Email digest for the Global Conservation Forum (ConsDistList) egroup. ------------------------------------------------------------------------------------------------------------
1. Fellowship Opportunity: National Museum of the American Indian Andrew W. Mellon Conservation Fellowship 2. Job Opportunity - Head of Preventive Conservation and Operations (The National Archives) 3. Job Posting: Beal Family Postgraduate Fellow in Conservation Science, Harvard Art Museums 4. Join us for the 2026 AIC session "A Failure Shared is Not a Failure: Learning From Our Mistakes 5. ASTM C01/C15/C07 Symposium in Need of Reviewers 6. CALL FOR APPLICATIONS: Supervisory Chief Conservator (Head Conservator) at Hirshhorn Museum and Sculpture Garden 7. RE: MFT-IDG Webinar, Nov 14: "Microfading Testers in Use: Whitmore, Fotonowy, and Retroreflective 8. Maker's Mark on Wooden Stretcher Members ------------------------------------------------------------------------------------------------------------ 1.From: Caitlin Mahony Posted: Tuesday January 6, 2026 9:48 AM Subject: Fellowship Opportunity: National Museum of the American Indian Andrew W. Mellon Conservation Fellowship Message: Andrew W. Mellon Conservation Fellowship Each fall, the NMAI offers a two-year Andrew W. Mellon fellowship to support innovative thinking in conservation, collections care, and stewardship. The fellowship may be extended by one (1) year depending on academic and professional experience and Smithsonian Institution policy. This full-time fellowship (40 hours/week) is designed for individuals who have a strong interest in collaborative conservation and are committed to advancing the field in ways that serve and benefit Indigenous communities. This fellowship moves beyond traditional treatment-focused conservation to embrace a broader, more integrated approach. The fellow will: Implement collaborative engagements Develop integrated document practices Engage in collections care and stewardship Practice preventive conservation Design artifact displays Develop project management and decision-making skills Implement treatment using integrated, diverse knowledge sets The fellow works closely with Conservation staff to develop and implement a research project designed to serve the museum's Native/Indigenous constituencies This fellowship provides mentorship and resources to help the fellow reach personal, professional, and research goals. Location: The fellowship is based at the NMAI Cultural Resources Center <https://americanindian.si.edu/explore/collections/crc/> in Suitland, Maryland. Eligibility: Applicants must be at least 18 years old, hold a bachelor's degree, and be proficient in English. US citizenship is not required. Applicants must be open to engaging in both Western and Indigenous approaches to cultural heritage care and conservation. Applicants should have proficient hand skills and knowledge of materials. Eligible candidates may include conservators, artists, makers, craftspeople, mountmakers, and those with an interest in cultural material science. As part of the application process, applicants will be expected to define and articulate their primary field of knowledge or professional focus. Applicants must demonstrate knowledge of Indigenous cultures or experience with community-based preservation. A familiarity and working knowledge of various materials is required. Examples of such materials are clay, wood, metal, vegetal fibers, fibers used in textile production, hide, feathers, beads, paint, and paper. Criteria for Selection: Conservation staff evaluate applicants based on their knowledge, experience, potential, and vision. Applicants must demonstrate: Knowledge of Indigenous cultures or experience with community-based preservation Familiarity and working knowledge of organic and inorganic materials used in the creation of Indigenous cultural heritage Ability to execute artistic or conservation practice skills Knowledge of ethics and practice of community- or collaborative-based work Openness and interest in engaging with both Western and Indigenous approaches to cultural heritage care and conservation Creativity, innovative thinking, and critical thinking Ability to develop a research idea that outlines the use of their funds and how it will support Indigenous communities As part of its mandate for "the increase and diffusion of knowledge," including the diverse ideas, skills, and cultures of our nation, the Smithsonian Fellowship program does not discriminate based on race, color, religion, sex (including gender identity, gender stereotyping, pregnancy, and sexual