Email digest for the Global Conservation Forum (ConsDistList) egroup. ------------------------------------------------------------------------------------------------------------
1. Final Year Internship Opportunity: 9/11 Memorial & Museum 2. Summer Internship Posting: Objects Conservation Historic New England 3. MA-XRF 2026 (Paris) - Call for contributions 4. Job Opportunity Closing Soon 23/01/2026: Conservator (Textiles) - the Whitworth, The University of Manchester (full-time/permanent) 5. RE: Use of Hextol and Methylene Chloride for Plexiglass Repair 6. RE: Cleaning advice for moa skeleton 7. MFT-IDG Webinar, Jan 29: "From Data to Decisions: Interpreting, Sharing, and Acting on Microfading Tester Results" 8. Register Now for CCI and CHIN Conference Day ------------------------------------------------------------------------------------------------------------ 1.From: Katharine Fugett Posted: Tuesday January 13, 2026 6:53 AM Subject: Final Year Internship Opportunity: 9/11 Memorial & Museum Message: Dear All, Please see below and attached for information on a Final Year Internship opportunity at the 9/11 Memorial & Museum. Applications are due by the end of February. Please email [email protected] to submit application materials or with any questions. Best, Kate POSITION TITLE: Graduate Nine Month Conservation Intern REPORTS TO: Preventive Conservator START DATE: September 2026 STIPEND: $5,000 POSITION OVERVIEW: The 9/11 Memorial & Museum is excited to offer a paid final year internship opportunity for conservation students currently enrolled in graduate programs. The conservation intern will gain unique experience in the research, examination, documentation, and treatment of the plastic objects related to the events of 9/11, the recovery, and response through assistance in an ongoing survey of all plastic artifacts in the collection. The collection consists of a variety of materials and combinations, all of which have specific histories and connections to the 1993 and 2001 terrorist attacks and the individuals whom the memorial commemorates. Situated underground beneath the original footprints of the Twin Towers, and housing a multitude of fragile artifacts, the 9/11 Museum can provide the intern an opportunity to learn about and engage with preservation efforts and ethical considerations within a memorial context. · The position includes a $5,000 stipend for full-time, 5 days per week, 9 months. · The primary focus of the internship will be assisting with a comprehensive condition survey of all plastic containing objects within the 9/11 Memorial Museum collection. · This position has been made possible in part by a major grant from the National Endowment for the Humanities. Responsibilities include: Condition surveying of plastic containing material at the museum and our off-site storage facility Photogrammetry of select plastic containing artifacts Performing supervised treatments of selected objects from the collection Assisting with rehousing artifacts and general Preventive conservation tasks Assisting in general Museum tasks Contributing to the development of policies related to plastic and rehousing · This is a temporary intern position Note: Individuals participating in an internship position are not disqualified from, but are not entitled to, a position with the National September 11 Memorial Museum during or upon completion of their internship This position may involve splitting time between the Museum as well as offsite storage and laboratory spaces in New Jersey which are easily accessible by public transportation. QUALIFICATIONS/SKILLS REQUIREMENTS · Current enrollment in a conservation graduate program HOW TO APPLY · Send resume and statement of interest as one document addressed to Kate Fugett, Preventive Conservator, at [email protected]. · Include "Conservation Final Internship" in the email subject field. · Send resume and statement of interest as one document addressed to Kate Fugett, Preventive Conservator, at [email protected] Graduate students from all specialties and backgrounds are encouraged to apply. The National September 11 Memorial & Museum (9/11 Memorial & Museum) is an equal opportunity employer. Applicants who meet the qualification requirements of the role will receive consideration without regard to their race, color, religion, sex, sexual orientation, age, national origin, disability, status as a protected veteran, or any other characteristic protected by applicable law. The 9/11 Memorial & Museum endeavors to make reasonable accommodations for applicants with disabilities and other