David,

Do you know whether the directions for "Manhattan Chowder", as originally 
published in the 1980s, suggested that the active dancers to maintain eye 
contact during the figure under discussion? I don't have a guess one way or the 
other and I wouldn't want to make assumptions based on evidenceE such as videos 
of the dance made after the current contra dance interpretation of the words 
"Mad Robin" became popular.

By the way, I can recall learning to do the English country dance "Mad Robin" 
in a style where the "casting" dancers did briefly turn away from their 
partners, but where they looked over their shoulders to maintain eye contact 
until the last possible moment before turning away and then quickly 
re-established it. I can imagine someone describing such a styling with words 
about eye contact that might be easily be misinterpreted as suggesting that 
dancers face directly across the set towards their partners throughout the 
figure. Assuming Beverly Francis indeed intended the latter interpretation of 
the action, verbatim quotation of her original dance instructions would provide 
more compelling evidence than a modern paraphrasing.

--Jim

> On Jun 29, 2023, at 5:06 AM, David Smukler via Contra Callers 
> <[email protected]> wrote:
> 
> The ACDOL database gives the date of Saint Paddy's Day as Oct 14, 1982. 
> According to Philippe Callens' book Both Sides of the Atlantic, Beverly 
> Francis's dance Manhattan Chowder was written earlier - in 1981. The figure, 
> as described by Philippe, is more like in the eponymous English country 
> dance, in that only one couple is moving. However, I've also seen this dance 
> called with the double Mad Robin figure that is more common in contra dances 
> nowadays.
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