Email digest for the Global Conservation Forum (ConsDistList) egroup.
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 1. Bordeaux Summer School 2025 – Advanced Mass Spectrometry Applied to 
Cultural Heritage

 2. Position Opening: Conservator of Decorative Arts and Sculpture at The 
Philadelphia Museum of Art

 3. The International Iron Gall Ink Meeting 2025: Towards Sustainable 
Preservation - May 7-9 - Portugal

 4. Seeking Advice on Smart Glass for Exhibition Cases

 5. Job opportunity: Project Manager: Hazards in Collections, The British 
Library (UK) - temporary, full-time

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1.From: Francesca Galluzzi
 Posted: Wednesday April 23, 2025  6:36 AM
 Subject: Bordeaux Summer School 2025 – Advanced Mass Spectrometry Applied to 
Cultural Heritage
 Message:           Dear all,


We're pleased to share the announcement of the 4th edition of the Bordeaux 
Summer School - Advanced Mass Spectrometry Applied to Cultural Heritage, taking 
place from June 1620, 2025, in Bordeaux, France.


June 1619: A hands-on workshop (limited to 16 participants), combining expert 
lectures and lab sessions on MALDI-TOF-TOF, LC-MS/MS (Top-down and Bottom-up), 
MALDI imaging, structural analysis, and data interpretation, all framed around 
real-world challenges in heritage science.


June 20: A one-day symposium with invited international speakers, offering a 
platform for discussion on recent innovations in analytical approaches to 
cultural and archaeological materials.


And yes-the week coincides with the Bordeaux Wine Festival!!  
https://www.bordeaux-fete-le-vin.com <https://www.bordeaux-fete-le-vin.com> 
<https://www.bordeaux-fete-le-vin.com>


Applications and more details available here: 
https://bss-appliedchemistry.u-bordeaux.fr/en/abstracts 
<https://bss-appliedchemistry.u-bordeaux.fr/en/abstracts>


Feel free to share with colleagues or students who may be interested!


Best regards,
 
 
  Francesca Galluzzi <>
 
Bordeaux Protome Heritage
Universit de Bordeaux
146 rue Leo Saignat 33076 Bordeaux Cedex (France)




2.From: Jocelyn Nesbit
 Posted: Wednesday April 23, 2025  9:55 PM
 Subject: Position Opening: Conservator of Decorative Arts and Sculpture at The 
Philadelphia Museum of Art
 Message: 
The Philadelphia Museum of Art seeks a Conservator of Decorative Arts and 
Sculpture. 

The Conservator of Decorative Arts and Sculpture will perform conservation 
examinations and treatments on the museum's collection of sculpture, decorative 
arts, installation art, outdoor sculpture, architecture, and other collections 
in a wide range of materials including ceramics, glass, metal, stone, wood, 
polychrome wood, plastics, leather, lacquer, other organic materials, and 
composites. The museum has significant holdings of American, European, South 
Asian, and East Asian works of art, including Contemporary Art, Design, 
time-based media, and outdoor sculpture, with expanding collections of African 
and African Diasporic Art.

The Conservator will work independently and collaboratively to further research 
to understand the materials and techniques used by artists, manufacturers, and 
fabricators. They will serve as an integral member of the museum's conservation 
staff and assume leadership in exhibitions, installations, loans, preventive 
care of the permanent collections, building, and professional and public 
engagement.

The Conservator establishes long-term goals and strategic planning for the 
conservation gallery maintenance program, overseeing the Supervisor of 
Conservation Gallery Maintenance and a team of part-time gallery maintenance 
technicians who carry out routine collection maintenance in galleries on a 
weekly or established period as required.


Specifically, you will:
 


Examine, conduct research, and perform conservation treatment on a range of 
artworks that fall into the broad category of objects conservation, which 
includes ceramics, glass, metal, stone, wood, polychrome wood, plastics, 
lacquer, leather, other organic materials, composite objects, architectural 
materials, and installation art.
Evaluate and document the condition of works requested for loan, exhibition, or 
acquisition consideration.
Advise on housing, installation, storage, mount-making, handling, packing, and 
transporting works of art.
Collaborate with conservation scientists in chemical and instrumental analysis 
and characterization of materials of works of art.
Analyze and evaluate artworks using X-radiography and visible, fluorescence, 
and polarized light microscopies.
Collaborate across departments on exhibition planning, emergency planning, 
building care and maintenance, and capital projects.
Mentor and train conservation junior staff, post-graduate fellows, interns, and 
technicians.
Lead and participate in ongoing preservation activities, including 
environmental monitoring, pest mitigation, storage planning, and materials 
testing, to contribute to the preventive care of museum collections.
Establishes long-term goals and strategic planning for Conservation Gallery 
Maintenance.  Supervise and guide the Supervisor of Conservation Gallery 
Maintenance and an associated team of Conservation Gallery Maintenance 
technicians.  Establish priorities, advocate for, and help coordinate resources 
and budget development.  Lead hiring and personnel considerations for the team. 
Participate as a member of the Conservation Division in a range of 
institutional initiatives and functions, as well as professional and public 
engagement. These may include museum committees, staff presentations, teaching, 
and conferences.
Assist in the administration of the Decorative Arts and Sculpture Conservation 
Department, including developing the budget, producing an annual report of 
highlights, fundraising, grant writing, record keeping, and maintaining 
chemical inventory and safety protocols.
Perform other duties as assigned.


