I took Diane Silver's 5-day Callers Class at JC Campbell Folk School last
June.  It was excellent, without exception.  Personally, I'd recommend
contacting her for advice.
https://www.diane-silver.com/

Rob

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Robert Matson

On Mon, Jul 31, 2023 at 2:44 PM Katherine Kitching via Contra Callers <
[email protected]> wrote:

> I'm leading some caller training right now and something that went really
> well, after our first couple of sessions, was they each went away and wrote
> their own dance (I told them they could either write a dance or find a
> dance online, but they both elected to write their own)
>
> then the next time we met, we workshopped their dances-
>
> we wrote each dance out on a big sheet of paper and discussed the choices
> and how they flow together, and what hiccups they might encounter, what
> tweaks might need to be made
>
> once the dance was "finalized", we got the person who chose the dance to
> do a walkthrough.
> then we paused and talked about any teaching aspects that were
> interesting, or that we might do differently, etc.
>
> And then the person called it while we danced it about 6 times through...
>
> And then we then got together again to discuss what we liked about it, and
> what we might change, or any other suggestions/issues, points of interest
> etc.
>
> It lead to great discussions and lots of learning, even for me the
> workshop leader!
> Katherine K in Halifax
>
> Emily Addison via Contra Callers <[email protected]>
> Monday, July 31, 2023 11:07 AM
> Hi Folks,
>
> I'm going to be leading a series of caller discussions/workshops in the
> next while. (This is a new thing for me. I'm very excited as there's always
> so much to learn from each other. :))
>
> I'm wondering....
> -->Are there any activities that stood out as being really awesome from
> caller workshops you've attended/led?
> -->Any discussion topics/ways to frame discussions that excited you?
>
> I've been sketching things out and as of right now, I'm really excited to
> have a series of questions that prompt discussion among the group. (Maybe
> stickies/stickers on poster boards as part of this.) The questions range
> from the why of it all, presentation/performance considerations, teaching,
> prompting, repertoire, etc.... ... I'm trying to figure out some key
> questions to prompt the discussion. Here are just a few of the many prompts
> I'm thinking about....
> What do you see as the value of trad dances/dancing? What do you get out
> of dancing? What do you think others get out of it?
> What is your motivation for calling? What do you think you get/might get
> out of calling? Characteristics of a great caller? Callers you like (AND
> why)?
> What do the dancers need in the prompting? (Anything specific for beginner
> dancers in particular?)
> What need to/should know to know about a dance to call it really well?
> What is key in band communication…. At the start of the evening?
> Before/during/at end of each dance? At the end of the evening? Before the
> day of the gig?
>
> I'll also be creating a framework for safe feedback while we practice
> teaching and prompting dances.
>
> Thanks!
> :) Emily in Ottawa
>
>
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