Email digest for the Global Conservation Forum (ConsDistList) egroup.
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1. RE: UV blocking Acrylic sheet for windows
2. RE: Moth Traps
3. 3D Manipulation Software
4. Purchasing WAAC Newsletter Fire protective covers issue
5. Position: Modern and Contemporary Objects Conservator at the North Carolina
Museum of Art
6. RE: Position: Modern and Contemporary Objects Conservator at the North
Carolina Museum of Art
7. RE: Moth Traps
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1.From: Dermot Cox-Kearns
Posted: Thursday August 28, 2025 7:15 AM
Subject: RE: UV blocking Acrylic sheet for windows
Message:
You could consider Schott glass glazing as an alternative to a polymer product.
------------------------------
Dermot Cox-Kearns
Owner
Ashford - Wicklow
Ireland
------------------------------
-------------------------------------------
Original Message:
Sent: 08-27-2025 15:18
From: Michaela Neiro
Subject: UV blocking Acrylic sheet for windows
I am looking for available brands of Acrylic/plexi sheet to hang in the
windows of our Historic House museums to block UV while the sites are open in
the summer. I currently have quotes for Optix UVF and Acrylite OP-3. Is
anyone familiar with these products or do you have others to recommend?
Thanks for your input,
Michaela Neiro Director of Conservation Historic New England
2.From: Jane Thompson-Webb
Posted: Thursday August 28, 2025 1:46 PM
Subject: RE: Moth Traps
Message: Hello Alison,
We only use webbing clothes moth lures here in Birmingham, UK. They are the
type you describe, with the pheromone in the adhesive. If you are really
strapped for cash, you can cut them in half to make two square-ish lures to
make them go further.
They do occasionally catch case bearing/making moths, but I catch both moth
species on regular blunder traps too.
I would make two suggestions. 1- analyse your old data to work out which is
the main moth that you catch. Use the appropriate pheromone. 2 - work out
which are the vulnerable collections and only use the pheromone lures there -
this will reduce the amount of lures that you need to use.
They are a very useful early warning system but I would not use them
everywhere, only with collections that are vulnerable to moth attack. I also
suggest that you prioritise housekeeping so that you reduce the likelihood of
moths getting a foothold. This will also reduce your need for pheromone lures.
Best wishes
Jane
Jane Thompson-Webb
Conservation Manager T: 0121 348 8211
www.birminghammuseums.org.uk/ <https://www.birminghammuseums.org.uk>
Birmingham Museums Trust
Registered Address
Birmingham Museum & Art Gallery, Chamberlain Square, Birmingham, B3 3DH
Birmingham Museums is an educational charity
(no. 1147014)
-------------------------------------------------------------------------------------------------------------------------------------
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Registered Charity Number: 1147014
-------------------------------------------
Original Message:
Sent: 8/26/2025 3:23:00 PM
From: Alison Moule
Subject: Moth Traps
Hi everyone,
I am doing some IPM shopping for the Textile Museum of Canada - moth traps, in
particular. In the past, traps and pheromone lures were purchased from Insects
Limited in the US. I am hoping to find a supplier in Canada to avoid high
shipping/import fees and disadvantageous currency conversion. I am working with
a very small conservation budget. Very small. After looking at different
options, I have questions about which products are absolutely necessary, and
which products are just nice to have.
There are low-cost generic "clothes moth traps" (for example
<https://www.leevalley.com/en-ca/shop/home/pest-control/insects/117237-clothes-moth-traps?item=AT228&utm_campaign=CAN-EN|PLA|PMax|Garden|HighPriceTier&gad_source=1&gad_campaignid=19834385024&gbraid=0AAAAAClVJ5g9Oq_C3R3ZN8Cb9GQb-Cg9l&gclid=EAIaIQobChMIyujn6d2ojwMVQBxECB1SeTbGEAQYASABEgL7VPD_BwE>)
available that do not contain separate pheromone lures. The pheromone is
present in the adhesive. These appear to be made for webbing clothes moths.
Would these traps be good enough? I spoke on the phone to a pest control
company who said the pheromones for webbing clothes moths can also attract
casemaking clothes moths, but ideally you would want to have pheromones for
both types.
Is it necessary to have additional lures/attractants? I have found different
options for pheromone lures, but all are quite expensive.
Which moth traps does your institution use? Do you use lures for webbing
clothes moths and casemaking clothes moths? Any other tips?
Thank you for helping me out of my IPM rabbit hole (or moth hole, if you will).
