Email digest for the Global Conservation Forum (ConsDistList) egroup.
------------------------------------------------------------------------------------------------------------

 1. RE: Job announcement: Conservator position at Texas State Library and 
Archives Commission

 2. Painting Conservation Internship at the Art Gallery of Ontario

 3. Call for Speakers: Icon26 Paintings Group Event – Treatment Cycles for 
Easel Paintings

 4. Red Glass Plate Negatives

 5. Next Series of HAWK Online Courses Runs from 27 April - 21 June 2026 with 
Micocredentials

 6. Job offer: Lecturer in the History of Art, Materials and Technologies at 
UCL, London

 7. Interdisciplinary Conference "Getting Close to a World Heritage Site", 17 
March 2026 in Hildesheim

 8. Archaeological Conservation Internships at the Maryland Archaeological 
Conservation Laboratory

 9. Care and ID of Photos ONLINE: April 13 - May 31, 2026

 10. Hollinger Metal Edge Solander Boxes

------------------------------------------------------------------------------------------------------------

1.From: Rebecca Romanchuk
 Posted: Tuesday February 3, 2026  7:10 AM
 Subject: RE: Job announcement: Conservator position at Texas State Library and 
Archives Commission
 Message: 
Please note that the deadline for applications for this position has been 
extended through February 28, 2026.


The Texas State Library and Archives Commission has an opening for this 
full-time position: Conservator (Curator IV) - $6,250-$7,084 monthly


The conservator manages the daily activities of the well-equipped book and 
paper Summerlee Conservation Lab at TSLAC and performs complex treatments on 
rare and unique archival and library materials in accordance with the AIC code 
of ethics. This position develops and monitors work procedures for the unit, 
establishes priorities, and makes treatment decisions. The conservator is 
called on to assist with outreach and educational programs, preservation 
planning and surveys, emergency response, and environmental control. This 
position may also instruct and monitor interns, students, or volunteers 
assigned to assist with conservation tasks. Learn about the work undertaken in 
our conservation lab at our TSLAC Conservation blog, 
https://www.tsl.texas.gov/conservation/. 
<https://www.tsl.texas.gov/conservation/> 


To review this job posting go to https://www.tsl.texas.gov/jobs. 
<https://www.tsl.texas.gov/jobs.>


------------------------------
Rebecca Romanchuk, MLIS
Archives Supervisor
Texas State Library & Archives Commission
Austin TX
------------------------------
-------------------------------------------
Original Message:
Sent: 12-22-2025 15:54
From: Rebecca Romanchuk
Subject:  Job announcement: Conservator position at Texas State Library and 
Archives Commission


Please note that the deadline for applications for this position has been 
extended through January 31, 2026.

The Texas State Library and Archives Commission has an opening for this 
full-time position: Conservator (Curator IV) - $6,250-$7,084 monthly

The conservator manages the daily activities of the well-equipped book and 
paper Summerlee Conservation Lab at TSLAC and performs complex treatments on 
rare and unique archival and library materials in accordance with the AIC code 
of ethics. This position develops and monitors work procedures for the unit, 
establishes priorities, and makes treatment decisions. The conservator is 
called on to assist with outreach and educational programs, preservation 
planning and surveys, emergency response, and environmental control. This 
position may also instruct and monitor interns, students, or volunteers 
assigned to assist with conservation tasks. Learn about the work undertaken in 
our conservation lab at our TSLAC Conservation blog, 
https://www.tsl.texas.gov/conservation/. 
<https://www.tsl.texas.gov/conservation/> 

To review this job posting go to https://www.tsl.texas.gov/jobs. 
<https://www.tsl.texas.gov/jobs.>


------------------------------
Rebecca Romanchuk, MLIS
Archives Supervisor
Texas State Library & Archives Commission
Austin TX
------------------------------

Original Message:
Sent: 10-29-2025 12:38
From: Rebecca Romanchuk
Subject:  Job announcement: Conservator position at Texas State Library and 
Archives Commission


Please note that the deadline for applications for this position has been 
extended through November 30, 2025.