If you want to apply for the position, please follow the link below. Thank you 
and good luck!


https://philamuseum.applytojob.com/apply/cZZzhbyDHq/Conservator-Of-Decorative-Arts-And-Sculpture


------------------------------
Jocelyn Nesbit
Conservation Administrator
The Philadelphia Museum of Art
Philadelphia
United States
------------------------------


3.From: Valeria Orlandini
 Posted: Wednesday April 23, 2025  9:56 PM
 Subject: The International Iron Gall Ink Meeting 2025: Towards Sustainable 
Preservation - May 7-9 - Portugal
 Message: Dear Colleagues,

With great pleasure I am sharing this information of the IGI 2025 with paper 
and book conservators, conservation scientists, collection keepers and students.
 
Have a wonderful World Book Day/ Día Internacional del Libro/ Dia Mundial do 
Livro!



From: Maria Melo <[email protected] <[email protected]>>
Date: Wed, Apr 23, 2025 at 6:02 AM
Subject: IGI 2025 | some information


Dear Colleagues,
 
It is such a joy to welcome you all to IGI 2025!
To know more about our programme, please see here: Programme | igi2025 
<https://sites.fct.unl.pt/igi2025/pages/programme>

See you soon in Caparica!
IGI team


Silvia Sequeira
Natercia Teixeira 
Vanessa Otero 
Paula Nabais 
Rafael Javier Diaz Hidalgo 
Malihe Sotoudeh 

















______________________________________________
Maria Joao Melo
Full Professor  | Department of Conservation and Restoration

NOVA SCHOOL OF SCIENCE AND TECHNOLOGY | NOVA FCT
Universidade NOVA de Lisboa
Campus de Caparica | 2829-516 Caparica | Portugal




























------------------------------
Valeria Orlandini 
Conservator of Works on Paper and Photographic Materials
Chevy Chase MD
(301) 657-2682
------------------------------


4.From: Tonia Grafakos
 Posted: Wednesday April 23, 2025  9:56 PM
 Subject: Seeking Advice on Smart Glass for Exhibition Cases
 Message: Hello everyone,

I'm working on an exhibition space that will have some ambient natural light. A 
recent light study indicated that light levels exceed the recommended 
guidelines for displaying paper and photographs.


Smart glass equipped cases have been suggested as a potential solution.  Before 
committing to this path, I'd love to hear from others who have experience with 
this material. Have you encountered challenges or noted particular advantages?  
Are there any institutions that have a smart glass case around the Chicago area?


Any guidance or advice would be greatly appreciated.

Many thanks,
Tonia

 


------------------------------
Tonia Grafakos
Marie A. Quinlan Director of Preservation
Northwestern University Libraries
[email protected]
------------------------------


5.From: Lucia Noor Melita
 Posted: Wednesday April 23, 2025  9:57 PM
 Subject: Job opportunity: Project Manager: Hazards in Collections, The British 
Library (UK) - temporary, full-time
 Message: 
The British Library is looking for a project manager to deliver the project on 
Hazards in Collections. The focus of the role will be to support the British 
Library on a review of specific hazards within the BL collections, focusing on 
heavy metals (arsenic, lead, mercury and its compounds) and pesticides in 
printed books and manuscripts.
The post holder will be responsible in researching our collection to identify 
hazards and providing recommendation on their management during the various 
activities in which we interact with collections.
They will be crucial in the delivery of training and workshops around the 
library, documenting all aspects of the development process and providing clear 
guidelines and documentation (e.g. training material, videos and/or eLearning 
modules for internal use, leaflets, posters) and other resources to support the 
BL in bringing awareness on hazards in the Collection.
For more information: 
https://ce0752li.webitrent.com/ce0752li_webrecruitment/wrd/run/etrec179gf.open?WVID=5071482BMD&LANG=USA&VACANCY_ID=4982927gWU
  
<https://ce0752li.webitrent.com/ce0752li_webrecruitment/wrd/run/etrec179gf.open?WVID=5071482BMD&LANG=USA&VACANCY_ID=4982927gWU>


------------------------------
Lucia Noor Melita
Lead Conservation Scientist
British Library
London
United Kingdom
------------------------------




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