orientation), national origin, age, disability, genetic information, parental status, or marital status. Stipend: $50,000/year stipend $5,000/year for research and travel $5,000/year for medical insurance assistance Funding for one roundtrip relocation ticket Application Process: The application is a two-stage, competitive process. All applicants are required to submit a Stage 1 application form. The deadline for Stage 1 submission is February 18th by 5pm ET. Conservation staff will review applications and select candidates who will then be invited to submit Stage 2 application materials by March 25th. Stage 1 Submission Requirements: Statement of interest: In 1,000 words or fewer, share your personal and professional background as it relates to your field of knowledge or profession. Address why you are interested in this fellowship and describe how your experience and research will make an impact. Vision for your research: In 500 words or fewer, describe your research interests and goals. Transcripts: Provide unofficial copies of completed course work reflecting the highest level of educational attainment. Curriculum vitae, résumé, or biographical sketch: Submit a detailed, up-to-date document that summarizes your background in your field(s) of knowledge and experience working with communities or artists. Stage 2 Submission Requirements (Selected Candidates): Three supporting documents: Documents may include treatment reports, publications, samples of artistic or material practice, and/or documentation of community-based projects. Use of research funds: Describe how the $5,000 in research and travel funds will support your fellowship goals. Three letters of professional recommendation: References should be from three different individuals-two individuals in the same field of knowledge who can speak on the importance or impact of your work and one personal character reference. How to Apply: Submit your application through the Smithsonian Online Academic Appointment System <https://solaa.si.edu/solaa/#/public>. Finalists will be invited to proceed to stage 2 of the process, which will consist of an online interview and portfolio presentation. ------------------------------ Caitlin Mahony Conservator Smithsonian National Museum of the American Indian Suitland United States ------------------------------ 2.From: Sophie Adlam Posted: Tuesday January 6, 2026 10:50 AM Subject: Job Opportunity - Head of Preventive Conservation and Operations (The National Archives) Message: Job Opportunity - Head of Preventive Conservation and Operations (The National Archives) Salary: £52,130 per annum Contract type: Permanent Closing date: Tuesday 27th January 2026 at midnight The National Archives' Collection Care Department has a strong and growing reputation for its outstanding expertise in caring of archival collections. Our collection is one of the largest and most important archival collections in the world, with more than 220 shelf kilometres of paper, parchment, photographs, textiles and other materials. The long-term preservation of our collection provides unique challenges, as we are balancing the needs of the materials against demands for access and sustainability. We are looking for a highly motivated, very experienced, well respected, and creative expert to build on the success of recent years and to further develop The National Archives' preservation and operations agenda. You will leverage the existing expertise within the department, drive innovation and bring new perspectives to approaching the long-term preservation of our entire collection. Working in tandem with our Heritage Science Conservation Research, Conservation for Imaging, Conservation and Treatment Development, and Engagement teams, as well as relevant departments across the organisation, you will constantly benchmark our preservation practice against national and international standards and best practice. You will use your deep understanding of value and risk assessment, material deterioration, and data modelling to inform our approach to managing our repositories and access to our collection. You will work closely with peers around the world to find ever new and innovative solutions to our complex preservation challenges and you will expand our professional network to the benefit of the team's professional development and that of our collection. Your commitment to operating sustainably will help us to meet our ambitious sustainability targets for our site, and you and your team will effectively support all of Collection Care's operations. A highly effective communicator, you will