The Texas State Library and Archives Commission has an opening for this 
full-time position: Conservator (Curator IV) - $6,250-$7,084 monthly

The conservator manages the daily activities of the well-equipped book and 
paper Summerlee Conservation Lab at TSLAC and performs complex treatments on 
rare and unique archival and library materials in accordance with the AIC code 
of ethics. This position develops and monitors work procedures for the unit, 
establishes priorities, and makes treatment decisions. The conservator is 
called on to assist with outreach and educational programs, preservation 
planning and surveys, emergency response, and environmental control. This 
position may also instruct and monitor interns, students, or volunteers 
assigned to assist with conservation tasks. Learn about the work undertaken in 
our conservation lab at our TSLAC Conservation blog, 
https://www.tsl.texas.gov/conservation/. 
<https://www.tsl.texas.gov/conservation/> 

To review this job posting go to https://www.tsl.texas.gov/jobs. 
<https://www.tsl.texas.gov/jobs.>


------------------------------
Rebecca Romanchuk, MLIS
Archives Supervisor
Texas State Library & Archives Commission
Austin TX

Original Message:
Sent: 09-15-2025 16:45
From: Rebecca Romanchuk
Subject:  Job announcement: Conservator position at Texas State Library and 
Archives Commission


Please note that this position has been reposted with applications accepted 
through October 31, 2025.

The Texas State Library and Archives Commission has an opening for this 
full-time position: Conservator (Curator IV) - $6,250-$7,084 monthly

The conservator manages the daily activities of the well-equipped book and 
paper Summerlee Conservation Lab at TSLAC and performs complex treatments on 
rare and unique archival and library materials in accordance with the AIC code 
of ethics. This position develops and monitors work procedures for the unit, 
establishes priorities, and makes treatment decisions. The conservator is 
called on to assist with outreach and educational programs, preservation 
planning and surveys, emergency response, and environmental control. This 
position may also instruct and monitor interns, students, or volunteers 
assigned to assist with conservation tasks. Learn about the work undertaken in 
our conservation lab at our TSLAC Conservation blog, 
https://www.tsl.texas.gov/conservation/. 
<https://www.tsl.texas.gov/conservation/.> 

To review this job posting go to https://www.tsl.texas.gov/jobs. 
<https://www.tsl.texas.gov/jobs.>


------------------------------
Rebecca Romanchuk, MLIS
Archives Supervisor
Texas State Library & Archives Commission
Austin TX

Original Message:
Sent: 05-01-2025 09:03
From: Rebecca Romanchuk
Subject:  Job announcement: Conservator position at Texas State Library and 
Archives Commission


Please note that the closing date for this position has been extended to May 
30, 2025.

The Texas State Library and Archives Commission has an opening for this 
full-time position: Conservator (Curator IV) - $6,250-$7,084 monthly

The conservator manages the daily activities of the well-equipped book and 
paper Summerlee Conservation Lab at TSLAC and performs complex treatments on 
rare and unique archival and library materials in accordance with the AIC code 
of ethics. This position develops and monitors work procedures for the unit, 
establishes priorities, and makes treatment decisions. The conservator is 
called on to assist with outreach and educational programs, preservation 
planning and surveys, emergency response, and environmental control. This 
position may also instruct and monitor interns, students, or volunteers 
assigned to assist with conservation tasks. Learn about the work undertaken in 
our conservation lab at our TSLAC Conservation blog, 
https://www.tsl.texas.gov/conservation/ 
<https://www.tsl.texas.gov/conservation/>.

To review this job posting go to https://www.tsl.texas.gov/jobs 
<https://www.tsl.texas.gov/jobs>.


------------------------------
Rebecca Romanchuk, MLIS
Archives Supervisor
Texas State Library & Archives Commission
Austin TX

Original Message:
Sent: 03-24-2025 10:15
From: Rebecca Romanchuk
Subject:  Job announcement: Conservator position at Texas State Library and 
Archives Commission


Please note that the closing date for this position has been extended to April 
30, 2025.