accommodation needs under applicable law. If you are an individual with a legally recognized accommodation need and require assistance during the application process, please contact Ronni Cantor at [email protected] with your specific accommodation request. The 9/11 Memorial & Museum is committed to an organizational culture that supports and reinforces our institutional values including our commitment to inclusive representation. We are committed to reflecting the unique experiences of the nearly 3,000 victims who were killed indiscriminately in the 1993 and 2001 terrorist attacks and the wider communities impacted in lower Manhattan, at the Pentagon, and near Shanksville, PA. ------------------------------ Kate Fugett Preventive Conservator National September 11 Memorial & Museum ------------------------------ 2.From: Michaela Neiro Posted: Tuesday January 13, 2026 6:53 AM Subject: Summer Internship Posting: Objects Conservation Historic New England Message: Historic New England, a national model for the care of regional heritage buildings, landscapes, and collections, is seeking a student currently enrolled in a conservation masters-degree program specializing in objects conservation for a summer internship. Historic New England is pleased to offer a Summer Internship in Objects Conservation. Candidates with experience or interest in decorative painted wooden surfaces will also be considered. The position is designed to provide advanced training in conservation, broadening the intern's technical skills and knowledge of a wide variety of objects and materials from the collection. Historic New England seeks motivated applicants from all backgrounds and values diversity with regard to culture, race, ethnicity, gender identity, and ability. Classification: Non-exempt; 35 hours per week; Term-limited 8-10 weeks, with exact dates to be arranged between June and September 2026. Location: Haverhill, Massachusetts; New England residency by start of work required Essential Duties: Work directly with the Director of Conservator and Jenrette Conservation Fellow in the examination, photography, treatment, and research of objects in the institution's permanent collection, both within the spacious, productive, and well-equipped conservation laboratory and on-site at Historic New England's historic house museums. Additional duties include preventive conservation, conservation laboratory tours, and public outreach. Projects for the summer include consolidation and inpainting of decorative grain painted surfaces at Cogswell's Grant in Essex, Mass. and Castle Tucker in Wiscasset, Maine. Projects may also include treatments related to new furnishing plans based on the research from our Recovering New England Voices initiatives and preventive care activities at individual house museums. Ideal Experience, Education, and Skills: Currently enrolled in a recognized conservation training program Demonstrated interest in historic houses and collections Outstanding hand skills and a familiarity with current conservation materials Proficiency with digital photography Excellent communication and writing skills Proven time management, planning, and teamwork skills International candidates will not be considered unless they currently possess a visa to work in the United States A valid driver's license and a means of transportation. Commitment to the values of diversity, equity, accessibility, and inclusion About the Organization: Historic New England is the oldest and largest regional preservation organization in the United States and owns and operates thirty-eight historic sites. With more than 125,000 artifacts and 1.5 million archival documents, Historic New England has the most comprehensive and best-documented collection of New England life, including decorative arts and household furnishings, in the country. These collections are at the heart of our site experiences, public programs, and research. As reflected in our strategic agenda, The New England Plan, our mission is to save and share New England's stories and we are committed to growing our archival and artifact collections to reflect the diversity of the New England region. Increased regional diversity will help us tell broader stories about industry, trade, migration, labor, class, and taste in New England. Ultimately, Historic New England seeks to build a collection that future generations will depend on to understand New England's history. The conservation team is an integral part of this mission, actively engaged in the treatment of objects, furniture, textiles, wallpaper, preventive conservation