Email digest for the Global Conservation Forum (ConsDistList) egroup.
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 1. NHSF Conference | Trends in Heritage Science

 2. Call for Papers ICON Stained Glass Group Annual Conference 2025

 3. Identification of printing techniques

 4. IAP Virtual seminar: Removing Pressure Sensitive Tape

 5. Job opportunity at Buckinghamshire Archives

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1.From: Caterina Zaggia
 Posted: Wednesday April 9, 2025  7:05 AM
 Subject: NHSF Conference | Trends in Heritage Science
 Message: 

NHSF Conference | Trends in Heritage Science

https://www.heritagescienceforum.org.uk/what-we-do/nhsf-conference-trends-in-heritage-science
 
<https://www.heritagescienceforum.org.uk/what-we-do/nhsf-conference-trends-in-heritage-science>

Focusing on what's next for heritage science, the conference will include 
presentations and panel discussions, exhibitors, workshops and opportunities to 
network

Best.
Caterina


2.From: Moira Malcolm
 Posted: Wednesday April 9, 2025  7:05 AM
 Subject: Call for Papers ICON Stained Glass Group Annual Conference 2025
 Message: 
Call for Papers

ICON Stained Glass Group Annual Conference 2025

Removed, Remodelled, Relocated: The movement of stained glass from its original 
setting to places new. 

The ICON Stained Glass Group is pleased to announce its annual conference, to 
be held at Canterbury Cathedral 3rd and 4th October, 2025.

Location: Canterbury Cathedral Lodge, The Precincts, Canterbury, CT1 2EH


The rise in the closure of historic buildings and places of worship has led to 
an increasing risk to stained glass where windows are broken up, dismantled, 
resold and – if not lost entirely - relocated. This year's theme aims to follow 
the journey of transposed historic architectural glass from creation, 
displacement, restoration or reworking and eventually reinstallation in a new 
context. The conference will include discussions of medieval, modern, and 
composite stained glass and will welcome papers on but not limited to:

·         Re-location of stained glass windows (whole or in parts) to different 
parts of a building or to a different building

·         Movement through sale and auction house

·         Misplacements, reproductions, and forgeries

·         Practical examples of how to display/rehome stained glass 

·         Innovative or unusual displays of fragments or otherwise broken up 
windows

We invite speakers to reflect on comparisons between previous and new 
locations, altered historical and artistic significance in their new 
location/form, appearance differences (through design or degradation) and the 
change in overall heritage values through these acts of restoration, reworking, 
and salvage.
We encourage emphasis on problem solving, whether practical or bureaucratic and 
the methods used to overcome these difficulties.

All students, early-years practitioners and established professionals are 
welcome to submit papers.

Please submit a short abstract to; [email protected]

Deadline for submissions ; 30th April 2025

Also email if you have any specific queries or would like to arrange a 
discussion. 

Please share amongst stained glass contemporaries and save the date. We look 
forward to welcoming all to Canterbury for this year's ICON Stained Glass Group 
Annual Conference.



------------------------------
Moira Malcolm
Chair of Icon Stained glass Group 
[email protected]
Director of Rainbow Glass Studio Ltd 
Stained Glass Conservator/Artist
Prestwick
[email protected]
01292 474279
------------------------------


3.From: Hildegard Homburger
 Posted: Wednesday April 9, 2025  11:45 AM
 Subject: Identification of printing techniques
 Message: Courses: Identification of print making techniques

Hosted by Hildegard Homburger, Berlin, Germany in cooperation with IADA 
(International Association of Book and Paper Conservators)



Offered to conservators, art historians, archivists, registrars and others

 

Identification of manual prints

 

Berlin, Germany, 23rd-24th June, 2025

https://hildegard-homburger.de/erkennung.html 
<https://hildegard-homburger.de/erkennung.html>

 

Identification of photomechanical prints

 

Berlin, Germany, 26th-27th June, 2025

https://hildegard-homburger.de/photomechanisch1.html 
<https://hildegard-homburger.de/photomechanisch1.html>

 

The language of the courses will be English.

Maximum participants: 8

Costs: 390 Euro or 350 Euro for IADA-members

Registration requests should be sent to 

h.homburger(at)t-online.de

 

Hildegard Homburger

Papierrestaurierung

www.hildegard-homburger.de <http://www.hildegard-homburger.de>




------------------------------
Hildegard Homburger
Private Paper Conservator
Berlin
Germany
------------------------------


4.From: James Black
 Posted: Wednesday April 9, 2025  11:45 AM
 Subject: IAP Virtual seminar: Removing Pressure Sensitive Tape
 Message: Date: Wednesday, 23 April 2025
Time: 3pm BST
Tutor: Françoise Richard
Price: £25.00
Platform: Zoom

There will be a 55 minute presentation followed by 15 minutes of discussion.

Please register on Eventbrite: 
https://www.eventbrite.co.uk/e/1289569660569?aff=oddtdtcreator 
<https://www.eventbrite.co.uk/e/1289569660569?aff=oddtdtcreator>

Tape removal is a sticky problem for a paper conservator to solve and this 
presentation is a paper conservator’s approach to the removal of pressure 
sensitive tape.
Every library, archive or museum collection has paper objects repaired with 
pressure sensitive tape (PST), or self-adhesive tape, that sticks when pressure 
is applied, without the need for heat or solvent activation. These tapes are 
ubiquitous and pose substantial problems for the long-term conservation of 
paper heritage because their synthetic adhesive layer generally degrades with 
time, leaving stains embedded in the paper.
This virtual seminar discusses different and complementary approaches to the 
design of optimal treatment strategies for removing self-adhesive tape, 
including recently formulated rigid solvent-gels alongside traditional solvent 
application methods.

Françoise Richard lectures part-time in Conservation and Restoration at the 
University of Amsterdam and works on a free-lance basis to provide conservation 
services to Dutch cultural institutions. After graduating from the Sorbonne in 
2005 she worked in private and institutional Book and Paper conservation 
studios in the USA (CCAHA, Philadelphia) and the UK (Dundee University and the 
Fitzwilliam Museum; Cambridge). In 2017 she joined the Rijksmuseum conservation 
team in Amsterdam. In 2020 she started a study on rigid solvent-gel for the 
treatment of paper.


------------------------------
James Black 
Co-ordinator
International Academic Projects
London
www.academicprojects.co.uk
------------------------------


5.From: Daniel Williams
 Posted: Wednesday April 9, 2025  5:17 PM
 Subject: Job opportunity at Buckinghamshire Archives
 Message: 
Job opportunity at Buckinghamshire Archives, Aylesbury, UK, for an Archive 
Conservator: Archive Conservator | Buckinghamshire Council Jobs 
<https://jobs.buckinghamshire.gov.uk/job_detail/328002/> 


For more information about Buckinghamshire Archives: Buckinghamshire Archives | 
Buckinghamshire Council 
<https://www.buckinghamshire.gov.uk/culture-and-tourism/archives/> 


After reading the job description, if you would like to discuss the role 
further, please contact Daniel Williams, County and Diocesan Archivist, at 
[email protected] <[email protected]> 
 


------------------------------
Daniel Williams
Aylesbury
United Kingdom
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