The Texas State Library and Archives Commission has an opening for this 
full-time position: Conservator (Curator IV) - $6,250-$7,084 monthly

The conservator manages the daily activities of the well-equipped book and 
paper Summerlee Conservation Lab at TSLAC and performs complex treatments on 
rare and unique archival and library materials in accordance with the AIC code 
of ethics. This position develops and monitors work procedures for the unit, 
establishes priorities, and makes treatment decisions. The conservator is 
called on to assist with outreach and educational programs, preservation 
planning and surveys, emergency response, and environmental control. This 
position may also instruct and monitor interns, students, or volunteers 
assigned to assist with conservation tasks. Learn about the work undertaken in 
our conservation lab at our TSLAC Conservation blog, 
https://www.tsl.texas.gov/conservation/ 
<https://www.tsl.texas.gov/conservation/>.

To review this job posting go to https://www.tsl.texas.gov/jobs 
<https://www.tsl.texas.gov/jobs>.


------------------------------
Rebecca Romanchuk, MLIS
Archives Supervisor
Texas State Library & Archives Commission
Austin TX

Original Message:
Sent: 03-03-2025 11:47
From: Rebecca Romanchuk
Subject:  Job announcement: Conservator position at Texas State Library and 
Archives Commission


Please note that the closing date for this position has been extended to March 
21, 2025.

The Texas State Library and Archives Commission has an opening for this 
full-time position: Conservator (Curator IV) - $6,250-$7,084 monthly

The conservator manages the daily activities of the well-equipped book and 
paper Summerlee Conservation Lab at TSLAC and performs complex treatments on 
rare and unique archival and library materials in accordance with the AIC code 
of ethics. This position develops and monitors work procedures for the unit, 
establishes priorities, and makes treatment decisions. The conservator is 
called on to assist with outreach and educational programs, preservation 
planning and surveys, emergency response, and environmental control. This 
position may also instruct and monitor interns, students, or volunteers 
assigned to assist with conservation tasks. Learn about the work undertaken in 
our conservation lab at our TSLAC Conservation blog, 
https://www.tsl.texas.gov/conservation/ 
<https://www.tsl.texas.gov/conservation/>.

To review this job posting go to https://www.tsl.texas.gov/jobs 
<https://www.tsl.texas.gov/jobs>.

Rebecca Romanchuk, CA
Archives Supervisor | Archives and Information Services Division
Texas State Library and Archives Commission
512-475-1734 | www.tsl.texas.gov <http://www.tsl.texas.gov/>



------------------------------
Rebecca Romanchuk, MLIS
Archives Supervisor
Texas State Library & Archives Commission
Austin TX

Original Message:
Sent: 01-29-2025 11:18
From: Rebecca Romanchuk
Subject: Job announcement: Conservator position at Texas State Library and 
Archives Commission

The Texas State Library and Archives Commission has an opening for this 
full-time position: Conservator (Curator IV) - $6,250-$7,084 monthly

The conservator manages the daily activities of the well-equipped book and 
paper Summerlee Conservation Lab at TSLAC and performs complex treatments on 
rare and unique archival and library materials in accordance with the AIC code 
of ethics. This position develops and monitors work procedures for the unit, 
establishes priorities, and makes treatment decisions. The conservator is 
called on to assist with outreach and educational programs, preservation 
planning and surveys, emergency response, and environmental control. This 
position may also instruct and monitor interns, students, or volunteers 
assigned to assist with conservation tasks. Learn about the work undertaken in 
our conservation lab at our TSLAC Conservation blog, 
https://www.tsl.texas.gov/conservation/ 
<https://www.tsl.texas.gov/conservation/>.

To review this job posting go to https://www.tsl.texas.gov/jobs 
<https://www.tsl.texas.gov/jobs>.

Closing date is February 28, 2025.