lead on The National Archives' approach to the long-term preservation of our physical collection, support our exhibition and public engagement agenda, provide leadership for the sector, and will push our publication output and presence at international conferences. Responsible for managing teams supporting the delivery of on-going preservation programmes and Collection Care operations, you will define priorities, manage risks, and will align our approach to preservation with The National Archives' strategic plan. As Head of Preventive Conservation and Operations you will form part of Collection Care's Senior Management team, and you will assume strong leadership in the development and delivery of key strategic initiatives for the whole department in line with current and future objectives of The National Archives. This is a full time post. However, requests for part-time working, flexible working and job share will be considered, taking into account at all times the operational needs of the Department. A combination of onsite and home working is available and applicants should be able to regularly travel to our Kew site for a minimum of 60% of their work time. For full details and to apply, please click here: https://nationalarchives.wd3.myworkdayjobs.com/Careers/job/Kew/Head-of-Preventive-Conservation-and-Operations_JR200737 <https://nationalarchives.wd3.myworkdayjobs.com/Careers/job/Kew/Head-of-Preventive-Conservation-and-Operations_JR200737> ------------------------------ The National Archives Kew, Richmond, UK ------------------------------ 3.From: Alison Cariens Posted: Tuesday January 6, 2026 10:50 AM Subject: Job Posting: Beal Family Postgraduate Fellow in Conservation Science, Harvard Art Museums Message: Job Description At the intersection of public access and higher education, the Harvard Art Museums invite everyone to embrace inquiry, dialogue, and new perspectives on art and ideas. The museums' global collections encompass a broad range of time periods and geographies. The Fellowship program at the Harvard Art Museums is designed to broaden the experience of those embarking on professional museum careers in art history and related fields, conservation and conservation science, and/or museum education. Fellows are integral members of the museums' staff, take part in departmental and museum-wide meetings, and collaborate with colleagues across the museums. Fellows are active members of the program cohort, participating in regular Fellows meetings, workshops, specialized training, and organized activities throughout the year, including presenting their work at an annual Fellows Symposium. The Straus Center for Conservation and Technical Studies is seeking a postdoctoral scientist for a 3-year research fellowship in the field of conservation science. Job-Specific Responsibilities: Under the supervision of the Senior Conservation Scientist and Director, Straus Center for Conservation and Technical Studies, the Beal Fellow works with scientists, conservators, conservation fellows, curators, and academic art historians on research projects. This position utilizes a broad range of art and artists' materials collections in the Harvard Art Museums and other institutions. Emphasis will be shared between traditional and modern/contemporary artists' materials and techniques. The Fellow provides analytical services to the Harvard Art Museums' conservators and curators in the study and preservation of the collection and documenting findings. The laboratories are equipped with polarized light and reflectance/UV fluorescence microscopes, GC-MS, FT-IR, Raman and XRF spectrometers. The Fellow assists with instrument maintenance and repair as necessary, and in training others to use the instruments. Beyond the resources of the Center, Harvard University and other local universities and museums offer access to specialized analytical equipment and a large scientific community. The Fellowship will involve the organization of workshops and symposia to engage others in examining issues related to conservation science research. The Beal Fellow is an integral member of the conservation staff, carrying out a broad range of activities, including presentations of research and other projects; lab maintenance; and leading or participating in lab tours. Foregrounding the museums' teaching and research mission, the Fellow also participates in interdisciplinary teaching and contributes to a rich offering of public and academic interpretive programs across various platforms. The Fellow may supervise students and temporary employees. The above covers the most