate sits within Library Services.  A team of 
around 50 people, we work across preservation and conservation, book and 
heritage collections processing and cataloguing, metadata  and online 
discovery, engagement services, digital preservation, photography and 
digitisation. 
 
 
 
Applications for all positions are open until 23:45 on 9th February 2025
 
 
 
For informal conversations about these opportunities please contact:
 
Book Conservator: Louisa Coles, Head of Conservation & Preservation: 
[email protected] <[email protected]>
 
Archivist (Digital Preservation) & Digital Collections Systems Specialist: Leo 
Konstantelos, Head of Collections Discovery & Systems: 
[email protected] <[email protected]>
 
 
 
Louisa Coles
 
Head of Conservation and Preservation
 
Archives & Special Collections
 
Room 235, University of Glasgow Library
 
Hillhead Street
 
Glasgow
 
G12 8QE
 
 
 
https://www.gla.ac.uk/archivespecialcollections/ 
<https://www.gla.ac.uk/archivespecialcollections/>
 
t: +44 (0)141 330 6214
 
e: [email protected] <[email protected]> 
 
 
 

6.From: Chris Shelton
 Posted: Wednesday January 22, 2025  10:53 AM
 Subject: RE: expertise needed in upholstery conservation
 Message: 
Robin-


Hope I am not too late!  I would be happy to discuss these projects with you.  
I am a furniture conservator and I have worked with both American and European 
upholstery for museums since 1992.  I do both traditional and minimally 
intrusive compensations and have spoken at AIC meetings on the subject.  Beyond 
what I do in the studio, I also have contacts with upholstery and textile 
conservators, historians, and suppliers that could be helpful for your project. 
   You can contact me at [email protected] or on the phone at 
617-364-4054.  


Thanks!


Chris Shelton





------------------------------
Chris Shelton
Principal
Christopher Shelton Conservtion, LLC
Jamaica Plain
United States
------------------------------
-------------------------------------------
Original Message:
Sent: 10-24-2024 07:33
From: Robin Hanson
Subject: expertise needed in upholstery conservation

The Cleveland Museum of Art is in the planning phase of a project to reinstall 
its French decorative arts galleries. It is expected that this project will 
happen in a couple of years; the conservation department is being asked to 
provide cost estimates now for projects to be included in this reinstallation. 
Among the objects to be included are several pieces of furniture requiring new 
upholstery, including a pair of Fauteuil 
https://www.clevelandart.org/art/1927.423 
<https://www.clevelandart.org/art/1927.423>, an armchair 
https://www.clevelandart.org/art/1989.160 
<https://www.clevelandart.org/art/1989.160>, and a bed headboard and footboard 
https://www.clevelandart.org/art/1954.151 
<https://www.clevelandart.org/art/1954.151>. 
I would appreciate hearing from conservators who would be in a position to 
reupholster these objects for us-to discuss cost estimates, lead times needed, 
and time frame needed for the actual upholstery itself. It is my assumption 
that we would need to send the objects to the conservator's studio for 
reupholstery; we also are open to having the work done onsite here in Cleveland 
if that makes more sense.
Please be in touch with me if you have questions. I would like to be able to 
discuss project budget estimates with those knowledgeable about this type of 
project.
Thanks.


------------------------------
Robin Hanson
Conservator of Textiles
Cleveland Museum of Art
Cleveland OH
216 707 2259
------------------------------


7.From: James Black
 Posted: Wednesday January 22, 2025  4:58 PM
 Subject: Virtual seminar: Pigment identification – visual examination and 
polarised light microscopy
 Message: 
Pigment identification – visual examination and polarised light microscopy
Date: Thursday, 6 February 
Time: 3pm GMT,  there will be a 55 minute presentation followed by 15 minutes 
of discussion.
Tutor: Tracey Chaplin
Price: £25.00
Platform: Zoom


Please register on Eventbrite 
<https://www.eventbrite.co.uk/e/1096058563669?aff=oddtdtcreator>


This virtual seminar on Zoom introduces the techniques involved in identifying 
pigments visually with the aid of a polarising light microscope. The different 
optical properties of pigments observable with the microscope will be described 
and demonstrated and methods by which the observed properties can then be used 
(either directly or from microscopic samples) to identify pigments found on 
decorative surfaces will be discussed.