Rebecca Romanchuk, CA
Archives Supervisor | Archives and Information Services Division
Texas State Library and Archives Commission
512-475-1734 | www.tsl.texas.gov <http://www.tsl.texas.gov>

2.From: Christina McLean Al-Saidi
 Posted: Tuesday February 3, 2026  7:10 AM
 Subject: Painting Conservation Internship at the Art Gallery of Ontario
 Message: Conservation Intern, Paintings (Summer 2026)

The Michael and Sonja Koerner Centre for Conservation at the Art Gallery of 
Ontario (AGO), Toronto, Canada, is pleased to offer a summer internship in 
painting conservation. The internship will commence in May 2026 and last up to 
12 weeks. 

Under supervision of the painting conservation team, the intern will 
participate in a range of conservation activities with assigned works from the 
AGO's collection, including:

·         Assessment, condition reporting and documentation of paintings 

·         Assist with examination of works with the aid of technical equipment, 
including multispectral imaging

·         Research and technical examination of paintings

·         Assist with development of treatment protocol and with executing and 
documenting treatment 

·         Participation in daily activities of Conservation Department

 

 

RELEVANT QUALIFICATIONS, SKILLS, AND EXPERIENCES

·      The position is intended for students currently in at least the second 
year of a Conservation Master's Degree program. 

·       Preference is given to candidates who are Canadian citizens or 
currently eligible to work in Canada. International applicants must be eligible 
through International Experience Canada  
https://www.canada.ca/en/immigration-refugees-citizenship/services/work-canada/iec.html
 
<https://www.canada.ca/en/immigration-refugees-citizenship/services/work-canada/iec.html>;
  or, for US residents, through SWAP Working Holidays  https://swap.ca/ 
<https://swap.ca/>; or  InterExchange 
https://www.interexchange.org/programs/travel-experiences-for-u-s-residents/work-travel-canada
 
<https://www.interexchange.org/programs/travel-experiences-for-u-s-residents/work-travel-canada>;
 or another Recognized Organization (R.O.). 

·         The language of work is English.

COMPENSATION

·         The successful candidate will receive a CA$12,000 stipend for the 
12-week placement. Note that international students will be subject to a 15% 
withholding tax.

 

We invite individuals who reflect the diversity of our visitors to apply by 
submitting a tailored cover letter and CV to [email protected] 
<[email protected]> by February  21, 2026.

We thank all applicants but must advise that only those selected for interviews 
will be contacted. In accordance with the Ontario Human Rights, Accessibility 
for Ontarians with Disabilities Act & the AGO's Recruitment & Selection Policy 
for Staff, a request for accommodation will be considered throughout the hiring 
process.


------------------------------
Christina McLean Al-Saidi
Assistant Conservator, Paintings
Art Gallery of Ontario
Toronto
Canada
------------------------------


3.From: Katarina Trajkovic
 Posted: Tuesday February 3, 2026  7:10 AM
 Subject: Call for Speakers: Icon26 Paintings Group Event – Treatment Cycles 
for Easel Paintings
 Message: Call for Speakers: Icon26 Paintings Group Event – Treatment Cycles 
for Easel Paintings


The Icon Paintings Group is seeking speakers for a session on treatment cycles 
for easel paintings at Icon Conference 2026.




The Icon Paintings Group is planning an upcoming event for the Icon Conference 
2026, focused on Treatment Cycles for Easel Paintings.

The Group is currently seeking 3–5 speakers from within the Group who would be 
interested in delivering a short 10-minute talk or presentation on this theme.


What We Are Looking For

We are particularly interested in contributions that explore questions around 
how long conservation work lasts under normal conditions (barring accidents), 
and how we as conservators understand the expected lifespan of treatments. This 
may include reflections on when and why re-treatment or re-conservation becomes 
appropriate, and how these decisions are informed by both material change and 
evolving professional judgement.


We also welcome proposals that critically engage with conservation guidelines 
and core principles, such as minimal intervention and 
reversibility/retreatability. Speakers may wish to consider how these 
principles are interpreted or applied differently depending on specific 
circumstances - for example, a painting's condition, treatment history, context 
of use or display, or the emergence of new research - rather than being 
understood as fixed or universal rules.


