Email digest for the Global Conservation Forum (ConsDistList) egroup.
------------------------------------------------------------------------------------------------------------

 1. Humidification of curled film based negatives

 2. RE: Identifying quotes by Ernest van de Wetering and Bernard Berenson

 3. Skilled Stone Conservators for Urgent UK & International Projects – Plowden 
& Smith

 4. ICOM-CC Event:  International Forum on Archaeological Heritage in Open 
Landscapes, 12 January 2026

 5. Job Opportunity: Manager, Conservation Science, Canadian Conservation 
Institute

 6. Job Posting: Conservation Scientist, English Heritage, London

 7. Job Opportunity: Assistant/Associate Conservator, Guggenheim Abu Dhabi 
Project

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1.From: Sophie Antulov
 Posted: Thursday January 8, 2026  6:35 AM
 Subject: Humidification of curled film based negatives
 Message: 
Hello all! 


I am seeking some insights into the humidification chamber technique for 
unrolling/uncurling film-based negatives. I have two panoramic roll negatives 
and a small section of 35mm motion picture which need to be digitised and have 
stiff folds. They are all Cellulose Nitrate.


I was recommended to use our suction table chamber with a humidifier creating 
water vapour to gently relax the negatives for flattening. My instincts said to 
keep RH around 75-80% max and hoping they may relax in a few hours.


I've been trying to do some research for recommended parameters or general 
guidelines, however it seems there is very little published on this technique. 
I could only find two papers which discuss the use of a vapour chamber:




Pietsch 2015, 'Flattening Rolled Negatives on Filmbase', Topics in Photographic 
Preservation, vol. 16

Silva, Garrucho and Carvalho 2022, 'Unveiling Roland Oliveira's photographic 
images: development of an unrolling and flattening treatment for silver 
gelatine 35 mm negative films', CONSERVAR PATRIMÓNIO 39 (2022) 71-80


While these articles have great information around the reasoning and benefits 
of vapour humidification for relaxing negatives (Pietsch using water and Silva 
et al. using glycerol/acetone/water solution), neither sadly includes the %RH 
maintained in their respective chambers. The PMG AIC Wiki page for 
humidification also has excellent explanation of various techniques for 
flattening photographs including vapour chambers, but no details on RH%. 


I am curious if this is simply a technique which requires learning through 
experience, or if others have more insights from their practice. Also please 
send through any literature or research I may have missed!


Many thanks,


Sophie


------------------------------
Sophie Antulov
Conservator
State Library WA
Australia
------------------------------


2.From: Dorothea Burns
 Posted: Thursday January 8, 2026  7:13 AM
 Subject: RE: Identifying quotes by Ernest van de Wetering and Bernard Berenson
 Message: for Berenson source, please see my paper, The Cookery of Art: Bernard 
Berenson and Daniel Varney Thompson Jr. in Bernard Berenson Formation and 
Heritage, Joseph Connors and   Louis S, Waldman, eds,  Villa I Tatti, 2014, 
pp.283-307, especially p.287.
Dr Thea BurnsAdjunct Associate ProfessorDept of Art History and Art 
ConservationQueens UniversityKingston, Ontario

-------------------------------------------
Original Message:
Sent: 1/6/2026 3:10:00 PM
From: Rebecca Rushfield
Subject: Identifying quotes by Ernest van de Wetering and Bernard Berenson

In the Introduction to his book, In The Kitchen of Art, Marco Grassi  writes 
"Ernst van de Wetering, the Dutch art historian recently remarked, perhaps only 
partly in jest , that in today's world a few thousand people earn their living  
touching works of art while earnestly preventing untold thousands of others 
from doing just that. This tiny minority of which van de Wetering speaks is 
busy, in museums and ateliers all over the world, in what Bernard Berenson with 
a tinge of contempt called 'the kitchen of art'."

Can anyone tell me the specific contexts in which van de Wetering  and  
Berenson made their remarks?

Rebecca Rushfield




------------------------------
Rebecca Rushfield
Conservation Consultant
Freelance/Private Practice/Self-employed/Independent
Flushing NY
------------------------------


3.From: Cymbeline Storey
 Posted: Thursday January 8, 2026  11:33 AM
 Subject: Skilled Stone Conservators for Urgent UK & International Projects – 
Plowden & Smith
 Message: 
Plowden & Smith, a leading conservation and restoration company based in 
London, is currently seeking experienced and highly skilled Stone Conservators 
to join our team for a number of urgent and upcoming projects.