Instrumental methods of identifying pigments will be presented in an IAP 
virtual seminar on March 6th.


Tracey Chaplin is an Independent Scientific Consult specialising in analysis 
and identification of artists’ materials and their degradation products on 
objects such as paintings, sculpture, furniture, manuscripts, wallpaper, 
textiles and architectural elements. This includes the application of 
microscopy, cross-sectional analysis, spectroscopies, scanning electron 
microscopy (SEM), energy dispersive X-ray (EDX) analysis, X-ray fluorescence 
and gas chromatography mass spectrometry (GC-MS). Tracey lectures in 
conservation science at the City and Guilds of London Art School, has published 
extensively and is one of four authors of The Pigment Compendium.


------------------------------
James Black 
Co-ordinator
International Academic Projects
London
www.academicprojects.co.uk
------------------------------


8.From: Helena Jaeschke
 Posted: Wednesday January 22, 2025  4:58 PM
 Subject: RE: Valchromat boards Oddy test?
 Message:  Many thanks to kind members who have replied.  It's possible that 
the figures are zinc alloy rather than lead alloy, but the corrosion does not 
resemble zinc pest (swelling and cracking) so the jury is still out on that 
one. Either way the corrosion has to  be treated with caution as we don't know 
what the constituents are.  
   The knowledge that Valchromat boards have failed Oddy tests is extremely 
helpful. Thank you very much. I wish museums would consult conservators more 
BEFORE they commission the use of new materials in proximity to objects.  
   You are a great community!  Thank you  All the best  Helena  
      

-------------------------------------------
Original Message:
Sent: 1/22/2025 5:15:00 AM
From: Angeliki Zisi
Subject: RE: Valchromat boards Oddy test?

Hei Helena 

I Oddy tested Valchromat (black) in August 2022 and indeed, it did not pass the 
test (BM protocol). It failed the lead and it 'temped' the copper. But passed 
the silver. 

Hope this helps.

All the best, 

Kiki 


------------------------------
Angeliki Zisi
Archaeological Conservator
Kulturhistorisk Museum
Oslo
Norway
------------------------------
-------------------------------------------
Original Message:
Sent: 01-21-2025 10:23
From: Helena Jaeschke
Subject: Valchromat boards Oddy test?

 Dear Colleagues  Can anyone tell me whether Valchromat boards have been Oddy 
tested? I recently discovered some small toy figures (presumably lead alloy) 
that are suffering aggressive corrosion, in a case made from glass and 
Valchromat. The paint is flaking off in small pieces  and there are odd 
crystalline growths from the metal ([photo enclosed). The case is not RH 
controlled. The Valchromat has a stippled grey colour (see photo of underside 
of case) 
   Many thanks   Helena 
   Museum Development South West   
   

9.From: Jessica Lafrance-Hwang
 Posted: Wednesday January 22, 2025  4:59 PM
 Subject: Call for Papers: CAC-ACCR Conference, October 2025
 Message: 
Call for Papers
50th Annual CAC Conference and Workshops
Canadian Museum of History | Gatineau, Quebec
October 20-25, 2025


The Canadian Association for Conservation of Cultural Property (CAC) invites 
abstracts for its 50th Annual Conference and Workshops, "Surveying the Past, 
Treatments for the Future." This milestone event will take place from October 
20 to 25, 2025, at the Canadian Museum of History in Gatineau, situated on the 
traditional, unceded territory of the Algonquin Anishinabeg.


We welcome submissions for:




Full-length presentations (20 minutes)

Lightning/short talks (5 minutes)

Digital posters


Submissions can address any aspect of conservation, with a special focus on 
projects that revisit the past with fresh perspectives or highlight 
forward-thinking approaches. Topics may include, but are not limited to:




Preventive conservation strategies

Treatment innovations

Advances in collections management

Conservation science and research

Community collaboration and engagement in conservation

Reassessing historical treatments and methodologies


Postprints Publication:




Authors of full-length presentations may opt to submit a full paper for 
publication in the postprints.