Contributions may cover any aspect of treatment cycles, including (but not 
limited to):



Practical case studies

Research-based insights

Methodological approaches

Reflections from professional practice


Submit Your Proposal 

If you are interested in participating or would like more information, please 
email [email protected] with your proposal. We look forward to 
hearing from potential speakers and to bringing together a wide range of 
perspectives for this event.



------------------------------
Katarina Trajkovic
Student,  MA Conservation of Fine Art (Easel Paintings)
Northumbria University Newcastle Program in Preventive 
Conservation/Conservation of Fine Art
------------------------------


4.From: Anais Berenger
 Posted: Tuesday February 3, 2026  7:11 AM
 Subject: Red Glass Plate Negatives
 Message: 
Dear colleagues,


while working on a collection of glass plate negatives, I came across three 
plates that had turned red. Many others had turned yellow (a phenomenon well 
described in the literature as being the result of intensifying the negatives 
with mercury chloride or iodide). Has anyone else encountered red plates and 
has an explanation for this phenomenon? A photo is attached for clarification.








------------------------------
Anais Berenger
Paper Conservator
Universalmuseum Joanneum
Graz
Austria
------------------------------


5.From: Angela Weyer
 Posted: Tuesday February 3, 2026  7:12 AM
 Subject: Next Series of HAWK Online Courses Runs from 27 April - 21 June 2026 
with Micocredentials
 Message: 
Registration form <https://hornemann-institut.de/en/fbk_registration.php> 
(Registration deadline: 8 April)




The following online courses will start on 27 April 2026:


in English:




Damages to Cultural Heritage caused by Salts

The Examination of Transparent Coatings on Furniture and Wooden Objects

Microbial Infestation of Objects of Art and Cultural Heritage

How to Safely Handle Contaminated Cultural Heritage

Mould and Documents

Church Rooms and their Climate. Heating, Ventilation, Equipment Protection

Consolidation of Wood. Possibilities and Limits of Structural Consolidation

How Should We Act? Theory and Ethics of Conservation and its Significance in 
Practice (Renaissance and Baroque Periods)

Photography as a Tool for Documentation and Examination

Restoration Theories and Methods from 1945 to the Present Day

Conservation of Globes


in Spanish (tutoring in English):




Teorías y Métodos de Restauración desde 1945 hasta la actualidad



in German (tutoring in English):




Saccharidische Bindemittel und Kleber (Saccharide Binding Media and Adhesives)

Grundlagen der Holzkunde: Eigenschaften - Verwendung - Schäden - 
Untersuchungsmethoden erläutert am Beispiel von Eichenholz (Basic Wood Science: 
Properties - Use - Damage - Examination Methods Explained by the Example of Oak)

Erhaltung von Wachsmoulagen (Conservation of Wax Moulages)


Certificate:
Participants will receive a qualified Hornemann Institute certificate or a 
certificate as a microcredential. .


New: ECTS credits will be awarded as part of microcredentials for our online 
courses.
A microcredential is an academic course, offered by an accredited university 
that ensures participants to acquire additional qualifications. This allows you 
to demonstrate to your employers and customers that you have specialist 
knowledge in a specific subject area. You can find further information here 
<https://www.hawk.de/en/studies/further-education-and-training/micro-credentials>.



Tutor:
During the term of the course, a graduated conservator is available to all 
participants via e-mail.


