Email digest for the Global Conservation Forum (ConsDistList) egroup. ------------------------------------------------------------------------------------------------------------
1. Global Heritage Special Issue: The Role of Craft and Craftsmanship in Cultural Heritage. 2. [EVENT] Icon26 Group Event: 'Treatment Cycles for Easel Paintings' 3. RE: Using magnets to temporarily display massive 12x8 foot paper poster mounted on canvas 4. RE: Seeking current and past information on Photograph Conservator positions and fellowships worldwide 5. RE: Using magnets to temporarily display massive 12x8 foot paper poster mounted on canvas 6. Museum Textile Conservator Position at Paisley Park - Prince Rogers Nelson Museum 7. RE: Using magnets to temporarily display massive 12x8 foot paper poster mounted on canvas 8. 38th IPH Congress 2026 'PAPER TRADE' 24–29 August 2026, Amsterdam ------------------------------------------------------------------------------------------------------------ 1.From: Craig Kennedy Posted: Monday June 15, 2026 6:11 AM Subject: Global Heritage Special Issue: The Role of Craft and Craftsmanship in Cultural Heritage. Message: This special issue will explore the significance of craft skills, techniques, and crafted objects preserving and conveying cultural identity and heritage. It aims to examine a broad range of crafts, highlighting their pivotal role in Cultural Heritage. Recognised by UNESCO as an essential aspect of Cultural Heritage, traditional crafts and craftsmanship extend beyond just object creation. They encompass the transmission of craft skills, knowledge, and techniques, which are often passed down across generations. The survival of these crafts is dependent on knowledge exchange and intergenerational transfer, which not only motivates craftspeople to sustain their craft practice, but also enhance the commercial viability of their craft practices. You are cordially invited to submit a paper to this Special Issue. Global Heritage publishes original research articles, case studies, reviews, reports, and expert opinions. You can submit your paper here: https://www.editorialmanager.com/gloher/default2.aspx <https://www.editorialmanager.com/gloher/default2.aspx> All submissions will undergo peer review and be published upon acceptance, with the journal prioritizing efficient publication. Please note that there is no Article Processing Charge (APC) for this Special Issue. We would be delighted if you could contribute to this Special Issue. Please do get in touch to discuss your idea for a submission Best wishes Dr Jessamy Kelly, Professor Juliette MacDonald, Dr Craig Kennedy (Guest editors) [email protected] <[email protected]>; [email protected] <[email protected]>; [email protected] <[email protected]> Dr Craig J. Kennedy Associate Professor of Building Materials Senior Programme Director: Construction Project Management and Quantity Surveying Editor-in-Chief Global Heritage <https://www.sciencedirect.com/journal/global-heritage> School of Energy, Geoscience, Infrastructure and Society Heriot Watt University, Riccarton Campus, Edinburgh, UK, EH14 4AS Craig J. Kennedy - Heriot-Watt Research Portal (hw.ac.uk) <https://researchportal.hw.ac.uk/en/persons/craig-j-kennedy> Untitled Document Founded in 1821, Heriot-Watt is a leader in ideas and solutions. With campuses and students across the entire globe we span the world, delivering innovation and educational excellence in business, engineering, design and the physical, social and life sciences. This email is generated from the Heriot-Watt University Group, which includes: Heriot-Watt University, a Scottish charity registered under number SC000278 Heriot- Watt Services Limited (Oriam), Scotland's national performance centre for sport. Heriot-Watt Services Limited is a private limited company registered is Scotland with registered number SC271030 and registered office at Research & Enterprise Services Heriot-Watt University, Riccarton, Edinburgh, EH14 4AS. The contents (including any attachments) are confidential. If you are not the intended recipient of this e-mail, any disclosure, copying, distribution or use of its contents is strictly prohibited, and you should please notify the sender immediately and then delete it (including any attachments) from your system. 