Abstracts of short talks and full presentations without accompanying papers 
will also be included in the postprints.


Visit our website for detailed submission guidelines. 
<https://www.cac-accr.ca/our-conferences/conference-program/>  ABSTRACTS ARE 
DUE MARCH 31, 2025



The Canadian Museum of History is located on the traditional, unceded territory 
of the Algonquin Anishinabeg. This land has held, and continues to hold, great 
historical, spiritual and sacred significance. We recognize and honour the 
enduring presence of the Algonquin people. We also know that you may be joining 
us from many places near and far, and we acknowledge the traditional owners and 
caretakers of those lands.


Questions? Please direct all questions about the conference to 
[email protected] <[email protected]>.





Conference Chair, Jessica Lafrance-Hwang, Manager, Conservation and 
Preservation, Canadian Museum of History


Program Chair, Erika Range, Conservator, Canadian Museum of Nature


------------------------------
Jessica Lafrance-Hwang
Manager, Conservation and Preservation
Canadian Museum of History
Gatineau
Canada
------------------------------


10.From: Sarah Lowengard
 Posted: Wednesday January 22, 2025  4:59 PM
 Subject: 2025 Online Meetings for Professional Practitioners Start 5 February
 Message: 
I'm pleased to announce the 2025 schedule of Professional Practitioners' Online 
Business Meetings 
<https://www.s-4-s-p.com/p/professional-practitioners-roundtable.html> will 
begin on Wednesday 5 February, with the annual "Looking Forward" session, a 
discussion of the current environment for professional practitioners. 


This and all sessions will meet the first Wednesday of each month, and start at 
12:00 noon, US Eastern Time (UTC -5:00). 


I've planned 8 meetings for 2025, including an optional 2-meeting series for 
those in the early days of their professional practice.*


Join me and other artists, artisans, academics (yes, academics), and other 
independent practitioners who want to know more about being business-like 
without the soul-crushing business-speak.


I look forward to "seeing" you in February.



Sarah
Sarah Lowengard
Owner
Strategies for Solo Practitioners 
<https://www.s-4-s-p.com/p/strategies-for-solo-practitioners.html>
Expert Advice for Individual Practitioners
[email protected]


*Ask me about the discount I offer to groups of 6 or more.


------------------------------
Sarah Lowengard
New York
United States
------------------------------


11.From: Christina Cain
 Posted: Wednesday January 22, 2025  5:00 PM
 Subject: LA Fires NHR Update
 Message: Hello community members,

I want to provide an update on the work of the Foundation for Advancement in 
Conservation's National Heritage Responders regarding the LA fires. 

Volunteers have been monitoring our 24/7 hotline (202.661.8068), and we've 
fielded a few questions from the public via our public helpline email 
([email protected]). We are sharing resources widely and 
are updating our After the Fires webinar series (https://youtu.be/n74zCl0f7Nc 
<https://youtu.be/n74zCl0f7Nc>). Local institutions and individuals are 
tremendously proactive, creating resources and Q&A sessions. As always, we 
defer to the local team and our volunteers stand by, ready to respond as needed.

We have been in close contact with a couple of networks of museums, cultural 
institutions, and conservation professionals who are actively building 
resources in LA. We'd like to highlight the work of LA County Arts & Culture, 
Your Neighborhood Museum, Balboa Art Conservation Center, Site & Studio 
Conservation, Los Angeles Arts Conservation, and many individuals who are 
developing needs surveys, resources, and will be hosting Preservation Mutual 
Aid: For Fire and Water Damaged Artwork and Cherished Belongings 
<https://www.instagram.com/p/DE8bCC2SEvu/?img_index=1> on Instagram Live this 
Thursday, January 23rd and Saturday, January 25th.


------------------------------
Christina Cain
Emergency Programs Manager
American Institute for Conservation and Foundation for Advancement in 
Conservation
Washington, D.C.
202.661.8069
------------------------------




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