Due to a growing portfolio of high-profile work, we are looking for trained 
professionals with a proven track record in the conservation and restoration of 
stone sculpture, architectural elements, and monuments.


We have immediate and short-term project requirements in the UK, and therefore 
particularly welcome expressions of interest from London- and UK-based 
Conservators who are available to start soon.


In addition, we are also seeking individuals available for future international 
projects, with a particular focus on ongoing and upcoming work in the Middle 
East during 2026.


Requirements:




Formal training in stone conservation (BA/MA or equivalent).

Demonstrable experience in practical stone conservation treatments and site 
work.

Strong documentation and reporting skills.

Willingness and flexibility to work on international project sites for varying 
durations.


Application Process:


Interested candidates are encouraged to express their interest as soon as 
possible, particularly those available for UK-based projects in the near term.


Please submit your application by email to Rebecca Ranieri at 
[email protected], including the following information:




Current CV detailing relevant experience and qualifications

Day rate (please specify currency)

Current location/base

Availability, specifically noting your capacity to work on UK projects and on 
overseas/Middle East projects in 2026


Plowden & Smith
Unit 5, Liongate Enterprise Park
80 Morden Road, Mitcham
Surrey, CR4 4NY, UK
https://plowden-smith.com <https://plowden-smith.com>




------------------------------
Cymbeline Storey
Conservator/Project Manager
Plowden & Smith Ltd.
Mitcham
United Kingdom
------------------------------


4.From: Kate Seymour
 Posted: Thursday January 8, 2026  2:44 PM
 Subject: ICOM-CC Event:  International Forum on Archaeological Heritage in 
Open Landscapes, 12 January 2026
 Message: ICOM-CC Event: 



International Forum on Archaeological Heritage in Open Landscapes


Online Expert Forum: El Gigante Vestido


12 January 2026


09:00 CLST (Chile) | 13:00 CET (Paris)


Online | Free with registration


Hosted by Universidad Finis Terrae, ICOM Chile, and ICOM-CC


How can we better protect fragile archaeological landscapes in an era of 
climate change, tourism pressure, and environmental risk?


Join leading national and international experts for a high-level online forum 
exploring the protection of open-air archaeological heritage, with a special 
focus on the Atacama Desert and the El Gigante Vestido geoglyph.


This forum brings together cultural activism, environmental stewardship, and 
heritage conservation to advance practical, globally relevant solutions.


Why attend?


Participants will contribute to a global dialogue and help shape concrete 
outcomes, including:


— a policy brief;


— monitoring protocols; and


— signage guidelines for El Gigante Vestido and related geoglyph networks.


Featured contributors include:


Andrew Thorn (ARTCARE, France & Australia) – Managing cultural landscapes 
through custodianship and community respect


David Cohen (Universidad de los Andes, Colombia) – Global risk management for 
rock art and archaeological sites


Terry Little (Ahmadu Bello University, Nigeria) – Valorisation, community 
meaning, and preservation in Africa


Kate Seymour, Chair of ICOM-CC


The programme includes expert presentations, moderated discussions, and an 
interactive panel with audience Q&A.


Who should attend?


Conservators, archaeologists, heritage professionals, researchers, 
policymakers, and anyone engaged in sustainable cultural heritage protection.


Registered participants will receive the Zoom link prior to the event.


Please do not share the link-encourage colleagues to register instead.


Zoom access is generously supported by the Stichting ICOM-CC Fund.


Register now and be part of shaping international standards for archaeological 
heritage in open landscapes.





Register using this link: https://lnkd.in/eb4eUr3z







With warm regards,
 
Kate

Kate Seymour
Art Conservation Education
Preserving Heritage, Shaping Tomorrow  – Cultivating Expertise, Safeguarding 
Cultural Treasures.
Email: [email protected] <[email protected]>
Website: www.art-conservation-education.com 
<http://www.art-conservation-education.com>










5.From: Kenza Dufourmantelle
 Posted: Thursday January 8, 2026  2:51 PM
 Subject: Job Opportunity: Manager, Conservation Science, Canadian Conservation 
Institute
 Message: CCI is hiring!