2.From: Katarina Trajkovic Posted: Monday June 15, 2026 10:43 AM Subject: [EVENT] Icon26 Group Event: 'Treatment Cycles for Easel Paintings' Message: Icon26 Group Event: 'Treatment Cycles for Easel Paintings' 22 June 2026 2 pm – 5 pm BST | Online With just one week to go until the Icon26 Paintings Group event, 'Treatment Cycles for Easel Paintings', we are delighted to announce our speakers: Sarah Staniforth Julia Nagle Clare Finn Rebecca Hellen Devi Ormond This thought-provoking online session will bring together conservation professionals to explore how treatments evolve and endure over time, and how decisions around care, re-treatment, and long-term outcomes are made in practice. Through a series of short presentations, our speakers will share insights from case studies, research, and professional experience, while reflecting on key conservation principles such as minimal intervention and reversibility. We are also pleased to share the event poster and full programme. We look forward to welcoming conservators, students, and anyone interested in paintings conservation for what promises to be an engaging discussion. There is still time to register and join us <https://www.icon.org.uk/events/icon26-group-event-treatment-cycles-for-easel-paintings.html>. ------------------------------ Katarina Trajkovic Student, MA Conservation of Fine Art (Easel Paintings) Northumbria University Newcastle Program in Preventive Conservation/Conservation of Fine Art ------------------------------ 3.From: Zuzanna Szozda Posted: Monday June 15, 2026 6:22 PM Subject: RE: Using magnets to temporarily display massive 12x8 foot paper poster mounted on canvas Message: One additional thought occurred to me after sending my previous message. For those interested in the technical side, the Encyclopedia Magnetica (E-Magnetica <https://www.e-magnetica.pl/doku.php/start>) is a free educational resource devoted to practical magnetics and is maintained by a group of magnetics specialists. It contains calculators, technical data, and explanatory articles that can be very helpful when estimating magnetic forces and designing systems. I have contributed to the art and conservation section. In many cases, a reasonable assessment can be made once the approximate weight of the object, how evenly that weight is distributed, and the intended mounting orientation are known. I recently helped with the design of an exhibition involving large-format canvases of a comparable scale, so I suspect your poster may fall into a similar range in terms of mounting considerations. If you would like to explore a magnetic solution, please feel free to contact me directly. I would be happy to discuss the case, point you toward relevant resources, or help with some preliminary calculations. Best wishes, Zuzanna ------------------------------ Zuzanna Szozda Paintings Conservator Copenhagen, Denmark [email protected] ------------------------------ ------------------------------------------- Original Message: Sent: 06-11-2026 14:25 From: Heather Adams Subject: Using magnets to temporarily display massive 12x8 foot paper poster mounted on canvas Hello, We have a 12x8 foot paper poster mounted on canvas. The goal is to digitize and then roll it for storage. We're considering hanging it for just long enough to get good images of it. It's been lying on top of shelves for as long as I've been alive, and we have no idea what the condition will be when it comes down. Does anyone have a rule of thumb of the weight magnets could hold, or do you have other ideas for how to hang it? Thanks, Heather ------------------------------ Heather Parks Head of Preservation & Conservation Binghamton University [email protected] <[email protected]> ------------------------------ 4.From: Luisa Casella Posted: Monday June 15, 2026 6:23 PM Subject: RE: Seeking current and past information on Photograph Conservator positions and fellowships worldwide Message: Dear Colleagues, I have added a table to the AIC Wiki of the photograph conservation positions <https://www.conservation-wiki.com/wiki/PMG_History_of_Photograph_Conservation#Photograph_Conserv> and dates they were filled of which I have knowledge. Please let me know if you detect errors or are aware of positions not listed. It would also be helpful to add scholarships and fellowships, if you have relevant information to share. Thank you for your help, Luisa 1972 US George Eastman House 1975 US George Eastman House 1976 US Chicago History Museum 1979 US George Eastman House 1980s DE Staatsmuseum, Munich 1980s DK Museet for Fotokunst 1980 US Conservation Center for Art & Historic Artifacts 1980 US Northeast Document Conservation Center 1981 US Art Institute of Chicago 1981 US Harry Ransom Humanities Research Center 1982 SE Fotografiska Museet 1982 GB Victoria & Albert Museum 1983 FR Atelier de Restauration et Conservation, Paris 1984 CA National Archives of Canada 1985 US National Archives and Records Administration 1986 CA National Gallery of Canada 1986 US Chicago History Museum 1986 US J. Paul Getty Museum 1987 FI Finnish Museum of Photography 1987 CA National Gallery of Canada 1989 CA Canadian Center for Architecture 1989 PT Fundação Calouste Gulbenkian 1990s CA Royal British Columbia Museum and Archives 1990 US Metropolitan Museum of Art 1990 US National Gallery of Art, Washington DC 1990 US Library of Congress 1991 US J. Paul Getty Museum 1992 NZ National Library of New Zealand 1992 AU National Archives of Australia 1994 AU Australian War Memorial 1997 US U.S. Holocaust Memorial Museum 1997 US San Francisco Museum of