------------------------------
Alison Moule
Conservation Project Manager
Textile Museum of Canada
Toronto
Canada
[email protected]
------------------------------
3.From: Olivia-Jane Haslam
Posted: Thursday August 28, 2025 1:46 PM
Subject: 3D Manipulation Software
Message:
Hello all,
I am an archaeogical conservator working on a 3D reconstruction project using
one of our objects. Our goal is to digitally reconstruct missing sections of
the object using a combination of scan data and digital modeling to better
understand its purpose. I do not have much experience yet with 3D modeling and
was looking for recommendations on software to use for manipulating 3D scan
data to create reconstructions and other maniupulated models such as molds and
fills. Currently we have an Artec Leo scanner and we use Blender 4.4 and Bamboo
Studio after the data is processed with Artec Studio. In my research I have
seen a couple different softwares depending on the scanner along with Sketchfab
and CAD modeling. Any information regarding software, its price, and how easy
it is to use would be greatly appreciated.
Thank you!
------------------------------
Olivia-Jane Haslam
Archaeological Conservator
The Mariners' Museum and Park
Newport News, Virginia
United States
------------------------------
4.From: Carolyn Tallent
Posted: Thursday August 28, 2025 1:47 PM
Subject: Purchasing WAAC Newsletter Fire protective covers issue
Message: My apologies for not including this information.
Single Issues of the WAAC Newsletter are available. Issues Vol.1 - Vol.14, #3
(Sept. 1992) are $5/copy. Issues Vol.15 - Vol.29, #3 (Sept. 1997) are
$10/copy. Issues Vol.30 (Jan. 2008) and after are $15/copy. A 20% discount
will be given to libraries seeking to obtain back issues to complete a “run”
and for purchases of ten copies or more of an issue.
Prices include shipping and handling. Make checks payable to WAAC drawn in US
dollars on a US bank. Send to:
Chris Stavroudis
1272 N. Flores Street
West Hollywood, CA 90069-2904
[email protected]
For more information please contact the WAAC Secretary: Rachel Mochon.
[email protected]
There may be a delay of a couple of weeks before you receive the Newsletter as
Chis is traveling for workshops.
5.From: Corey Riley
Posted: Thursday August 28, 2025 1:47 PM
Subject: Position: Modern and Contemporary Objects Conservator at the North
Carolina Museum of Art
Message: The North Carolina Museum of Art is seeking a Conservator of Modern
and Contemporary Objects. The conservator will provide general care and
treatment of the objects collections both in the Museum and in the Museum Park.
This position examines and treats objects requested for exhibition and loan,
makes recommendations for travel and crating, and examines objects for possible
accessioning. This position works closely with the Curatorial, Registration,
and Exhibitions and Collections Departments on issues of care and display of
the objects collections.
The North Carolina Museum of Art is a division of the Department of Natural and
Cultural Resources. The statutory purpose of the museum is to acquire,
preserve, and exhibit works of art for the education and enjoyment of the
people of North Carolina, and to conduct programs of education, research and
publication designed to encourage an interest in and an appreciation of art on
the part of the people of the state. The state's art collection spans more than
5,000 years, from ancient Egypt to the present, making it one of the premier
art museums in the Southeast. With a 164-acre campus, the museum also has the
distinction of being the nation's largest art museum park with an extensive
trail system that connects to the 63-mile Capital Area Greenway through the
City of Raleigh. Along with thirty-five outdoor sculptures, the facilities
located within the park include two main museum buildings, a large outdoor
performing arts facility/amphitheater, parking lots, bike trails, and greenways.
The Conservation Department at the North Carolina Museum of Art is approaching
its 50th anniversary and has been an integral part of the Museum since 1976.
The seven-member department serves the People's Collection of North Carolina
with expertise in objects and paintings conservation and provides technical
analysis for the NCMA collection as well as partner institutions. The
Conservation Department is currently planning for the construction of two new
state-of-the-art conservation studios designed by Sam Anderson, including a
conservation gallery and engagement space, slated to open in late 2027.
Key Responsibilities include but are not limited to:
Examining and treating objects in the Museum's collection, employing
specialized equipment and analytical testing as needed to determine fabrication
and condition of the object.
Generating written reports and photo-documentation for all major and minor
treatments.
Addressing issues of structural deterioration and aesthetic presentation to
preserve the works of art.
Recommending and implementing preventive and remedial care that may involve
proper display of art and security to the collection.
Supervising the maintenance and installation of the sculptures in the Museum
Park.
Giving presentations promoting the conservation field to the general public and
museum audience and writing papers for a professional audience on significant
research and treatment projects.
