Email digest for the Global Conservation Forum (ConsDistList) egroup.
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 1. REMINDER: Call for Papers: 'Cool Under Pressure: HVAC, Collection Care and 
the Climate Challenge' Day Conference, 2027

 2. Advice and Experience of using SP-11 Waterlogged Wood Treatment

 3. RE: Identifying gutta percha

 4. RE: Identifying gutta percha

 5. Conservation research and writing residency opportunity

 6. Job Posting - Conservation Scientist - National Museum, Oslo - Norway

 7. RE: Identifying gutta percha

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1.From: Sirpa Kutilainen
 Posted: Monday May 18, 2026  5:58 AM
 Subject: REMINDER: Call for Papers: 'Cool Under Pressure: HVAC, Collection 
Care and the Climate Challenge' Day Conference, 2027
 Message: 
REMINDER:

CALL FOR PAPERS on the theme of HVAC shutdown

'Cool Under Pressure: HVAC, Collection Care and the Climate Challenge' Day 
Conference, 2027

Sustainability and the reduction of carbon emissions are pressing issues for 
organisations across the cultural heritage sector. The traditional reliance on 
energy-intensive HVAC systems to maintain strict environmental storage 
conditions has become increasingly unsustainable and organisations are seeking 
ways to reduce energy consumption while still ensuring the long-term 
preservation of the collections in their care.

Established in 2024, the UK-based HVAC Shutdown Group emerged as a 
community-driven response to challenges and knowledge gaps around this subject, 
with heritage professionals sharing expertise and experience, and developing 
solutions together.

This conference looks to build on this and address both the practical and 
theoretical challenges of working with existing buildings housing heritage 
collections, while building capacity for more sustainable and cost-effective 
practices. It will showcase innovative approaches to reducing energy 
consumption; centre discussions on safeguarding historic collections; encourage 
collaboration across the cultural heritage community; and strengthen the 
existing network for professional committed to a greener, more sustainable 
future for collections.

We invite submissions of abstracts of up to 500 words. Selected presentations 
should be 30 minutes in length. We welcome contributions from across the sector 
that offer fresh perspectives on managing climate-controlled environments 
within storage settings, as well as innovative approaches to HVAC management in 
the context of the climate crisis. This will be a hybrid event; however, all 
speakers will be expected to present in person in Leeds, West Yorkshire in 
early 2027 (date to be confirmed). Funding is available to support selected 
speakers with travel and accommodation for the night prior to the conference.

The conference is led by the University of Brighton Design Archives and enabled 
by an award from the University of Brighton Arts and Humanities Research 
Council (AHRC) / UK Research and Innovation (UKRI) supported Impact 
Acceleration Account and organised in collaboration with the University of 
Leeds Libraries' Cultural Collections & Galleries.

Please send proposals by midnight (BST) on the 1st of June 2026 to 
[email protected] <[email protected]> and 
[email protected] <[email protected]>. 



2.From: Kayleigh Spring
 Posted: Monday May 18, 2026  6:00 AM
 Subject: Advice and Experience of using SP-11 Waterlogged Wood Treatment
 Message: 
Dear All,


I am wondering if anyone has any advice or experience with using SP-11 
Waterlogged Wood Treatment? 


SP-11 Waterlogged Wood Treatment 
<https://preservation-solutions.com/products/sp-11-waterlogged-wood-treatment>


I have some roman wooden boxes with nails that are waterlogged and require 
treatment. I have ruled out PEG due to the presence of the iron nails. I have 
used Glycerol previously on waterlogged leather that contained nails but 
noticed people do not advice this for wood due to it leaving a tacky finish.

My main questions are:


It says that you can just submerge the wood in the solution and leave it. How 
do you know when the solution has fully permeated the wood? Is there a way to 
check the concentration of the final solution or is it known it will penetrate 
a certain thickness over a given length of time?
We have a freeze dryer here that we would normally use with waterlogged 
material as we find trying to control the temperature and RH during air-drying 
difficult in our building. Can we still use a freeze drying method after 
impregnating with SP-11?
It implies that the solution can be reused – does any waste need to be disposed 
of as hazardous waste? Does anyone know what the solutions ingredients are?


Any help is greatly appreciated.


Kind regards


Kayleigh




Preservation Solutions
remove preview






 <https://preservation-solutions.com/products/sp-11-waterlogged-wood-treatment>




SP-11 Waterlogged Wood Treatment


A professional conservation treatment designed for stabilizing waterlogged and 
excavated wooden artifacts. Use by underwater archaeologists and 
conservationist.


