Email digest for the Global Conservation Forum (ConsDistList) egroup.
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 1. MA Dissertation Survey: Preventing Dye Migration in Leather

 2. Materia: Journal of Technical Art History Issue 5 is now live!

 3. Newly acquired conservation titles available in the Getty Library's 
Conservation Collection

 4. NATCC 2025 - early registration ends soon

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1.From: En Whealing
 Posted: Wednesday July 16, 2025  10:03 AM
 Subject: MA Dissertation Survey: Preventing Dye Migration in Leather
 Message: 
Hello everyone,


I'm an MA books and paper conservation student at West Dean College in the UK. 
My MA topic is on preventing dye migration when dying leather for conservation 
use, and I'm interested in discovering what others in the profession do. 


If you dye leather for conservation use, please consider filling in my short 
survey. It's 12 questions and takes about 5-7 minutes to complete. It's run 
through google forms, and it's entirely annonymous. 


You can find it here. Preventing dye migration in leather 
<https://docs.google.com/forms/d/e/1FAIpQLSd2g09QXH9K3s0kfpf-MIJZECTJbZRMP9LXvKIKe1AYKMicXw/viewform?usp=send_form>


If you have any questions or concerns, please get in touch.


Thank you very much!


En Whealing




------------------------------
En Whealing
Student
West Dean College of Art and Conservation
Chichester
United Kingdom
------------------------------


2.From: Roxane Sperber
 Posted: Wednesday July 16, 2025  5:37 PM
 Subject: Materia: Journal of Technical Art History Issue 5 is now live!
 Message: 
We are pleased to announce that Issue 5 
<https://materia-issue5.materiajournal.com/> of Materia: Journal of Technical 
Art History <https://www.materiajournal.com/> is now live! In this issue, we 
continue to broaden our exploration of what constitutes technical art history, 
showcasing articles that apply a technical lens to stained glass, decorative 
plaster, and architectural drawings as well as a theoretical exploration of the 
conservation of Futurist artworks. We are also pleased to debut our first 
translated article in English  
<https://materia-issue5.materiajournal.com/essay_versari/>and Italian 
<https://materia-issue5.materiajournal.com/essay_versari_italian/>! 


In Pride of the Last Peacock: A Look at John La Farge's Final "Peacock Window," 
<https://materia-issue5.materiajournal.com/essay_chau/> Amanda Chau shares her 
observations about an important, experimental window created by John La Farge 
at the end of his life. Through careful examination of this most personal work, 
Chau offers fresh insights into La Farge's creativity and experimentation.


The Coloured Edges of Van Eesteren and Van Doesburg 
<https://materia-issue5.materiajournal.com/essay_munk/> presents a 
conservation-driven investigation of the colored frames on nine mounted floor 
plans by architect Cornelis van Eesteren and artist Theo van Doesburg. As these 
frames had not been subject to material analysis prior to this study, Jurjen 
Munk provides a thorough technical examination, archival and provenance 
research, and analysis of the exhibition history of these unique objects. The 
study reconstructs the material biography of the works, establishing the 
colored frames' authenticity and their conceptual significance in light of the 
principles and ideals of the De Stijl movement.


Plaster Decoration: The Stucco Makers from Southern Switzerland at Work 
<https://materia-issue5.materiajournal.com/essay_felici/> offers a 
comprehensive technical analysis of stucco production in the southern Swiss 
region of Canton Ticino during the sixteenth and seventeenth centuries. 
Utilizing archival research, technical literature, on-site visual examination, 
material analysis, and the creation of replicas to reconstruct historical 
stucco-making practices, Giacinta Jean and Alberto Felici uncover variations in 
both material composition and methods among different stuccatori and highlight 
the technical sophistication of stucco as a medium. By focusing on the 
material-technical aspects of plasterwork, their research demonstrates how 
practical knowledge and craftsmanship were pivotal in shaping early-modern 
stucco programs. The findings also lay the groundwork for research into the 
broader body of work by Ticenese stucco masters, who were active across Europe 
during this period.


In The Adventure of a Feather, a Glass Ball, and a Seahorse: Methodological 
Reflections on the Material History of Futurist Artworks 
<https://materia-issue5.materiajournal.com/essay_versari/>, Maria Elena Versari 
explores methodological perspectives that stem from her archival exploration of 
the conservation history of a Futurist artwork housed in an American 
collection. The article is published here in both Italian and English.


We also return with our readers' favorite segment, Voices from the Field 
<https://materia-issue5.materiajournal.com/voices/>, this time featuring the 
perspectives of scholars Jørgen Wadum and Sally Woodcock, who reflect on their 
careers and expertise through a discussion of their backgrounds in 
conservation, archival research, and the integrated study of art objects.


We hope you read and enjoy these fully open-access articles and share them with 
colleagues and friends.


Happy reading!


Lucia Bay
‍Courtney Books
Bianca Garcia
‍Emma Jansson
Anouk Jonker
Caroline Kirmer
Sami Norling
Cynthia Prieur
‍Julie Ribits
Roxane Sperber, lead editor for Issue 5
Morgan Wylder


------------------------------
Roxane Sperber
Clowes Conservator of Paintings 
Indianapolis Museum of Art at Newfields
Indianapolis IN
------------------------------


3.From: Sheila Cummins
 Posted: Wednesday July 16, 2025  7:51 PM
 Subject: Newly acquired conservation titles available in the Getty Library's 
Conservation Collection
 Message: Every month the Getty Conservation Institute (GCI) acquires new 
research materials for the Conservation Collection, housed in the Library at 
the Getty Research Institute (GRI). The collection represents an ongoing 
collaboration between the GCI and the GRI to acquire and retain critical 
resources required to fulfill the long-term research and scholarship needs of 
the international conservation community.

In June, we added books about about wax figures, ethical aspects of collection 
management, color in art, Islamic glass vessels, antiquarian gemstone 
collections, Celtic goldwork, the teaching of architectural preservation, and 
the painter Gustav Klimt. See the complete list of Conservation Collection 
acquisitions here:

http://gty.art/4nNieEe 
<http://gty.art/4nNieEe?fbclid=IwZXh0bgNhZW0CMTAAYnJpZBExemJOZGtsdGNRaDk1cFRqdgEeF1Bd8raQLkoOGTIADY4nfS2_9f6Gbq2dvmLYY5msR9jYx0zRziPOqQB0U_s_aem_0l_hl9t1Oaz9XJkIr8CpqQ>


The holdings of the Conservation Collection may be consulted at the Getty 
Center or borrowed through your Library's Interlibrary Loan Department.




















------------------------------
Sheila Cummins
Collection Development Librarian
Getty Conservation Institute
Los Angeles, CA
310-440-7619
[email protected]
------------------------------


4.From: Howard Sutcliffe
 Posted: Wednesday July 16, 2025  7:52 PM
 Subject: NATCC 2025 - early registration ends soon
 Message: 
The early bird registration rate for the 15th Biennial North American Textile 
Conservation Conference - Mending threads, filling gaps: Conservation 
narratives  of loss and  renewal (September 15-19, 2025 in Banff, Alberta, 
Canada) ends on Friday July 18th.  Please visit Home - NATCC 
<https://natcconference.com> for details on the program, links to registration 
and the conference hotel.


------------------------------
Howard Sutcliffe, Fellow, AIC
Principal Conservator
River Region Costume and Textile Conservation
Arley AL / Nashville TN
267 974 1913
------------------------------




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