significant responsibilities of the position. It does not, however, exclude other duties, the inclusion of which would be in conformity with the position. Physical Requirements: Ability to work safely in lab and workshop environments, including the use of chemicals and tools, while wearing appropriate personal protective equipment (PPE) Excellent hand skills and manual dexterity for precise treatment and handling tasks Ability to perform fine but physically demanding work, standing or sitting for extended periods while using manual and power tools Ability to lift, move, and position objects weighing up to 25 pounds Ability to color match We believe in the potential of candidates from all backgrounds and experiences. If you meet the Basic Qualifications for this role and are excited about the opportunity, we encourage you to apply-even if you don't meet every single Additional Qualification. Whether you're starting your career, re-entering the workforce, transitioning fields, or seeking the next step, we welcome your unique perspective. Please use your cover letter to share your passion for art museums and how you envision contributing to this role. Qualifications Candidates MUST meet the following basic qualifications in order to be considered for this role: Ph.D. in chemistry/physical science combined with experimental research experience and demonstrated experience of an ability to conduct academic research required. Additional Qualifications and Skills: A high level of scientific achievement and a serious interest in a career as a scientist in the museum field Experience with microscopy of diverse types, image analysis, and advanced computational skills desirable Strong oral and written communication skills required Demonstrated interest in the visual arts Record of publication and/or presentation, and knowledge of one or more foreign languages preferred Museum or related experience preferred Commitment to fostering engagement with original works of art in a university museum context, for all visitors Excellent organizational, interpersonal, and communication skills; ability to work independently as well as collaboratively as part of a team Additional Information Term: This fellowship is a term position starting September 8, 2026 and ending on September 2, 2029. Compensation: $60,000 annualized compensation. Benefits: The Fellow has access to travel funding and is eligible to participate in Harvard's fringe benefits program. Standard Hours/Schedule: 35 hours per week. Work Location: This position works on site at both the museum in Cambridge, MA, and periodically at a second facility in Somerville, MA. Pre-Employment Screening: Identity, Education, and Criminal. Orientation and Review Period: This position has a 3-month orientation and review period. Application Procedures: Please apply online with a cover letter and a résumé or curriculum vitae. Complete applications will be reviewed on a rolling basis, starting January 26, 2026, and continuing until the position is filled. Please apply online with a cover letter and a résumé or curriculum vitae using the following link: https://us.smrtr.io/4pL3G <https://us.smrtr.io/4pL3G> Applications can also be submitted via careers.harvard.edu using Posting Code: 001986SR Complete applications will be reviewed on a rolling basis, starting January 26, 2026, and continuing until the position is filled. Applicant are encouraged to submit as early as possible. Upon review of applications, select candidates will be notified to submit two letters of recommendation. Supporting documents may include writing samples and other materials. ------------------------------ Straus Center for Conservation and Technical Studies Harvard Art Museums Cambridge, MA United States ------------------------------ 4.From: Kari Rayner Posted: Tuesday January 6, 2026 1:23 PM Subject: Join us for the 2026 AIC session "A Failure Shared is Not a Failure: Learning From Our Mistakes Message: Have you ever made a mistake? Learned from it? Wished you could learn from it? Wished someone else could learn from it? Have you learned something from our past "Mistakes" sessions that helped you? If so, we need you! If you're attending the AIC/CAC-ACCR meeting in Montreal, either in person or virtually, please consider speaking at our 9th annual session of "A Failure Shared is Not a Failure: Learning from Our Mistakes." Come share your stories with your friends and colleagues in a judgement-free zone! Although the session will be live-streamed and recorded, it will NOT be included in the Postprints and will NOT be posted on YouTube. "Mistakes" will