Modern Art 1997 US National Gallery of Art, Washington DC 1997 US Library of Congress 1999 MX Archivo Fotográfico Manuel Toussaint, UNAM 1999 US Museum of Modern Art 1999 AT Albertina Museum 2000 CA Library and Archives Canada 2001 US Conservation Center for Art & Historic Artifacts 2001 US National Archives and Records Administration 2004 CA Library and Archives Canada 2005 US Weissman Preservation Center, Harvard Library 2006 CA Canadian Conservation Institute 2006 US J. Paul Getty Museum 2007 CA Art Gallery of Ontario 2010 NL Rijksmuseum 2011 CA National Gallery of Canada 2012 US Center for Creative Photography, Tucson 2014 NL Rijksmuseum 2017 US Center for Creative Photography, Tucson 2017 CA Library and Archives Canada 2018 CA National Gallery of Canada 2019 US Harvard Libraries 2019 US George Eastman Museum 2019 US Metropolitan Museum of Art 2019 US Library of Congress 2019 CA Canadian Conservation Institute 2019 NL Rijksmuseum 2019 US J. Paul Getty Museum 2019 US SFMoMA 2022 US George Eastman Museum 2022 US Amon Carter Museum 2022 US Getty Research Institute 2022 US Metropolitan Museum of Art 2022 US New York Public Library 2022 US Art Institute of Chicago 2022 US Harry Ransom Humanities Research Center 2022 US Los Angeles County Museum of Art 2022 US Virginia Museum of Fine Arts 2022 US Harvard Art Museums 2022 QA Qatar Museums Authority 2022 FI Finnish Museum of Photography 2022 US New Orleans Museum of Art 2022 US Boston Athenaeum 2023 US J. Paul Getty Museum ------------------------------ Luisa Casella Independent Photograph Conservator ------------------------------ ------------------------------------------- Original Message: Sent: 06-12-2026 12:00 From: Luisa Casella Subject: Seeking current and past information on Photograph Conservator positions and fellowships worldwide Dear colleagues, As part of ongoing research on the history of photograph conservation, I am compiling as thorough a list as possible of positions and fellowships specifically dedicated to photographs, worldwide. Some of this information has been already been published as the Photograph Conservation Historical Timeline, Appendix A in Conservation of Photographs: Significance, Use and Care (Routledge, 2025) <https://www.routledge.com/Conservation-of-Photographs-Significance-Use-and-Care/Norris-Kennedy-Lavedrine/p/book/9780367469559>. I am now working to expand that record to today, correct any errors, and make it as global as possible. I would be grateful for any of the following information about your institution, or any institution you know of: Positions with the official title Photograph Conservator: does the institution currently have one, what year was the position created, and who has held it? Research Scholarships or Fellowships specifically in photograph conservation (with that specific title): does your institution currently offer one, and what year did it start? Positions, scholarships, or fellowships that existed in the past but have since ended: what years did they run, and when were they discontinued?Even partial answers are very welcome. You can reply on list or write to me directly at [email protected] <[email protected]>. Please feel free to forward this to colleagues with relevant institutional knowledge. Thank you for your consideration,Luisa 5.From: Steven Prins Posted: Monday June 15, 2026 6:23 PM Subject: RE: Using magnets to temporarily display massive 12x8 foot paper poster mounted on canvas Message: Hi Heather, Before determining if magnets can bear the weight, which I am sure some can, it is essential to define how you intend to use them. Do you intend to simply 'tack' the piece to a wall with as many local points off magnetic attachment as are required? Do you anticipate applying the magnets directly to the surface of the print? It would also be helpful to know a bit more about the current state of the piece. In particular, is it currently rolled? Does the lining provide a tacking margin that extends beyond the paper? Regardless of the answers to these questions, you can greatly reduce the clamping force required by any means by taking advantage of gravity and friction to help support the weight of the poster. You can increase friction simply by covering the supporting surface with a fabric similar to the lining fabric. You can take advantage of gravity to increase that friction with the use of a slant board on which to mount the piece for photography. A disposable support could be made economically out of corrugated cardboard on a wooden frame. Fabric that size may cost a bit. A slant board will prove to be very advantageous should you have to unroll the piece. If it is rolled onto a core you can simply put a lip or self along the bottom to support the core as it is unrolled vertically. If you have the floor space you can unroll it horizontally on the board, clamp it, lift and relocate it as necessary. As others have noted, magnets are capable of exerting