A lot of good descriptions and suggestions already, but I’d like to add a 
couple.

Calling squares can require a different mindset than calling contras. This is 
especially true for western-style or southern-style squares. New England-style 
squares with their 32-bar structure and generally slower tempos are less 
demanding of callers, as these are more like contras in square formations, but 
still I think the difference from contra calling is still a reality. And most 
of the caller techniques are the same.

Calling a square dance is becoming part of the music. The caller is not just a 
prompter. The caller drives the dancers with voice, including pulse with 
down-beat emphases and patter to fill the space and increase the excitement. As 
one person noted, the calling doesn’t stop – the caller calls straight through 
the entire dance.

And can play with the music. 32 bars are great, but many many tunes, especially 
southern or Quebecois tunes, have never heard of that structure, and we can 
definitely call squares to them. Even to bluegrass or European tunes. And this 
is a strength. We can play with it. At a dance camp, I once called the square 
“Texas Star” to the jazz tune “Take Five”. It was an experience for everyone.

The caller watches the entire room, and if one or two squares begin to break up 
or fall behind, there is always the laughing “Everyone home and swing your 
own!” reset button. Or the caller can add a circle left, swing your partner, 
promenade – to bring the entire room up to the music. And so it seamlessly so 
everyone has a good time. At the same time, playing with the musical phrases so 
that the next part of the dance begins at the top of the tuner – no one may 
ever realize that, but it’s good caller-craft.

And the thing is that the caller can really bring fun and acceptance into the 
dance – using their voice and patter and laughter and jokes (“Some use a 
shovel, some use a hoe, if you know that you’re doing that’s more than I 
know!”). Calling squares opens up wonderful possibilities for fun and artistry. 
And great fun for the dancers.

Woody

Woody Lane
Caller, percussive dancer
Roseburg, Oregon


From: Maia McCormick via Contra Callers <[email protected]>
Sent: Saturday, March 18, 2023 9:21 AM
To: Shared Weight Contra Callers <[email protected]>
Subject: [Callers] Starting to call squares at contra dances

After dancing to some of Lisa's Greenleaf's 🔥 squares at Beantown Stomp last 
weekend, I'm feeling inspired to add some to my repertoire. (To be clear, I'm 
looking for squares-for-contra-dancers, not MWSD squares.)

  1.  Any resources to recommend for someone learning to call squares?
  2.  Any advice to share, techniques to look into, things you wish you'd known 
when starting out / wish contra callers knew about squares?
  3.  Suggestions for callers to look up on YouTube (besides Lisa ofc) / fave 
videos?
  4.  Favorite dances that I should add to my box?
Thanks in advance,
Maia
--
Maia McCormick (she/her)
917.279.8194
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