The Online Courses of the Hornemann Institute of the HAWK / University of 
Applied Sciences and Arts in Hildesheim (Germany):
These online courses have been conceptualised for individuals dedicated to 
cultural heritage preservation. Via Internet, you can retrieve the subject 
matters of your choice, irrespective of any temporal or geographical 
constraints, thereby avoiding time loss at work and saving travelling expenses. 
The modules facilitate individual studying with regard to time management, 
learning speed and the depth of knowledge you wish to achieve. As a rule, the 
authors are teachers and renowned university lecturers with a great deal of 
practical experience in the preservation of cultural heritage. 
You can check your personal progress with the help of tests. While solving test 
problems, you can use your acquired skills. Subject matters have been put into 
multi-media form, i.e., texts are enlivened by images, videos, checklists, etc. 
The didactic variety and the interactivity will boost your motivation. 
Glossaries, bibliographical references and the integration of available 
internet resources will supplement the teaching materials. The tutor will 
assist you whenever you encounter technical or content-related difficulties.


For registration and more information see our website 
<https://hornemann-institut.hawk.de/en/online-courses>.


------------------------------
Dr. Angela Weyer
Institute Director,
Hornemann Institute of the HAWK University of Applied Sciences and Arts 
Hildesheim/Holzminden/Göttingen
------------------------------


6.From: Tea Ghigo
 Posted: Tuesday February 3, 2026  7:12 AM
 Subject: Job offer: Lecturer in the History of Art, Materials and Technologies 
at UCL, London
 Message: 
An exciting opportunity has just opened at UCL History of Art for a Lecturer in 
the History of Art, Materials and Technologies-and we're looking for someone 
exceptional to join our vibrant community from 1 September!

We're seeking a passionate academic whose work engages with conservation, 
heritage or material science, art history, material culture, or related fields.

As a lecturer, you'll play a key role in our Materials and Technologies 
curriculum, a programme that encourages students to think deeply-and 
creatively-about how art is made, understood, and preserved.

Having joined UCL in 2023 in a similar role, I can genuinely say that the 
department's warm, welcoming atmosphere, flexible working culture, and 
fantastic opportunities for research and collaboration have made this an 
inspiring place to work and grow.

Interested? Don't wait! Applications are open until 1 March.

Full details at the link below.




Work at UCL
remove preview






 <https://www.ucl.ac.uk/work-at-ucl/search-ucl-jobs/details?jobId=41240>




UCL - University College London


UCL is consistently ranked as one of the top ten universities in the world (QS 
World University Rankings 2010-2022) and is No.2 in the UK for research power 
(Research Excellence Framework 2021).


 View this on Work at UCL > 
<https://www.ucl.ac.uk/work-at-ucl/search-ucl-jobs/details?jobId=41240>












 


------------------------------
Tea Ghigo
Conservation Research Fellow
Ashmolean Museum
Oxford
United Kingdom
------------------------------


7.From: Angela Weyer
 Posted: Tuesday February 3, 2026  7:13 AM
 Subject: Interdisciplinary Conference "Getting Close to a World Heritage 
Site", 17 March 2026 in Hildesheim
 Message: New research on the medieval stucco decoration of UNESCO´s St 
Michael's Church in Hildesheim


Interdisciplinary conference organised by the Hornemann Institute of HAWK 
Hildesheim/Holzminden/Göttingen, in collaboration with the German Association 
of Conservator-Restorers and the Evangelical Lutheran Church of Hanover


17 March 2026 | from 9.00 am, Hildesheim, HAWK University of Applied Sciences 
and Arts, and St Michael's Church, Hildesheim


The former monastery church of St Michael in Hildesheim, an UNESCO heritage, 
underwent extensive modernization with stucco decoration in the second half of 
the 12th century. 250 stucco fragments from excavations between 1870 and 2006  
were subject  of a multi-year, interdisciplinary research project. The aim of 
the conference is to present the project's results for discussion prior to the 
printing of the final publication, in light of differing opinions within both 
art history and conservation. The main focus will be on working techniques, 
polychromy, and analytical results. The findings will invite discussion about 
our ideas of workshop processes in the Middle Ages.


After the lectures, an afternoon 'market of possibilities' at St Michael's 
Church will offer the opportunity to view the stucco work and several fragments 
under a microscope with the guidance of conservators. Experts will also be on 
hand to provide further insights into the project's results (X-ray fluorescence 
analysis, 3D documentation) and offer personal insights into the planned 
monitoring of the World Heritage Site. The speakers will also be available for 
personal discussions about their findings and interpretations. An easily 
accessible scaffold will be erected around the choir screen for the conference, 
allowing you to get up close to the originals.