 View this on Preservation Solutions > 
<https://preservation-solutions.com/products/sp-11-waterlogged-wood-treatment>















------------------------------
Kayleigh Spring
Object Conservator
Wiltshire Conservation Service
Wiltshire
United Kingdom
------------------------------


3.From: Damian Lizun
 Posted: Monday May 18, 2026  6:00 AM
 Subject: RE: Identifying gutta percha
 Message: 
Hi. You may check a quite recent publication of my colleague Hanna 
Szczepanowska 


Gutta percha, natural rubber and balata-chemical characterization of 
polyisoprenes in the context of cultural heritage | npj Heritage Science Gutta 
percha, natural rubber and balata-chemical characterization of polyisoprenes in 
the context of cultural heritage - npj Heritage Science 
<https://www.nature.com/articles/s40494-023-00954-z?error=cookies_not_supported&code=36a98eea-27d3-4275-9dc8-5b7a011ea65a>




Nature
remove preview






 <https://share.google/jWpRPnS8CKW4TGhtC>




Gutta percha, natural rubber and balata-chemical characterization of 
polyisoprenes in the context of cultural heritage - npj Heritage Science


Gutta percha, natural rubber, and balata are latexes produced by tropical trees 
that since the mid-nineteenth century have been extensively used commercially 
and in the creation of artworks and daily use objects. All three latexes are 
stereoisomers of polyisoprene that differ in their molecular structure.


 View this on Nature > <https://share.google/jWpRPnS8CKW4TGhtC>















Damian


------------------------------
Damian Lizun
------------------------------
-------------------------------------------
Original Message:
Sent: 05-17-2026 15:33
From: Hannah Cook
Subject: Identifying gutta percha

Hello, I am a conservation student researching the identification of gutta 
percha for my master's thesis.

I am wondering if anyone has experience working with the material and could 
give me pointers on identifying characteristics of gutta percha and how to 
differentiate it from other materials. I am also interested if anyone has come 
across characteristic aging phenomena like white bloom(?), wrinkled surface 
and/or glossiness/mottling on gutta percha.

Thanks for any help!


------------------------------
Hannah Cook
Amsterdam
Netherlands
------------------------------


4.From: Simon Moore
 Posted: Monday May 18, 2026  6:01 AM
 Subject: RE: Identifying gutta percha
 Message: Hi Hannah,

I have come across gutta percha in bookbindings, where it has become brittle 
over 100+ years, most of these are from c. 1880 to 1910.

I have also found it (but rarely) used in sealing biological specimens in jar 
of preservative fluid where it has also become brittle after about 50 years - I 
do have a pic of the latter phenomenon if this might be helpful?

With all good wishes, Simon 

Simon Moore MIScT, RSci, FLS, ACR
Conservator of Natural Sciences and Cutlery Historian.

www.natural-history-conservation.com

-------------------------------------------
Original Message:
Sent: 5/17/2026 3:34:00 PM
From: Hannah Cook
Subject: Identifying gutta percha

Hello, I am a conservation student researching the identification of gutta 
percha for my master's thesis.



I am wondering if anyone has experience working with the material and could 
give me pointers on identifying characteristics of gutta percha and how to 
differentiate it from other materials. I am also interested if anyone has come 
across characteristic aging phenomena like white bloom(?), wrinkled surface 
and/or glossiness/mottling on gutta percha.



Thanks for any help!


------------------------------
Hannah Cook
Amsterdam
Netherlands
------------------------------


5.From: Rachel Mustalish
 Posted: Monday May 18, 2026  1:56 PM
 Subject: Conservation research and writing residency opportunity
 Message: The Leonard A. Lauder Research Center for Modern Art at the 
Metropolitan Museum of Art invites applications for the annual Residency for 
Curators and Conservators. 

 

Applications are open till May 31, 2026, for the Leonard A. Lauder Residency 
for Curators and Conservators. Recognizing the need for curators and 
conservators to have focused time to work on a current project, the residency 
supports research and writing in the field of modern art. It covers round-trip 
travel to New York and accommodation for a continuous period of 1-3 months, 
anytime between January and June 2027. The successful applicant will 
participate in the activities of the Research Center and give a presentation on 
their work towards the end of the Residency.