unexpectedly strong local forces capable of damaging surface texture and collapsing structures. Care should be taken in the development of magnetic clamping systems. Magnets should be considered as sources of force in a clamping system, not as a clamping systems in and of themselves. As a painting conservator, of course I wonder why not just attach a temporary edge lining? Or extended tabs/hinges? Even if one is dying to use magnets. Let us know how it goes. Better yet, send us some pics! With best wishes from Santa Fe, Steven ------------------------------ Steven Prins Santa Fe, NM ------------------------------ ------------------------------------------- Original Message: Sent: 06-11-2026 14:25 From: Heather Adams Subject: Using magnets to temporarily display massive 12x8 foot paper poster mounted on canvas Hello, We have a 12x8 foot paper poster mounted on canvas. The goal is to digitize and then roll it for storage. We're considering hanging it for just long enough to get good images of it. It's been lying on top of shelves for as long as I've been alive, and we have no idea what the condition will be when it comes down. Does anyone have a rule of thumb of the weight magnets could hold, or do you have other ideas for how to hang it? Thanks, Heather ------------------------------ Heather Parks Head of Preservation & Conservation Binghamton University [email protected] <[email protected]> ------------------------------ 6.From: Makayla Elder Posted: Monday June 15, 2026 6:23 PM Subject: Museum Textile Conservator Position at Paisley Park - Prince Rogers Nelson Museum Message: Are you passionate about textiles, fashion history, and cultural preservation? Do you thrive in museum environments while seeking a role that is both meaningful and creatively inspiring? Paisley Park invites an experienced Textile Conservator to join our Museum Collections team and play a vital role in preserving one of the most distinctive collections in music history. This full-time position offers the rare opportunity to care for and conserve the iconic garments, costumes, and textile artifacts that reflect the extraordinary creative vision of Prince. At Paisley Park, art, music, fashion, culture, and history converge. As Textile Conservator, you will help ensure that these remarkable objects continue to educate, inspire, and connect audiences with Prince's enduring legacy for generations to come. Apply online at Paisleypark.com: Museum Textile Conservator - Full Time - Chanhassen, MN <https://paisleypark.applicantpro.com/jobs/2868989> Responsibilities Efficiently run conservation work area, including defining protocols and procedures Developing, researching, and implementing conservation strategies and treatment plans Training and advising museum and collections staff on conservation best practices Identify and perform daily conservation tasks Performing conservation assessments, stabilization treatments, and preservation work on a diverse range of textile materials Preparing detailed conservation reports and collection rotation procedures Dressing and mounting garments on custom mannequins for exhibition Advising on sustainable preservation methods for both storage and exhibition environments Monitoring environmental conditions and recommending improvements to collection care practices Participating in exhibition preparation, installations, and special projects Other duties as assigned Qualifications Master's degree in Textile Conservation Professional experience as a conservator within a museum or cultural institution is preferred Strong knowledge of textile conservation practices and preventive conservation Experience handling a wide range of textile materials and artifact types Understanding of environmental impacts on collections and preservation standards Excellent written and verbal communication skills Excellent attention to detail and organizational abilities Experience working with a team and independently - the ability to develop effective working relationships Proven ability to manage multiple priorities and meet deadlines Valid driver's license and reliable transportation Knowledge of Prince, his artistic legacy, or his impact on fashion and culture is welcomed but not required. Schedule Monday - Friday, 8:30 AM to 5:00 PM, working hours, including some weekends, evenings, holidays, and overtime as required based on the event schedule. Mandatory staffing for the Prince Celebration event in June. Physical Requirements The primary physical requirements of the Museum Conservator include: Ability to sit or stand for extended periods Comfortable handling and moving collection storage materials Strong manual dexterity and attention to detail Excellent vision or corrected vision Ability to work with garments and mannequins in exhibition settings Ability to lift and carry up to 25 pounds Ability to transport mannequins and exhibit materials between workspaces and exhibition