Hi Jeff,

              Yes, it’s true! Approximately 30 minutes of swinging per evening 
was the conclusion on this forum after many discussions, many years ago.

 

              That’s why I ALWAYS spend time teaching first-timers how to swing 
(I have seen some atrocious teaching by dancers who think they know how to do 
it!).

 

            Happy dancing,                          

                   John                                   

                                    

John Sweeney, Dancer, England   [email protected] 01233 625 362 & 07802 940 
574                          

http://contrafusion.co.uk/KentCeilidhs.html for Live Music Ceilidhs             
           

http://www.contrafusion.co.uk for Dancing in Kent                               
           

http://www.modernjive.com for Modern Jive DVDs

 

 

From: Jeff Kaufman <[email protected]> 
Sent: 23 November 2022 14:31
To: John Sweeney <[email protected]>
Cc: Shared Weight Callers' Listserv <[email protected]>
Subject: Re: [Callers] Re: How to have the beginners choose roles

 

"during the average contra evening, you will spend approximately 30 minutes 
swinging"

 

Tangent: I thought "that can't be right" but a little playing with numbers and 
I think it is.  My back of the envelope: guess ~12 dances, each ~17 times 
through, with ~20 beats of swinging per dance.  That's 4k beats of swinging, 
which at 118bpm is 35min.  Another way to think of it is that in a 3hr evening 
half of your time is dancing and a third of that is swinging.

 

Jeff

 

On Mon, Nov 21, 2022 at 4:49 PM John Sweeney via Contra Callers 
<[email protected] 
<mailto:[email protected]> > wrote:

Since, during the average contra evening, you will spend approximately 30 
minutes swinging, surely it would be better to teach the dancers how to swing 
properly.

 

Apart from the slight variation in the position of one of your arms the swing 
should be symmetrical.  And nobody should be giving any of their weight to the 
other person. (I hate the term “give weight” – it is grossly misunderstood.)

 

I am quite happy to provide a gentle counterbalance to your mass, but please 
look after your own weight!

 

When teaching the buzz-step I always get the dancers to do it individually so 
that they learn to keep their own balance.  Too many dancers thinking that 
throwing their weight in some random direction will make the swing go faster – 
it won’t – only your feet can make the swing go faster.

 

Lots more at http://contrafusion.co.uk/SwingWorkshop.html

 

:-)

 

            Happy dancing,                          

                   John                                   

                                    

John Sweeney, Dancer, England   [email protected] 
<mailto:[email protected]>  01233 625 362 & 07802 940 574                     
     

http://contrafusion.co.uk/KentCeilidhs.html for Live Music Ceilidhs             
           

http://www.contrafusion.co.uk for Dancing in Kent                               
           

http://www.modernjive.com for Modern Jive DVDs

 

 

From: Angela DeCarlis via Contra Callers <[email protected] 
<mailto:[email protected]> > 
Sent: 21 November 2022 21:02
To: Alexandra Deis-Lauby <[email protected] <mailto:[email protected]> >
Cc: Shared Weight Callers' Listserv <[email protected] 
<mailto:[email protected]> >
Subject: [Callers] Re: How to have the beginners choose roles

 

I appreciate the care that goes into option #3, and also really like Becky's 
comment about some of the asymmetries that occur on the dancefloor as a result 
of the culture (i.e., that robins may encounter more twirling than larks). 
Another piece of cultural asymmetry I've encountered is that, in some 
communities, dancers are used to the dancer in the left-hand position carrying 
more of the weight in the swing — as a small person with bad joints, I find it 
more difficult to dance the left-hand role where this is a factor. Depending on 
how much time you have, reflecting on these differences in the roles' 
physicality seems like a kind and useful addition.

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