Are you passionate about heritage science and conservation? We're looking for a 
Manager, Conservation Science (PC-04) to lead an interdisciplinary team at the 
Canadian Conservation Institute (CCI) in Ottawa, Ontario.

 

What you'll do:
✔ Manage a team of heritage scientists
✔ Lead research and services that advance conservation science
✔ Collaborate with stakeholders across Canada and internationally

 

Position Details:
📍 Location: Ottawa, Ontario
💼 Tenure: Indeterminate
💰 Salary: $117,799 – $138,404
🌐 Closing Date: January 30, 2026
🔗 Apply online: GC Jobs (Manager, Conservation Science 
<https://can01.safelinks.protection.outlook.com/?url=https%3A%2F%2Femploisfp-psjobs.cfp-psc.gc.ca%2Fpsrs-srfp%2Fapplicant%2Fpage1800%3FtoggleLanguage%3Den%26poster%3D2373789%23aboutPosition&data=05%7C02%7Ckenza.dufourmantelle%40pch.gc.ca%7C2f537f9cc0e14e97dad808de4ee03b71%7C7969f40aef104cada9c2ea2ca603743a%7C0%7C0%7C639034922175090314%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=%2FHI%2BVaLes6jBQ79MVBoTD%2BwxKyWRhRCBsF61Bkk1h4c%3D&reserved=0>)

Please note that the position is available to persons residing in Canada, and 
Canadian citizens and Permanent residents abroad.

 

How to apply

Learn more about applying for Government of Canada jobs 
<https://www.canada.ca/en/public-service-commission/jobs/services/gc-jobs/applying-government-canada-jobs-how-to-apply.html>.

 

Hiring organization contact

Name: Guy Charuest-Bonhomme - Staffing Advisor
Email address: [email protected] <[email protected]>



Name: Vanessa Lesage - Staffing Assistant
Email address: [email protected] <[email protected]>


------------------------------
Kenza Dufourmantelle
Director, Research, Conservation and Scientific Services (RCSS)
Canadian Conservation Institute
Ottawa
Canada
------------------------------


6.From: David Thickett
 Posted: Thursday January 8, 2026  2:51 PM
 Subject: Job Posting: Conservation Scientist, English Heritage, London
 Message: 
Please see attached job advert for details and application instructions.

Dave



David Thickett | Senior Conservation Scientist | Collections Conservation
Rangers House Flat
Chesterfield Walk,  
London, FOR LETTERS ONLY
SE10 8QX
 
Tel: 07770 397964
note I work compressed hours and do not work fridays

www.english-heritage.org.uk









 
<https://uk.content.exclaimer.net/?url=http%3A%2F%2Fwww.english-heritage.org.uk%2F&tenantid=pti8bxdCEe6pvWBFvdKH0g&templateid=3b1dab038f79ef119c3600224841a690&excomponentid=rMLoLtV1DY4u5kZtzPfXbqexVpZjrvwPYlt4kFd6nBA&excomponenttype=Image&signature=mhpMFf18uw_S0OJQXu4Mt3v8hRrMMlvFlUIIlqBaKQfTgzUtILfCORq1sKaEqM0ytUPaYUWXmg9YbFxFdaBn6fgKOGodb3p3NmdZthhQ-_QnUf9zYWH6PDwL7sUAwCd4LSmXOyTkWR8u27PL0_6xaax58ihmAwvevPWs8Vm_4H_9ps9nDB6KwLw7p-owzweVtLjj2DCL0ht8OEvSPf0dDnFG4hKtjm_G26NKyeDVSYst3lo1gtCh8Yi-7r7okCgUuzQWqNf2AzbdnYyKXqVh9_gtQMOUm7XFQAFsgNVOvU2afexIHlpTP6kRkLwNb_DM3Z6NKTECfZhmo7U66NJLXQ&v=1&imprintMessageId=b3ba55a4-295a-4999-84b3-eb9a7143bc09>


Heritage is for everybody, and we are here for heritage. That's why, as a 
charity, we care for over a million objects and hundreds of historic sites in 
every part of England. And it's why we open them up, share their stories and 
find new ways for everybody to enjoy, learn, play and create.

​​The English Heritage Trust is a charity, no. 1140351, and a limited company, 
no. 07447221, registered in England and Wales. Our registered office is The 
Engine House, Fire Fly Avenue, Swindon SN2 2EH


This email (and any attachments) is confidential and may contain personal views 
which are not the views of English Heritage unless specifically stated. If you 
have received it in error, please delete it from your system and notify the 
sender immediately. Do not use, copy or disclose the information in any way nor 
act in reliance on it. Any information sent to English Heritage may become 
publicly available.