areas Why Join Paisley Park? Paisley Park is more than a museum-it is a living celebration of Prince's artistry, innovation, and cultural impact. This is an opportunity to work with an extraordinary collection in a place where creativity, preservation, and storytelling come together every day. Work with a globally recognized collection of fashion and performance artifacts Contribute to the preservation of an internationally significant cultural legacy Collaborate with passionate museum, collections, and exhibition professionals Enjoy a dynamic environment where creativity and history intersect every day Comprehensive Benefits Package Includes: Medical, dental, and vision insurance Pet insurance 401(k) with company match Health Savings Account (HSA) Complimentary tour tickets Employee discounts Note: As Prince was a pescatarian, Paisley Park is a pescatarian food environment. Eggs, fish, and cheese are fine; beef, pork, chicken, and other meats can be eaten in your car, or you may take meals off-site. Chanhassen, MN, USA, Hourly, Full-Time Museum Textile Conservator - Full Time - Chanhassen, MN <https://paisleypark.applicantpro.com/jobs/2868989> Applicantpro remove preview <https://paisleypark.applicantpro.com/jobs/2868989> Museum Textile Conservator - Full Time - Chanhassen, MN Are you passionate about textiles, fashion history, and cultural preservation? Do you thrive in museum environments while seeking a role that is both meaningful and creatively inspiring? Paisley Park invites an experienced Textile Conservator to join our Museum Collections team and play a vital role in preserving one of the most distinctive collections in music history. View this on Applicantpro > <https://paisleypark.applicantpro.com/jobs/2868989> ------------------------------ Makayla Elder Museum Collection Manager Paisley Park Chanhassen United States ------------------------------ 7.From: Lindsay Wilcox Posted: Monday June 15, 2026 6:24 PM Subject: RE: Using magnets to temporarily display massive 12x8 foot paper poster mounted on canvas Message: Hello, My artist's brain with a bit of a practical engineer inclination prompted a possible different solution. Does this item lay flat or has it been rolled the whole time? If it would lay flat, what do you think about a big flat space to lay it out on? You could both assess its condition and then use a drone to take the images you want. If this is practicable, you would eliminate concerns about creating stress on the item by hanging it and your technical issues would switch to creating a sanitary environment on which to lay it. Best, Lindsay A. Wilcox Artist & Conservation Enthusiast Burns, OR USA ------------------------------ Lindsay Wilcox Burns United States ------------------------------ ------------------------------------------- Original Message: Sent: 06-14-2026 21:11 From: George Schwartz Subject: Using magnets to temporarily display massive 12x8 foot paper poster mounted on canvas Here is another practical method that doesn't require calculating and configuring a magnetic mount. Use gripper clips designed for tarpaulins. You will want to pad the jaws with a non-slip, high-grip benign layer at least on the face side to improve the clips staying put. I recommend asking your phlebotomist for a few disposable rubber tourniquets they use when drawing blood. You can pass a tight wire rope through the holes, or put a series of nails into the wall where you want to hang the map. The clips are easy to close and open, without the risk of prying powerful magnets off a paper surface. If you have your heart set on using magnets, I understand well, the cool factor. I'm a confirmed magnet geek myself. I can draw up a tried and true design and send it to you. Personally, it would be overkill in this application and far more costly. good luck George ------------------------------ George Schwartz Principal, Senior Conservator ConservArt, Inc. Boca Raton FL [email protected] <[email protected]> Chair CIPP 2011-2013 Conservators in Private Practice ------------------------------ Original Message: Sent: 06-14-2026 16:32 From: Zuzanna Szozda Subject: Using magnets to temporarily display massive 12x8 foot paper poster mounted on canvas Dear Heather, I think magnets can certainly be a viable option. However, a few practical considerations may be worth keeping in mind. One aspect worth considering is that calculators such as the K&J Magnetics tool estimate the direct pull force of a magnet, but they do not directly predict whether a large sheet or canvas-mounted object will remain safely in place. In practice, a relevant parameter here is the extraction force, which is closely related to the coefficient of friction between all contact surfaces. As a result, the effective holding capacity can vary considerably depending on the materials involved, surface texture, protective interleaving layers, and the actual contact pressure. For this reason, pull force