 

We use the term ‘modern art’ inclusively to refer to architecture, drawing, 
design (including exhibition, graphic, interior and stage design), film, 
painting, performance, photography, printmaking, sculpture, and textiles in the 
period from the last third of the nineteenth century through the 1960s, from 
any country, region, or culture. (If your application is focused on art from 
the 1970s onwards or on other historical periods, it will not be considered.)

 

Applications are assessed by a panel, and detailed information on the 
application materials to be submitted, the eligible costs, and the award 
criteria are all available on the Research Center website here 
<https://www.metmuseum.org/research-centers/leonard-a-lauder-research-center/residencies/curator-and-conservator-residencies>.



Website:

https://www.metmuseum.org/research-centers/leonard-a-lauder-research-center/residencies/curator-and-conservator-residencies
 
<https://www.metmuseum.org/research-centers/leonard-a-lauder-research-center/residencies/curator-and-conservator-residencies>


-------------------------------------------


------------------------------
Rachel Mustalish
Conservator in Charge
Metropolitan Museum of Art, Paper Conservation Department
New York
United States
------------------------------


6.From: Marie Kleivane
 Posted: Monday May 18, 2026  1:57 PM
 Subject: Job Posting - Conservation Scientist - National Museum, Oslo - Norway
 Message: The National Museum is seeking a Conservation Scientist to join its 
multidisciplinary team of conservators, whose expertise covers a broad range of 
materials. The position will contribute to the development of new scientific 
expertise in the museum's landmark building, opened in 2022. 

This is a rare opportunity to play a central role in shaping the scientific 
foundation of conservation practice at a major European museum. The successful 
candidate will work closely with highly skilled conservators across multiple 
material specialisms and contribute to a growing, internationally oriented 
research environment. 

Application deadline: 7th June.

The vacancy is listed on Webcruiter 
https://21982000.webcruiter.no/Main/Recruit/Public/5116546744?language=nb&link_source_id=0
 
<https://nor01.safelinks.protection.outlook.com/?url=https%3A%2F%2F21982000.webcruiter.no%2FMain%2FRecruit%2FPublic%2F5116546744%3Flanguage%3Dnb%26link_source_id%3D0&data=05%7C02%7Cmarie.kleivane%40nasjonalmuseet.no%7Cf73065e29afb4d07227308deb4ce6cb3%7Ce44cf2a3025542f4bb45a6ce6d5d4fa2%7C0%7C0%7C639146995856428214%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=Q4dhUnWDGHAqGaClkIwP4NmUg%2F3vPymi%2Bz1oSq4c8E0%3D&reserved=0>

Kari Skytt Andersen
Head of Conservation
+47 452 18 180
[email protected] <[email protected]>

------------------------------
Marie Kleivane
Paper Conservator
Nasjonalmuseet for Kunst, Arkitektur og Design
Oslo
Norway
------------------------------


7.From: Katherine Singley
 Posted: Monday May 18, 2026  1:57 PM
 Subject: RE: Identifying gutta percha
 Message: 
Hi Hannah-


You can find some technical information on gutta percha in dentistry articles, 
because gutta percha is still used to fill root canals.


Have a look at 

https://pmc.ncbi.nlm.nih.gov/articles/PMC6632621/#sec1-14 
<https://pmc.ncbi.nlm.nih.gov/articles/PMC6632621/#sec1-14>

"Gutta-percha in endodontics - A comprehensive review of material science"  
(2019) .

Gutta Percha was used from the 18th C. to mid 19th C. for components of objects 
needing water resistance and strength, like umbrella handles.  It also was used 
for oral appliances like dentures and obturators as well as limb prosthetics. 
It was largely replaced by polysulfide rubber and cellulose nitrate from 1850 
on.

 Happy sleuthing!


------------------------------
Katherine Singley
Conservation Anthropologica (retired)
Decatur, GA, USA
[email protected]
------------------------------
-------------------------------------------
Original Message:
Sent: 05-17-2026 15:33
From: Hannah Cook
Subject: Identifying gutta percha

Hello, I am a conservation student researching the identification of gutta 
percha for my master's thesis.

I am wondering if anyone has experience working with the material and could 
give me pointers on identifying characteristics of gutta percha and how to 
differentiate it from other materials. I am also interested if anyone has come 
across characteristic aging phenomena like white bloom(?), wrinkled surface 
and/or glossiness/mottling on gutta percha.

Thanks for any help!


------------------------------
Hannah Cook
Amsterdam
Netherlands
------------------------------




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