be the closing session of the Annual Meeting from 5:15 - 6:30 pm EST on Saturday, May 2nd. It's always been a great event -- challenging, hilarious, sad, fun, sobering, and reassuring all at once! We hope you will attend and enjoy the cash bar! If you are not attending in person, we can pre-record and present your contribution via Zoom. Or, if you'd like to submit a talk but would prefer to remain anonymous, the moderators are happy to present on your behalf. Please submit a 2-3 sentence summary of your proposed topic to Tony Sigel ([email protected]) and Kari Rayner ([email protected]). Presentations can be 3 to 8 minutes; images or PowerPoints are welcome but not required. ------------------------------ Kari Rayner Associate Conservator of Paintings J. Paul Getty Museum Los Angeles, CA ------------------------------ 5.From: Anthony Hita Posted: Tuesday January 6, 2026 1:23 PM Subject: ASTM C01/C15/C07 Symposium in Need of Reviewers Message: Greetings Colleagues. I am the chair of ASTM C15's task group of historical masonry and have been asked to reach out to my fellow cultural heritage professionals as we are in need of technical expertise. ASTM Committee C01 (Cement), C07 (Lime and Limestone), and C15 (Masonry) are co-sponsoring a symposium in June 2026. The theme of this year's symposium is Advancing Masonry Technology and Tradecraft. Presented papers will have a distinct "in practice" focus, rather than being theoretical or technical without a focus on implementation. We are currently in dire need of qualified peer reviewers to provide input on the selected papers for the symposium. You do not need to be an ASTM member or attending the symposium to be a peer reviewer. In particular, we need historic preservation and material science-focused professionals with expertise in masonry. Five papers do not yet have peer reviewers. The five papers still needing reviewers are focused on historic mortar testing, petrography, salt crystallization treatment, terra cotta, and brick veneers. While those are the topics needing reviewers, we also welcome reviewers on other topics as well. These include adaptive reuse of masonry buildings, engineered masonry veneers, flatjack testing, tensile and shear bond strength, carbon sequestration in concrete, and earthen construction. ASTM has begun to focus more on standards related to historical masonry, as it is a growing segment in the US and Canada. Symposia like this one are important to helping us disseminate knowledge and gain insight into concepts that may inform revisions to existing standards or creations of new ones. If you are interested in reviewing a paper, please see the attached instructions and reach out as soon as you are able. This is not a large time commitment, but it can have a broader impact in our industry. Contacts for asking questions or getting more information are also included with the form. If you are interested in the symposium as a potential attendee, you also do not need to be an ASTM member to attend, so please join us in Dallas in June! More details will go out later once we have these papers through review. Thank you for your time and consideration! ------------------------------ Anthony Hita Architectural Conservator LimeWorks.us Telford United States ------------------------------ 6.From: Sarah Montonchaikul Posted: Tuesday January 6, 2026 1:24 PM Subject: CALL FOR APPLICATIONS: Supervisory Chief Conservator (Head Conservator) at Hirshhorn Museum and Sculpture Garden Message: [Posted on behalf of the Hirshhorn Museum and Sculpture Garden] CALL FOR APPLICATIONS: Supervisory Chief Conservator (Head Conservator) at Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC. PLEASE DIRECT ALL INQUIRIES TO: LaToya Jones (202-633-7464, [email protected]) Position: Head Conservator Reports to: Director of Collections Salary range: $120,579 to - $156,755 per year Posting closes 1/28/26 Institution The Smithsonian's Hirshhorn Museum and Sculpture Garden (HMSG) is a leading voice for contemporary art and culture and provides a national platform for the art and artists of our time. We seek to share the transformative power of modern and contemporary art with audiences at all levels of awareness and understanding by creating meaningful, personal experience in which art, artists, audiences, and ideas converge. We enhance public understanding and appreciation of contemporary art through acquisition, exhibitions, education and public programs, conservation, and research. In order to fulfill its mission, HMSG develops collaborative relationships with institutions and organizations