Position/Physical Requirements:
Typical work schedule is Monday – Friday; 8:00am-5:00pm- 40 hours.
Required Qualifications:
Demonstrated experience treating art objects constructed from a variety of
materials.
Demonstrated experience treating Modern and Contemporary art objects.
Demonstrated experience performing Conservation work according to the Code of
Ethics and Standards of Practice outlined by the American Institute for
Conservation of Historic and Artistic Works.
Graduate Degree from a recognized conservation program
At least three years of experience working as a conservator in an art
conservation lab.
Preferred Qualifications:
Demonstrated experience with Time-based Media conservation.
Demonstrated experience treating outdoor sculptures.
5-10 years of experience working as a conservator in an art conservation lab.
Salary:
$55,000.00 - $73,000.00 Annually
Benefits:
Eligible NC State employees have excellent benefits that include employee
health insurance options, standard pension and supplemental retirement plans,
NC Flex (a variety of high-quality, low-cost benefits on a pre-tax basis), and
paid vacation, sick, and community service leave, to name a few. Paid parental
leave is available for eligible employees.
Please apply online at the following website by the closing date of 5:00 PM
EST, 9/25/25:
https://www.governmentjobs.com/careers/northcarolina/jobs/5047232/conservator-of-modern-contemporary-objects
<https://www.governmentjobs.com/careers/northcarolina/jobs/5047232/conservator-of-modern-contemporary-objects>
------------------------------
Corey Riley
Objects Conservator
North Carolina Museum of Art
Raleigh, NC
[email protected]
------------------------------
6.From: Stephanie Guidera
Posted: Thursday August 28, 2025 3:22 PM
Subject: RE: Position: Modern and Contemporary Objects Conservator at the
North Carolina Museum of Art
Message:
Such great news! To any perspective applicants, I spent some time working with
Corey and the NCMA team, and lived in Raleigh for a while. I would be happy to
chat about my experience there - just reach out!
------------------------------
Stephanie Guidera (she/her)
Andrew W. Mellon Fellow in Objects Conservation
Art Institute of Chicago
------------------------------
-------------------------------------------
Original Message:
Sent: 08-28-2025 13:10
From: Corey Riley
Subject: Position: Modern and Contemporary Objects Conservator at the North
Carolina Museum of Art
The North Carolina Museum of Art is seeking a Conservator of Modern and
Contemporary Objects. The conservator will provide general care and treatment
of the objects collections both in the Museum and in the Museum Park. This
position examines and treats objects requested for exhibition and loan, makes
recommendations for travel and crating, and examines objects for possible
accessioning. This position works closely with the Curatorial, Registration,
and Exhibitions and Collections Departments on issues of care and display of
the objects collections.
The North Carolina Museum of Art is a division of the Department of Natural and
Cultural Resources. The statutory purpose of the museum is to acquire,
preserve, and exhibit works of art for the education and enjoyment of the
people of North Carolina, and to conduct programs of education, research and
publication designed to encourage an interest in and an appreciation of art on
the part of the people of the state. The state's art collection spans more than
5,000 years, from ancient Egypt to the present, making it one of the premier
art museums in the Southeast. With a 164-acre campus, the museum also has the
distinction of being the nation's largest art museum park with an extensive
trail system that connects to the 63-mile Capital Area Greenway through the
City of Raleigh. Along with thirty-five outdoor sculptures, the facilities
located within the park include two main museum buildings, a large outdoor
performing arts facility/amphitheater, parking lots, bike trails, and greenways.
The Conservation Department at the North Carolina Museum of Art is approaching
its 50th anniversary and has been an integral part of the Museum since 1976.
The seven-member department serves the People's Collection of North Carolina
with expertise in objects and paintings conservation and provides technical
analysis for the NCMA collection as well as partner institutions. The
Conservation Department is currently planning for the construction of two new
state-of-the-art conservation studios designed by Sam Anderson, including a
conservation gallery and engagement space, slated to open in late 2027.