All lectures will be in German. Simultaneous translation could not be financed. 
However, we facilitate participation through the so called English Corner, 
which involves English-speaking neighbours.


More information and registration here 
<https://hornemann-institut.hawk.de/en/events/conferences/getting-close-world-heritage-site>.


Registration deadline: 6 March 2026.



------------------------------
Dr. Angela Weyer
Institute Director,
Hornemann Institute of the HAWK University of Applied Sciences and Arts 
Hildesheim/Holzminden/Göttingen
------------------------------


8.From: Nichole Doub
 Posted: Tuesday February 3, 2026  7:38 PM
 Subject: Archaeological Conservation Internships at the Maryland 
Archaeological Conservation Laboratory
 Message: 
2026 Spring/Summer Conservation Internships

Department: Planning / Maryland Historical Trust

Closing Date: February 20. 2026 at 5:00 pm

Salary: Not to exceed $11,520.00

Employment Type: Temporary

Work Location: Maryland Archaeological Conservation Laboratory, Jefferson 
Patterson Park & Museum




Internship Description:


The Maryland Archaeological Conservation Laboratory (MAC Lab) is seeking 
candidates for two (2) Conservation Intern positions for spring/summer 2026.


The interns will work under the general supervision of the Head Conservator in 
support of the conservation of materials recovered from the Jonas Green Site as 
part of the Freedom of the Press Project in support of Maryland 250. Work will 
involve the examination, documentation, treatment, and stabilization of 
archaeological artifacts including metals, ceramics, glass, and organic 
materials. Interns will gain hands-on experience with conservation techniques, 
artifact documentation and photography, and proper storage and housing methods. 


Interns serve a maximum of 640 hours over a period of approximately 16 
consecutive weeks beginning in May 2026. Work will be conducted during normal 
business hours at the MAC Lab facility.


Interns will receive a total amount not to exceed $11,520.00 paid in bi-weekly 
increments based on the number of hours worked at a base rate of $18.00 per 
hour.

·         Students currently enrolled in or who have recently graduated from an 
accredited undergraduate or graduate conservation program or other closely 
related field (such as anthropology, archaeology, chemistry, or museum studies 
with conservation coursework) are encouraged to apply.

·         Coursework or demonstrated experience in archaeological conservation 
and artifact handling are required.


Internship Location:

Maryland Archaeological Conservation Laboratory

Jefferson Patterson Park & Museum

10515 Mackall Road

St. Leonard, Maryland 20685




To Apply:


The following must be submitted prior to the closing deadline to be considered 
for the internship. If submissions are missing, the application may be removed 
from consideration. Submissions received after the filing date WILL NOT be 
accepted.


Applicants must submit:

·         Cover letter (statement, in the form of a letter explaining how you 
will benefit from the position and how the MAC Lab will benefit from your 
participation)

·         Curriculum vitae

·         Academic transcripts (unofficial copies acceptable) showing the major 
course of study

·         A letter of recommendation from a faculty member from current or most 
recent school, or a professional conservator familiar with your knowledge, 
skills, and abilities


These items should be sent by e-mail to Nichole Doub at: [email protected].






------------------------------
Nichole Doub
Head Conservator
Maryland Archaeological Conservation Laboratory
Saint Leonard
United States
------------------------------


9.From: Gawain Weaver
 Posted: Tuesday February 3, 2026  7:39 PM
 Subject: Care and ID of Photos ONLINE: April 13 - May 31, 2026
 Message: 
Our online Care and ID of Photographs course is getting some upgrades this 
spring with the addition of a new camera, a new microscope, and a switcher to 
make the online learning experience even better. So if you need a 
well-structured, comprehensive photo ID and preservation course for you, your 
staff, or your Valentine…you're in luck! The 7-week spring online interactive 
course has hours of weekly video lectures, a 2-hour online video chat each 
Thursday, a full color 250-page course packet, a photographic sample set of 18 
prints, a handheld microscope, and a friendly instructor- everything you need 
to become an expert in photograph ID and preservation. This is an international 
course with students from all over the world.