practices along with related research, teaching, and mentorship. The Community: The internship is based at Historic New England's Center for Preservation and Collections in Haverhill, Massachusetts, approximately 45 minutes north of Boston. Active nearby communities include Lowell, Newburyport and Salem, Mass., Portsmouth, and Manchester, New Hampshire. Haverhill is well situated off interstates 95 and 495 with beaches, mountains and vibrant cities close by. Compensation: $21.00 hourly, plus benefits To Apply: Please send curriculum vitae and letter of interest to [email protected] <[email protected]> by February 6, 2026. Historic New England is an equal opportunity, affirmative action employer with a strong commitment to supporting equality of opportunity and respect for diversity. We are committed to providing equal opportunity in employment to all qualified persons without regard to non-work-related factors such as race, color, religion, sex, age, disability, national origin, gender identity, or sexual orientation. 3.From: Lucile Brunel-Duverger Posted: Tuesday January 13, 2026 9:54 AM Subject: MA-XRF 2026 (Paris) - Call for contributions Message: CONFERENCE MA-XRF 2026 Parishttps://maxrf2026.sciencesconf.org/ <https://maxrf2026.sciencesconf.org/> Abstract submission now open ! Abstracts are expected between January 5th to April 3rd 2026 through the online form <https://maxrf2026.sciencesconf.org/?forward-action=index&forward-controller=index&lang=en>.This workshop to be held in Paris, within the French National Museum of Natural History <https://www.google.com/maps/place/Grand+Amphitheatre+of+the+Museum/@48.8442728,2.3570081,17z/data=!4m14!1m7!3m6!1s0x47e671f05b9ed7a7:0x22e3cfecb6cb7688!2sGrand+Amphitheatre+of+the+Museum!8m2!3d48.8442728!4d2.3570081!16s%2Fg%2F1ydddk_4z!3m5!1s0x47e671f05b9ed7a7:0x22e3cfecb6cb7688!8m2!3d48.8442728!4d2.3570081!16s%2Fg%2F1ydddk_4z?entry=ttu&g_ep=EgoyMDI1MTIwOS4wIKXMDSoASAFQAw%3D%3D>, between Thursday September 29th and Friday October 2nd 2026 aims to bring together researchers interested in MA-XRF and complementary imaging techniques for the study of cultural and natural heritage, including Reflectance Imaging Spectroscopy (RIS), Luminescence Imaging Spectroscopy (LIS), X-Ray Diffraction Mapping (XRD), Confocal XRF (CXRF), and more.Discussions will focus on the latest advancements in instrument development, data evaluation methods, and their applications in case studies. A particular emphasis will be placed on the integration of MA-XRF with other techniques in multi-modal analytical approaches.Friday morning, October 2nd, will be devoted to the specific issues facing museum curators. Local Organizing Committee :Oulfa Belhadj, Centre de Recherche sur la Conservation (CRC), Paris, FranceLucile Brunel-Duverger, Centre de Recherche et de Restauration des Muses de France (C2RMF), Paris, FranceThomas Calligaro, Centre de Recherche et de Restauration des Muses de France (C2RMF)/Lab-BC, Paris, FranceMarie-Anglique Languille, Centre de Recherche sur la Conservation (CRC), Paris, FranceAnne Michelin, Centre de Recherche sur la Conservation (CRC), Paris, FranceLaurent PICHON,Centre de Recherche et de Restauration des Muses de France (C2RMF)/Lab-BC, Paris, FranceMarie Radepont, Centre de Recherche sur la Conservation (CRC), Paris, FranceIna Reiche, Lab-BC/Centre de Recherche et de Restauration des Muses de France (C2RMF), Paris, FranceLaurence de Viguerie, Laboratoire Archologie Molculaire et Structurale Paris (LAMS), Paris, France 4.From: Sarah Potter Posted: Tuesday January 13, 2026 9:54 AM Subject: Job Opportunity Closing Soon 23/01/2026: Conservator (Textiles) - the Whitworth, The University of Manchester (full-time/permanent) Message: CLOSING SOON: 23/01/2026 We are seeking a permanent, full-time textile conservator to join our Collection Care Team at the Whitworth, The University of Manchester, UK. £37,694 to £46,049, per annum depending on relevant experience. The position involves: Specialist responsibility for the care, conservation, and display of all textile-based material across our collections, which range from post-Pharaonic textiles to contemporary art textiles. Assessing, preparing, and condition checking textile works for our busy exhibitions, tours and the loans-out programme, including couriering. Planning and implementing programmes for conservation treatment, documentation, and preventive care. Developing and sharing knowledge on best practice for conservation and display. Contributing to public engagement, such as delivering teaching on University courses, leading tours, and responding