within the Smithsonian, the United States, and abroad. The collection consists of approximately 13,000 objects of modern and contemporary art, consisting of paintings, sculptures, variable media, and works on paper. Description of Position The Supervisory Chief Conservator (Head Conservator) supervises and manages a professional team of conservators leading a full range of conservation actions as well as technical analyses of art objects. This position is also responsible for the comprehensive administration of the conservation laboratory where they plan, direct, and coordinate conservation activities of the laboratory. In this position, you will: Perform a full range of technical examinations of works of art to identify their structure and components, their condition, and any appropriate treatment. Establish procedures for the examination, handling and movement of objects in preparation for loan or exhibition. Develop and propose annual budgets for the labs, oversees procurement and contract work in the lab. Review and approve the activities of the professional, para-professional, and technical while distributing work among staff and revising priorities as necessary. To Apply: The JOA is posted and open on USAJOBS for the Supervisory Chief Conservation, GS-1001-13 position. Please see the announcement link below for the announcement. 26R-LJ-313301-DEU-HMSG https://www.usajobs.gov/GetJob/ViewDetails/853136200 <https://www.usajobs.gov/GetJob/ViewDetails/853136200> 26R-LJ-313301-MPA-HMSG https://www.usajobs.gov/GetJob/ViewDetails/853137000 <https://www.usajobs.gov/GetJob/ViewDetails/853137000> ------------------------------ Sarah Montonchaikul Objects Conservator Washington, DC ------------------------------ 7.From: Vincent Beltran Posted: Tuesday January 6, 2026 4:01 PM Subject: RE: MFT-IDG Webinar, Nov 14: "Microfading Testers in Use: Whitmore, Fotonowy, and Retroreflective Message: The Microfading Tester International Discussion Group (MFT-IDG) is happy to share the recording of our 2025 November 14 webinar "Microfading Testers in Use: Whitmore, Fotonowy, and Retroreflective <https://www.youtube.com/watch?v=Ww7bGmwLKq0&list=PLH0WXCtI2nogmeuWZXn3Qpg_r0huaJc24>". This webinar discusses three iterations of the microfading tester or MFT, which is used to assess the in situ light sensitivity of an object. The MFT designs include the original setup introduced by Paul Whitmore and more recent iterations by Instytut Fotonowy and Jacob Thomas (retroreflective), and the webinar addresses acquisition, assembly, training, portability, maintenance, procedures, and examples of use for each type. We'd like to thank our speakers-Kirsten Dunne ACR from National Galleries of Scotland, JP Brown from the Field Museum, and Abed Haddad from the Museum of Modern Art-for graciously sharing their knowledge with us, and the Getty for their support in organizing the webinar. Further discussion about MFT practice and lighting policy development can be found in the MFT-IDG online community <https://www.culturalheritage.org/groups/mft-idg>, which is supported by the American Institute for Conservation (AIC) and sponsored by the AIC's Preventive Care Network. ------------------------------ Vincent Laudato Beltran Scientist, Getty Conservation Institute Chair, MFT-IDG [email protected] ------------------------------ ------------------------------------------- Original Message: Sent: 11-10-2025 03:01 From: Vincent Beltran Subject: MFT-IDG Webinar, Nov 14: "Microfading Testers in Use: Whitmore, Fotonowy, and Retroreflective A quick reminder that the Microfading Tester International Discussion Group (MFT-IDG) <https://www.culturalheritage.org/groups/mft-idg> will host its first webinar titled "Microfading Testers In Use: Whitmore, Fotonowy, and Retroreflective" on Friday, November 14, from 8-930am (Los Angeles) / 11am-1230pm (New York) / 1-230pm (Rio de Janeiro) / 4-530pm (Edinburgh) / 8-930pm (Dubai) / 12-130am (next day, Manila). Attendance is free, but requires event registration at the following link: https://getty.zoom.us/webinar/register/WN_iNfBtLtjQ8qFfVBiQ0Ngrg <https://getty.zoom.us/webinar/register/WN_iNfBtLtjQ8qFfVBiQ0Ngrg> This live webinar will review three iterations of the microfading tester (MFT), which is used to assess the in situ light sensitivity of an object: The original MFT design by Paul Whitmore and subsequent designs by Instytut Fotonowy and Jacob Thomas (retroreflective) will be presented by Kirsten Dunne ACR (National Galleries of Scotland), Abed Haddad (Museum of Modern Art), and JP Brown (Field Museum), respectively, and will be