alone may not be a reliable predictor of how well the object will resist slipping once suspended. In other words, the question is often not how much weight a magnet can lift, but also how well the entire mounting system can resist slipping. I also agree with George's suggestion that distributing the load over a larger area is often safer than relying on a limited number of high-force magnetic contact points. The condition of the object will probably be the key factor in determining how much contact pressure can be applied safely. If the poster has been stored for many years and its condition is still unknown, I would be cautious about concentrating forces in only a few locations. The application and removal of strong magnets can also be challenging and, in some situations, may present a greater risk than the actual hanging period. For fragile objects, it may therefore be worth considering systems that allow a more gradual and controlled engagement of magnetic force rather than relying on magnets that snap into place at full strength. Here perhaps, a mounting system that allows the contact pressure to be adjusted and distributed over a larger area may offer additional safety compared with relying solely on the maximum strength of fixed magnets. One example would be magnetic holders with adjustable pressure, which allow the holding force to be introduced gradually and controlled during both mounting and removal. I discussed this type of approach during the AIC Annual Meeting in Los Angeles in 2022. If you or anyone else is interested further in the topic, I would be happy to share relevant references and ongoing research. My current PhD research focuses on the use of magnets in the conservation, mounting, and display, including the mechanical interactions between magnetic systems and art materials. It sounds like a fascinating project, and hopefully the poster will be in better condition than expected after all these years. Best of luck with the digitization, and I would be very interested to hear what solution you eventually choose. Best wishes, Zuzanna ------------------------------ Zuzanna Szozda Paintings Conservator Copenhagen, Denmark [email protected] <[email protected]> ------------------------------ 8.From: Valeria Orlandini Posted: Monday June 15, 2026 6:24 PM Subject: 38th IPH Congress 2026 'PAPER TRADE' 24–29 August 2026, Amsterdam Message: Dear Colleagues, The IPH board and the IPH Congress Organising Committee invite you to the 38th Biennial Congress of the International Association of Paper Historians (IPH), which will be held in Amsterdam, the Netherlands, from 24 to 29 August 2026. 38th IPH Congress 2026 'PAPER TRADE' 24–29 August 2026 Main location: Oude Lutherse Kerk (Aula, University of Amsterdam) Singel 411, 1012 WN Amsterdam, the Netherlands PAPER TRADE Join us for an international exploration of the history of the paper trade, from medieval Europe to global networks spanning Asia, Africa, the Mediterranean, and the Americas. Through case studies on trade routes, merchants, printers, artists, collectors, and papermakers, speakers will reveal how paper connected economies, cultures, and ideas across centuries. From the VOC and world fairs to Japanese washi, Indian paper, and Ottoman collections, participants will discover the remarkable journeys of paper as a global commodity and cultural connector. The congress features three days of lectures in Amsterdam by leading scholars and heritage professionals from around the world. In addition, participants will enjoy a full day of excursions to libraries, archives, museums, and other paper-related sites in Amsterdam, Leiden, The Hague and Rijswijk. One day of lectures and heritage visits will take place in and around Zaandam, in the Zaan region, where wind-powered paper mills produced paper used to print the Declaration of Independence, whose 250th anniversary is celebrated in 2026. A further excursion will visit the Veluwe, the second major historic papermaking region of the Netherlands, renowned for its water-powered paper mills and rich papermaking heritage. Looking forward to welcoming you for a week of scholarship, discovery, and exchange dedicated to the global history of paper. Congress website <https://www.aanmelder.nl/iphcongress2026/home> Registration <https://www.aanmelder.nl/iphcongress2026/registration> closes on August 1st. Programme overview <https://www.aanmelder.nl/iphcongress2026/programme>with link and download [PDF] to the full programme >> Apologies for cross-posting << ------------------------------ Valeria Orlandini Conservator of Works on Paper and Photographic Materials Chevy Chase MD (301) 657-2682 ------------------------------ You are subscribed to "Global Conservation Forum (ConsDistList)" as [email protected]. To change your subscriptions, go to http://community.culturalheritage.org/preferences?section=Subscriptions. 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