to research enquiries. Please visit the official University of Manchester job portal to submit your application: https://www.jobs.manchester.ac.uk/internal/Job/JobDetail?JobId=34010 <https://www.jobs.manchester.ac.uk/internal/Job/JobDetail?JobId=34010> ------------------------------ Sarah Potter ACR Preventive and Object Conservator Whitworth Art Gallery Manchester United Kingdom ------------------------------ 5.From: George Schwartz Posted: Tuesday January 13, 2026 9:54 AM Subject: RE: Use of Hextol and Methylene Chloride for Plexiglass Repair Message: You might try the suppliers of acrylic cement below The chemical in the container labeled "ACRIFIX 117" is a solvent acrylic cement used for bonding acrylic materials. It is a solvent-based adhesive that works by locally dissolving the bonding surfaces to create a strong bond. Notably, ACRIFIX 117 is free of dichloromethane (methylene chloride), making it a safer option compared to some other solvent cements. Suppliers for ACRIFIX 117: Plastic Craft Product: ACRIFIX 1S 0117 Pure Description: Clear, fluid adhesive with a patented formula, free of dichloromethane Price example: Around $30.92 Website: plastic-craft.com <https://plastic-craft.com/acrifix-1s-0117-pure/> Paragon Plastics Product: ACRIFIX 1S 0117 Solvent Cement Website: paragonplastics.us <https://www.paragonplastics.us/ACRIFIX-1S-0117-Solvent-Cement-p/cem-acryfix1s0117-4oz.htm> Professional Plastics Product: Cyro ACRIFIX CEMENTS Website: professionalplastics.com <https://www.professionalplastics.com/Acrifix_CementForAcrylic> Acrylite (Official Brand Site) Product: ACRIFIX solvent cements Website: acrylite.co <https://www.acrylite.co/products/brands/acrifix/solvent-cements> Shop3500 Product: ACRIFIX 117 solvent-based adhesive Website: shop3500.com <https://www.shop3500.com/news.php?wshop=nakano&lang=en&Opt=detailed&id=906> ------------------------------ George Schwartz Principal, Senior Conservator ConservArt, Inc. Boca Raton FL [email protected] Chair CIPP 2011-2013 Conservators in Private Practice ------------------------------ ------------------------------------------- Original Message: Sent: 01-12-2026 13:10 From: Diane Tafilowski Subject: Use of Hextol and Methylene Chloride for Plexiglass Repair I'm looking for a source to purchase Hextol and Methylene Chloride for repairing a break in plexiglass. Being a small business no one wants to ship to me. Does anyone have any resources/ideas?Thank you in advance! -- Diane [email protected] <[email protected]> 6.From: Elise LeCompte Posted: Tuesday January 13, 2026 1:48 PM Subject: RE: Cleaning advice for moa skeleton Message: Hi Becky, You may also wish to contact the listserv for the Society for the Preservation of Natural History Collections (SPNHC), [email protected]. Cheers, Elise-- Elise V. LeCompteMuseum Consultant14205 SE 161 PlaceHawthorne, FL 32640TEL: 407-443-6419Email: [email protected] <[email protected]> ------------------------------------------- Original Message: Sent: 1/12/2026 5:21:00 AM From: Lu Allington-Jones Subject: RE: Cleaning advice for moa skeleton Hi Becky, This may require fossil preparation techniques such as an airscribe/pneumatic pen or split-V. or possibly chemical treatments such as gels or acid, but it is difficult to tell without knowing more about the chemistry. If you are interested in chatting more, please feel free to send me some images and details about the matrix it has been excavated from. Best wishes, Lu [email protected] ------------------------------------------- Original Message: Sent: 1/11/2026 3:04:00 PM From: Becky Helliwell Subject: Cleaning advice for moa skeleton Kia ora! I am looking for advice or resources regarding the cleaning of excavated animal (specifically moa) bones with considerable amounts of sediment and calcified deposits on the surface. I am an objects conservator and have been asked to clean a moa skeleton in preparation for 3D scanning and display. I began with a soft brush/vacuum, but it has quickly become apparent that much of the surface of the bone is covered with hard, crusty deposits. I am reaching out for advice because I am unsure how to proceed, and how far it would be usual to take the treatment. I want to make sure I am advocating well for the skeleton, and have the information to be able to say what treatment is appropriate and what would be considered too invasive by our field. I have tried to do some research, but have not found much from a conservation point of view, and so I'd be grateful to hear from anyone with experience of this sort of treatment, or suggestions of papers to read. Many