​​​​






7.From: Jeffrey Warda
 Posted: Thursday January 8, 2026  5:20 PM
 Subject: Job Opportunity: Assistant/Associate Conservator, Guggenheim Abu 
Dhabi Project
 Message: 
Dear All,


Please see below a job description for an Assistant or Associate Conservator 
for the Guggenheim Abu Dhabi project, based in Abu Dhabi. The full posting is 
also attached.





SUMMARY OF POSITION 

The position of Assistant/Associate Conservator, will be part of the Guggenheim 
Abu Dhabi Project team within The Solomon R. Guggenheim Foundation, dedicated 
to working together with the Department of Culture and Tourism Abu Dhabi to 
prepare for the opening of the Guggenheim Abu Dhabi. This position is based in 
Abu Dhabi.

Reporting to the Senior Conservator, Guggenheim Abu Dhabi Project (a position 
based in New York), the role works collaboratively with teams in both Abu Dhabi 
and New York across curatorial, registration, exhibition management, exhibition 
design, and operations to support conservation and collection care for the 
future museum and help realize the inaugural program of collection displays and 
temporary exhibitions. In addition, the Assistant/Associate Conservator 
collaborates on the realization of artist commissions and contributes to due 
diligence for new acquisitions entering the collection. This position is open 
to any discipline in conservation (e.g., paintings, paper, photography, 
objects, time-based media or preventative conservation), with a preference for 
objects conservation and/or experience in installations and contemporary art.

 

SKILLS AND EXPERIENCE REQUIREMENTS 


·       MA in Art Conservation or equivalent graduate qualification.


·       Minimum of two to five years of post-graduate conservation experience 
within a museum or equivalent institutional context.


·       Familiarity with modern and contemporary artists' materials and 
practices, with an emphasis on installation art.


·       Willingness to research and explore a wide range of materials, 
techniques, and technologies.


·       Demonstrated ability to collaborate effectively across teams and 
disciplines.


·       Strong interpersonal, verbal, and written communication skills.


·       Flexible and adaptable to shifting priorities in a dynamic, fast-paced 
environment.


·       Strong organizational and time management skills, with the ability to 
work independently and meet deadlines.



KEY RESPONSIBILITIES 

Duties may include, but are not limited to, the following: 


·       Collaborate with colleagues at the Department of Culture and Tourism, 
Abu Dhabi, in the preparation, documentation, installation, and stewardship of 
artworks across various media (including time-based media), large-scale 
installations, and commissions for the future Guggenheim Abu Dhabi museum.


·       Review and provide feedback on exhibition design concepts and schematic 
drawings.


·       Assess pre-acquisition condition reports produced by external contract 
conservators and advise on any preservation concerns, foreseeable obsolescence, 
and deliverables.


·       Work with artists, foundations or estates, and galleries to determine 
appropriate parameters for the exhibition and preservation of artworks.


·       Organize and create documentation within a collections management 
database. 


·       Advise on best practices for artwork storage, transport, handling, and 
installation in coordination with Registration and Exhibition Management teams.


·       Provide support to DCT Abu Dhabi, as required, with the movement and 
installation of collection artworks.


·       Participate in meetings and planning sessions related to building 
preparation and inaugural program development.


·       Undertake periodic travel to New York and other project sites, as 
required, to support conservation activities and collaboration with Guggenheim 
teams.


·       Maintain regular liaison with the Senior Conservator, Guggenheim Abu 
Dhabi Project, and other Conservation Department staff at the Solomon R. 
Guggenheim Museum, New York.




COMPENSATION: $85-95K along with standard UAE Labor Law benefits.



TO APPLY:           

LINKEDIN 
<https://www.linkedin.com/posts/blrworld_blrworld-simplybrilliantpeople-opportunity-activity-7408871259196854272-Z5xc?utm_source=share&utm_medium=member_ios&rcm=ACoAADFsTuUBmSzXrXrkN6JGJnAEMZq1GSVSDZE>
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------------------------------
Jeffrey Warda
Senior Conservator, Paper and Photographs
Solomon R. Guggenheim Museum
New York NY
[email protected]
------------------------------




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