followed by a panel discussion and Q&A. We hope that you'll consider joining the webinar (and our MFT-IDG community <https://www.culturalheritage.org/groups/mft-idg>)! For those unable to attend, the webinar will be recorded and posted to the AIC YouTube channel. ------------------------------ Vincent Laudato Beltran Scientist, Getty Conservation Institute Chair, MFT-IDG [email protected] <[email protected]> ------------------------------ Original Message: Sent: 10-14-2025 02:04 From: Vincent Beltran Subject: MFT-IDG Webinar, Nov 14: "Microfading Testers in Use: Whitmore, Fotonowy, and Retroreflective The Microfading Tester International Discussion Group (MFT-IDG) <https://www.culturalheritage.org/groups/mft-idg> will host its first webinar titled "Microfading Testers In Use: Whitmore, Fotonowy, and Retroreflective" on Friday, November 14, from 8-930am (Los Angeles) / 11am-1230pm (New York) / 1-230pm (Rio de Janeiro) / 4-530pm (Edinburgh) / 8-930pm (Dubai) / 12-130am (next day, Singapore). Attendance is free, but requires event registration at the following link: https://getty.zoom.us/webinar/register/WN_iNfBtLtjQ8qFfVBiQ0Ngrg <https://getty.zoom.us/webinar/register/WN_iNfBtLtjQ8qFfVBiQ0Ngrg> This live webinar will review three iterations of the microfading tester (MFT), which is used to assess the in situ light sensitivity of an object. Heritage institutions that have been long-time MFT users continue to rely upon instruments based on the original design by conservation scientist Paul Whitmore (Whitmore, Pan, and Bailie; JAIC 1999), which employs a 0/45 measurement geometry and a xenon-arc light source (Whitmore MFT). In recent years, many institutions have turned to an MFT developed by Instytut Fotonowy that uses an LED light source and incorporates more automation (Fotonowy MFT), while others have adopted an MFT design by Jacob Thomas using a retroreflective head that allows for flexibility in the measurement angle (Retroreflective MFT). Topics to be discussed for each MFT include acquisition, assembly, training, portability, maintenance, procedure, and examples of use. Three speakers, all of whom are experienced MFT users, will introduce the different instrument types: Kirsten Dunne ACR, Senior Projects Conservator, National Galleries of Scotland (Whitmore MFT); Abed Haddad, Assistant Conservation Scientist, Museum of Modern Art (Fotonowy MFT); and JP Brown, Senior Conservator, Field Museum (Retroreflective MFT). Their presentations will be followed by a panel discussion and Q&A moderated by Cindy Connelly Ryan, Preservation Science Specialist, Library of Congress; and Vincent Laudato Beltran, Scientist, Getty Conservation Institute. For those interested but unable to attend, the webinar will be recorded and posted to the AIC YouTube channel. Further discussion about MFT practice and lighting policy development can be found in the MFT-IDG online community <https://www.culturalheritage.org/groups/mft-idg>, which you can join for free. The MFT-IDG is supported by the American Institute for Conservation (AIC) and sponsored by the AIC's Preventive Care Network. Thanks also to the Getty for supporting organization of this MFT-IDG webinar. We hope to see many of you at the November 14 event and in our MFT-IDG community! ------------------------------ Vincent Laudato Beltran Scientist, Getty Conservation Institute Chair, MFT-IDG [email protected] <[email protected]> ------------------------------ 8.From: Elizabeth Glander Posted: Tuesday January 6, 2026 4:01 PM Subject: Maker's Mark on Wooden Stretcher Members Message: Hello everyone! I am currently treating a painting by Hans Heinrich "Henry" Bebie (c. 1799-1888). He painted it c.1850-1860 in Baltimore, MD. The canvas has a colourmen stamp for George R. Dodge & Co, located in Baltimore, MD. My question is about a maker's mark that I found on the inner edge of the lower and upper wooden stretcher members. It says "V[anchor]S" (see attached photo). I was wondering if anyone has seen a similar mark, knows about this particular mark, or knows where I could learn more about it. Thank you in advance for any advice, insight, and resources. Warmly, Elizabeth ------------------------------ Elizabeth Glander Graduate Fellow (Class of 2027) Winterthur/University of Delaware Program in Art Conservation Wilmington United States ------------------------------ You are subscribed to "Global Conservation Forum (ConsDistList)" as [email protected]. To change your subscriptions, go to http://community.culturalheritage.org/preferences?section=Subscriptions. 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