Wow..... love this post Joe!
So so so cool to hear about your experiences and thoughts over the years.
Really helpful. :)
Emily in Ottawa

On Tue, Sep 19, 2023 at 11:30 PM Joe Harrington via Contra Callers <
[email protected]> wrote:

> The Tempo Question...enough to start religious wars, so please let's tread
> lightly in replies! There are regional/style, complexity, and agility
> components. Dances in the northeastern US, simple dances called to
> non-beginners, and dances with more agile dancers tend to go faster.
>
> These are tendencies, not rules. There are plenty of slower-tempo dances
> in the North that are sprinkled in among the high-tempo dances, but fewer
> high-tempo dances (120 bpm typical) in the South.  Flourishes are more
> frequent and more complex in the South, which may account for the tempo
> difference. The faster dances, no matter where they are, tend to be those
> with more agile dancers, but fully agile dances in the South are often 115
> typical.
>
> I'm basing this on spending several years about 10-15 years ago counting
> tempos all over the East Coast, trying to figure out why I found dances in
> certain areas more fulfilling than dances elsewhere.  Turns out that I get
> a much bigger runner's high (dopamine/adrenaline release) at 120 than at
> 115.  I don't know if that's everyone's experience or just mine, nor how
> important a runner's high is for others.  Of course, those Southern dancers
> are quite happy and any problem is mine. And no, I don't have a file with
> all the counts.  It was an informal, unscientific study done as I was
> dancing; I didn't write them down.
>
> I've been instructed in workshops by Asheville callers that dance tempo is
> 115 and that more would send people to the sidelines. I've been instructed
> by New England callers that it's 120 typical, with a few much-faster dances
> that could be followed by resting dances down around 115 or so.  That's
> regional/style preference.  And, yes, at least one Southern caller insists
> on 120, for which I am eternally grateful!  Again, these are tendencies,
> not laws.
>
> Some communities and some callers really prefer complex dances done more
> slowly (sometimes much more slowly, depending on agility), and clearly
> one's agility plays into tempo preference, especially when well into
> physical decline, whether due to age or other factors.  Very agile dancers
> tend to like it faster.
>
> Down here in Florida, most dances peak at around 115, with maybe one
> faster dance done later in the evening.  Some are even slower, though
> that's been less common since the pandemic.  The Southern location and the
> large number of much-older dancers makes this a hard pattern to break, if
> that's your goal.
>
> Some dances have the "moral" goal of dancing slowly enough to include
> literally everyone.  But, they don't include me, or others like me.  Sure,
> I can dance at 105, but I have low interest in it.  While that's a choice
> rather than exclusion due to capability, it's just as effective.  The dance
> product I most want to participate in doesn't exist consistently in
> Florida, and is rare in the South.
>
> So, I decided to start a dance series in Orlando, where I live (visit
> contraknights.org). The idea is to build a community around a dance
> product rather than fitting a dance product to a community.  My original
> plan to have a student-oriented campus group and an inclusive in-town group
> got us on our feet to establish the in-town group, but fell apart when some
> experienced community dancers told the students how to behave and the
> students decided as a group to stop coming to the in-town dance (some still
> come, but it was about 10-15 before and now it's maybe 3-5).
>
> I have had careful and detailed conversation with all the callers and
> bands about the tempo strategy. The typical tempo should be 120, with some
> variation.  Do not slow down, even if dancers ask for it.  Send them to me
> if they persist.  Yes, I expect some will not be interested in staying.
> But, the energetic dancers we're trying to attract will not stay (or at
> least won't come back) for slow dancing.  Call dances simple enough to work
> with that, with a lot of new dancers.  Keep a positive attitude when
> talking about it, and refer anyone really upset to me (I'd give them a
> refund, but nobody has come).
>
> The good news is that we've had over 40 dancers for the first several
> events of the season!  And, one of the callers did call fast, simple
> dances, which people absolutely loved.  However another caller asked the
> band to slow down, despite my pre-dance instructions.  I'm guessing their
> simple dances were not simple enough and they didn't have simpler, so they
> had no option but to slow it down, because the dances weren't working.  The
> band asked for clarification and I told them the caller is in charge.
>
> So, that, in a (coco)nut shell, is my tempo saga, at least as it stands to
> date.  Is it possible to establish Northern contra tempo in
> south-of-the-South Florida?  The next episode is Friday, and I'm calling,
> so we'll see how it goes.
>
> I'm sure I've said things that some disagree with.  Please be gentle in
> replies.
>
> Thanks,
>
> --jh--
>
>
>
>
>
> On Tue, Sep 19, 2023 at 8:10 PM Katherine Kitching via Contra Callers <
> [email protected]> wrote:
>
>> We just did a caller-musician workshop where we talked a lot about tempos.
>>
>> Our conclusion was that the tempo can really vary with the dance.  We
>> found a simple line dance like Gallopede/Virginia Reel might be danced up
>> to 125bpm with a young energetic crowd.... our typical speed for most
>> beginner-friendly contra dances is 115-117bpm, and an elegant contra with
>> lots of circling and weaving could go as slow as 105bpm.
>>
>> A big learning for me was that our house band plays a lot of Irish Reels
>> - and these are so dense with notes that they tend to feel rushed if played
>> faster than 105bpm.  It explained why we've had issues in the past, when
>> I've asked for a reel for a typical dance in the 115+ bpm range, and they
>> break out an Irish Reel , I keep trying to get them to speed it up, and
>> when they do it feels all jerky and wrong. (Plus they get exhausted!)
>>
>> Kat K in Hfx
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