Ted,

Also remember the maxim, if you ask two callers, you will get three opinions!

I prefer to avoid fractions as much as possible. Some people have brain freeze 
when fractions are invoked.  I will say halfway; but instead of 3/4 I will say 
three PLACES; same for 1/4. As Diane says, instead of 7/8, three places and a 
step or two more.


Seth Tepfer, MBA, CSM, PMP
Manager of Software Engineering, Oxford College
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________________________________
From: Diane Silver via Contra Callers <contracallers@lists.sharedweight.net>
Sent: Monday, December 6, 2021 8:35 PM
To: contracallers@lists.sharedweight.net <contracallers@lists.sharedweight.net>
Subject: [External] [Callers] Re: teaching Naked in California


It may be more than you want to go into for a walk-through, but it can be a 
good opportunity to teach (or remind) dancers that a shadow is always a dancer 
in another set who is in the same position as your partner is in, in your set.  
Usually, the shadow with whom you actually do something is just one set 
adjacent, so you can ID shadows at the beginning of the dance by facing your 
partner across the set (if it's improper) and looking to the diagonal (either 
left or right diag -- you have to predetermine that as the caller and have it 
in your notes) and wave at that person on the diagonal.  "Note what they're 
wearing. You're going to meet them later." Your idea ("your shadow is the 
person across and two to the left of you") is the same thing, but just a little 
harder to process the words. Seth's method is more immediate, and therefore 
probably a bit more effective; it's just not universally applicable. As you 
astutely noted, if you're on the end and don't have a diagonal, then your 
shadow happens to be your current neighbor.  I would say it that way, rather 
than "if you don't have anyone in your left hand...."

(If the dance is Becket, then your partner is in the same line as you, and 
therefore, your shadow is also in your line, usually in the other hand (or 
across the set if on the end).

Also note:  you can help dancers find their shadow successfully in the first 
walk-through if you break down the allemande.  Many dancers don't REALLY know 
how far 3/4 is.  So I would say, "Robins allemande right 1/2-way, over to your 
partner; Partners allemande left halfway to change places, then go two steps 
more -- the next one along the line is your shadow!" And I would call it that 
way as well, the first few times through.  I often use "1/2-way and two steps 
more" rather than  "3/4" (for allemandes) or "3 places and 2 steps more" rather 
than "7/8" (for circles or stars).

Hope this helps.

-- Diane

~~~~~~~~~~~~~~~~~~~~~~~~~~
Diane Silver
Asheville, NC
da...@diane-silver.com<mailto:da...@diane-silver.com>

On Dec 6, 2021, at 4:03 PM, Tepfer, Seth 
<la...@emory.edu><mailto:la...@emory.edu> wrote:


Ted,

Great questions. Here's the dance: 
https://contradb.com/dances/951<https://nam11.safelinks.protection.outlook.com/?url=https%3A%2F%2Fcontradb.com%2Fdances%2F951&data=04%7C01%7Clabst%40emory.edu%7C5616ce284ad54cc3b8a208d9b921dbf1%7Ce004fb9cb0a4424fbcd0322606d5df38%7C0%7C0%7C637744378008941840%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=1O9jSg10nahs9Hg176YKWftiCc0paxEGGZ0oC84z%2Bu4%3D&reserved=0>

  1.  Finding shadow: Here's what I'd do. "Neighbor swing. Robins allemande 
right to in front of your partner. give left hand to your partner. Everyone 
freeze. Look over your left shoulder - there is someone looking at you - wave 
at them with your right hand. That's your shadow." Now, with your partner, 
Allemande Left 3 places. There's your shadow!"
  2.  When you are out, your shadow is across the set from you. Your choices 
are to either wait out at top until partner swing or allemande shadow, then 
slide back to P for swing. Teaching end effects is always a crap shoot. What 
percentage of the room will remember all those words you said after the music 
starts and they have been having fun for 6x through the dance?
  3.  Yep, standard progression (technically) in the neighbor swing of A2. Or 
B2.

Seth Tepfer, MBA, CSM, PMP
Manager of Software Engineering, Oxford College
Schedule an appointment: 
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770-784-8487
seth.tep...@emory.edu<mailto:seth.tep...@emory.edu>

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Pronouns: he, him, his

________________________________
From: Ted Sims via Contra Callers 
<contracallers@lists.sharedweight.net><mailto:contracallers@lists.sharedweight.net>
Sent: Monday, December 6, 2021 2:54 PM
To: Shared Weight Contra Callers 
<contracallers@lists.sharedweight.net><mailto:contracallers@lists.sharedweight.net>
Subject: [External] [Callers] teaching Naked in California

Hi everyone
This is kind of a newbie question. I've never called Naked In California [Nils 
Fredland] before and I'm thinking about how to teach it. I think I've mostly 
figured it out, but I welcome your comments on my thoughts below:

(1) I would like for everyone to identify their shadows straight away. I think 
the best way is to have everyone take hands in long lines then "If you are on 
the end and your left hand is free, your shadow is the person in your right 
hand (introduce yourselves). Everyone else, your shadow is the person across 
and two to the left of you".   Is there a better way?

(2) After the partner allemande, if the dancers on the ends have no one in the 
right hand, it seems to me that they have to stay put (there is no wrap around 
etc.). Is that correct?

(3) It looks like people out on the ends need to swap in the usual way.

Thanks for any help you can provide.

Ted




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