Care and Identification of Photographs (from daguerreotypes to digital)
April 13 - May 31, 2026
Location: ONLINE

FOR FURTHER DETAILS AND ONLINE REGISTRATION:
https://gawainweaver.com/index.php/workshop/april-13-may-31-2026-care-id-online-workshop
https://gawainweaver.com/workshops

Registration Includes:
• 7-week online course
• 60x LED handheld microscope
• Basic Photographic Sample Set
• 250-page full-color notebook packet

Additional Details:
• The course is hosted via the Canvas Learning Management System and is 
accessed via your browser from any computer or even tablet or phone (Mac, 
Windows, Linux, iOS, Android)
• Weekly lectures are pre-recorded and can be watched any time
• Live weekly chat is 1-2 hours as needed with Q&A and guided ID sessions on 
Zoom, Thursdays @1pm Pacific Time. Attendance is strongly encouraged, but it is 
recorded for when schedules or time zones conflict. The Zoom app can be 
accessed on any computer, tablet, or phone.
• Students report spending 4-6 hours / week on the course on average.
_________________________________________________________________

This 7-week online workshop is an introduction to the history, identification, 
and preservation of photographic materials. Participants will acquire hands-on 
identification skills and learn practical photograph preservation techniques. 
Using handheld 60x microscopes and the Basic Photographic Sample Set of 
photographic and photomechanical samples, they will learn how a variety of 
processes were created, why they look the way they do, and how they 
deteriorate. Knowledge about photographic processes is essential to their 
preservation and leads to a greater appreciation of the aesthetics and history 
of photographic prints.

Preservation topics include enclosures, handling guidelines, environmental 
monitoring, the effects of temperature and relative humidity on collections, 
and the importance of cold storage for certain photographic materials.

Processes examined in detail include but are not limited to the following: 
daguerreotype, albumen, collodion and gelatin printing-out processes (POP), 
matte collodion, gelatin silver, photogravure, offset litho, letterpress 
halftone, collotype, chromogenic color, inkjet, and dye sublimation.

The registration fee for this 7-week workshop is $625 (STUDENT PRICE $475) and 
includes the Basic Photographic Sample Set ($175 value), consisting of 18 
identified photographic and photomechanical processes, a 60x handheld 
microscope w/LED light, and 250-page full-color notebook packet.

The Academy of Certified Archivists (ACA), a certifying organization of 
professional archivists, will award Archival Recertification Credits (ARCs) to 
eligible Certified Archivists (CAs) attending this workshop.

The American Society of Appraisers, the International Society of Appraisers, 
and the Appraisers Association of America will award reaccreditation 
hours/professional development/continuing education credits for qualified 
appraisers attending this workshop.

Please contact the instructor with any questions: [email protected]


------------------------------
Gawain Weaver
Photograph Conservator
Gawain Weaver Art Conservation
San Francisco Bay Area
Free Process ID Charts: http://gawainweaver.com/processID
------------------------------


10.From: Tatiana Cole
 Posted: Tuesday February 3, 2026  7:39 PM
 Subject: Hollinger Metal Edge Solander Boxes
 Message: 
Hello,


We recently purchased Hollinger Metal Edge Solander Boxes. We are going to open 
them and let them breathe for a couple of weeks, and our team is gearing up to 
perform an Oddy test on them as well, but I would like to know if anyone has 
used these and seen adverse effects on collections? We hope to use them to 
store photographic materials, but ultimately other works of art on paper as 
well.


Thank you in advance for considering my inquiry.





Tatiana Cole


Conservator of Photographs


Harvard Art Museums


------------------------------
Sincerely,

Tatiana Cole
Photographic Materials Group Chair 2025-27
------------------------------




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