thanks, Becky ------------------------------ Becky Helliwell Conservator Canterbury Museum Christchurch New Zealand ------------------------------ 7.From: Vincent Beltran Posted: Tuesday January 13, 2026 5:31 PM Subject: MFT-IDG Webinar, Jan 29: "From Data to Decisions: Interpreting, Sharing, and Acting on Microfading Tester Results" Message: The Microfading Tester International Discussion Group (MFT-IDG) will host its second webinar titled "From Data to Decisions: Interpreting, Sharing, and Acting on Microfading Tester Results" on Thursday, January 29, from 9-1030am (San Francisco) / 12-130pm (Philadelphia) / 2-330pm (Buenos Aires) / 6-730pm (Paris) / 1-230am (next day, Manila) / 6-730am (next day, Auckland). Attendance is free, but requires event registration at the following link: https://getty.zoom.us/webinar/register/WN_JpfplSB7QYCmeWdE9xXGKw <https://getty.zoom.us/webinar/register/WN_JpfplSB7QYCmeWdE9xXGKw> Lighting choices for an exhibition may be affected by different criteria, including the desired color temperature and color rendering quality of the lamps, the desired brightness and duration, and the light sensitivity of the objects to be displayed. It is this last criteria for which data from the microfading tester (MFT) is directly impactful, contributing evidence-based information about an object's vulnerability to light that can guide both object selection and lighting policy. But how is MFT data translated into meaningful discussion that empowers the varied stakeholders-collection care managers, conservators, registrars, art handlers, curators, directors-to better manage the risk of color change during display, guide the selection of cultural heritage objects for exhibition, and allow for greater access to the public? The webinar will begin with a brief overview of the MFT data collected, the various ways of interpreting and reporting these findings, and how this can lead to object-specific options for display. This will be followed by several case studies detailing how different cultural heritage institutions with a range of collection types incorporate MFT data into decision-making. We will close with a panel discussion and Q&A. For those interested but unable to attend, the webinar will be recorded and posted to the AIC YouTube channel. Further discussion about MFT practice and lighting policy development can be found in the MFT-IDG online community <https://www.culturalheritage.org/groups/mft-idg>, which you can join for free. The MFT-IDG is supported by the American Institute for Conservation (AIC) and sponsored by the AIC's Preventive Care Network. Thanks also to the Getty for supporting organization of this MFT-IDG webinar. We hope to see many of you at the January 29 event and in our MFT-IDG community! ------------------------------ Vincent Laudato Beltran Scientist, Getty Conservation Institute Chair, MFT-IDG [email protected] ------------------------------ 8.From: Nathalie Nadeau Mijal Posted: Tuesday January 13, 2026 5:31 PM Subject: Register Now for CCI and CHIN Conference Day Message: We are excited to announce that CCI and CHIN Conference Day is back on February 4, 2026! This one-day online event is open to students, recent graduates and educators. It is a unique opportunity to explore the world of heritage conservation and collections documentation and to learn more about the amazing work we do at the Canadian Conservation Institute and the Canadian Heritage Information Network. The conference will include the following presentations: "Sustainable Climate Control: New Tools and Resources From the Canadian Conservation Institute" "Revealing Hidden Texts: Imaging Sri Lankan Ola Manuscripts" "How Toxic Is Your Art? And How Do You Decide?" "Lessons Learned: The Use of 20 Denier Nylon Net in the Treatment of Two Oversized War of 1812 Flags" And more! Spaces are limited, so save your spot today. Register <https://forms-formulaires.alpha.canada.ca/en/id/cmj7ai24v0000kw0cp4ntqtz3> by Thursday, January 29. ------------------------------ Nathalie Nadeau Mijal Acting Manager, Knowledge Sharing Canadian Conservation Institute Ottawa Canada ------------------------------ You are subscribed to "Global Conservation Forum (ConsDistList)" as [email protected]. To change your subscriptions, go to http://community.culturalheritage.org/preferences?section=Subscriptions. To unsubscribe from this community discussion, go to https://community.culturalheritage.org/HigherLogic/eGroups/Unsubscribe.aspx?UserKey=d16eaa87-0f69-494b-9f2f-303dbc1222e1&sKey=fab9aa4f27a04c5d876e&GroupKey=757a8f16-505f-4323-8e74-e376757aa9f7.