Key Responsibilities include but are not limited to:
Examining and treating objects in the Museum's collection, employing
specialized equipment and analytical testing as needed to determine fabrication
and condition of the object.Generating written reports and photo-documentation
for all major and minor treatments.Addressing issues of structural
deterioration and aesthetic presentation to preserve the works of
art.Recommending and implementing preventive and remedial care that may involve
proper display of art and security to the collection.Supervising the
maintenance and installation of the sculptures in the Museum Park.Giving
presentations promoting the conservation field to the general public and museum
audience and writing papers for a professional audience on significant research
and treatment projects.Position/Physical Requirements:
Typical work schedule is Monday – Friday; 8:00am-5:00pm- 40 hours.Required
Qualifications:
Demonstrated experience treating art objects constructed from a variety of
materials.Demonstrated experience treating Modern and Contemporary art
objects.Demonstrated experience performing Conservation work according to the
Code of Ethics and Standards of Practice outlined by the American Institute for
Conservation of Historic and Artistic Works.Graduate Degree from a recognized
conservation program At least three years of experience working as a
conservator in an art conservation lab.Preferred Qualifications:
Demonstrated experience with Time-based Media conservation.Demonstrated
experience treating outdoor sculptures.5-10 years of experience working as a
conservator in an art conservation lab.
Salary:
$55,000.00 - $73,000.00 Annually
Benefits:
Eligible NC State employees have excellent benefits that include employee
health insurance options, standard pension and supplemental retirement plans,
NC Flex (a variety of high-quality, low-cost benefits on a pre-tax basis), and
paid vacation, sick, and community service leave, to name a few. Paid parental
leave is available for eligible employees.
Please apply online at the following website by the closing date of 5:00 PM
EST, 9/25/25:
https://www.governmentjobs.com/careers/northcarolina/jobs/5047232/conservator-of-modern-contemporary-objects
<https://www.governmentjobs.com/careers/northcarolina/jobs/5047232/conservator-of-modern-contemporary-objects>
------------------------------
Corey Riley
Objects Conservator
North Carolina Museum of Art
Raleigh, NC
[email protected] <[email protected]>
------------------------------
7.From: Rachael Arenstein
Posted: Thursday August 28, 2025 3:22 PM
Subject: RE: Moth Traps
Message:
Hi Alison,
Jane offers good advice and you received correct information from the pest
control company. Pheromones are species specific but I too have caught both
webbing and case making clothes moths with webbing moth lures. Pheromones are
volatile chemicals, that is, in part why they are expensive to synthesize,
manufacture and purchase. It is also why most say they are good for around 90
days. I like the Insect Limited lures because i know they are regularly
manufactured, they keep them sealed and cold until they are shipped so you are
getting a fresh product. I have had success with the traps where the pheromone
is in the glue as well. But oftentimes pest control companies may have
inventory sitting around for a while and if they open the barrier film bag and
don't reseal it, the lure is not fresh and that can reduce its efficacy. If you
are buying them and keep the bag well sealed and in a fridge until they are
needed that can help. Making sure you are not using too many will help control
the cost.
Best, Rachael
------------------------------
Rachael Arenstein
A.M. Art Conservation, LLC
[email protected]
------------------------------
-------------------------------------------
Original Message:
Sent: 08-26-2025 15:23
From: Alison Moule
Subject: Moth Traps
Hi everyone,
I am doing some IPM shopping for the Textile Museum of Canada - moth traps, in
particular. In the past, traps and pheromone lures were purchased from Insects
Limited in the US. I am hoping to find a supplier in Canada to avoid high
shipping/import fees and disadvantageous currency conversion. I am working with
a very small conservation budget. Very small. After looking at different
options, I have questions about which products are absolutely necessary, and
which products are just nice to have.
There are low-cost generic "clothes moth traps" (for example
<https://www.leevalley.com/en-ca/shop/home/pest-control/insects/117237-clothes-moth-traps?item=AT228&utm_campaign=CAN-EN|PLA|PMax|Garden|HighPriceTier&gad_source=1&gad_campaignid=19834385024&gbraid=0AAAAAClVJ5g9Oq_C3R3ZN8Cb9GQb-Cg9l&gclid=EAIaIQobChMIyujn6d2ojwMVQBxECB1SeTbGEAQYASABEgL7VPD_BwE>)
available that do not contain separate pheromone lures. The pheromone is
present in the adhesive. These appear to be made for webbing clothes moths.
Would these traps be good enough? I spoke on the phone to a pest control
company who said the pheromones for webbing clothes moths can also attract
casemaking clothes moths, but ideally you would want to have pheromones for
both types.
Is it necessary to have additional lures/attractants? I have found different
options for pheromone lures, but all are quite expensive.
Which moth traps does your institution use? Do you use lures for webbing
clothes moths and casemaking clothes moths? Any other tips?
Thank you for helping me out of my IPM rabbit hole (or moth hole, if you will).
------------------------------
Alison Moule
Conservation Project Manager
Textile Museum of Canada
Toronto
Canada
[email protected] <[email protected]>
------------------------------
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