One challenge is implementation: if the whole group learned the same swing
position, symmetrical or asymmetrical, from scratch, your proposal would
not be a problem unless/until your dancers visited other dances — and even
then. perhaps not a big issue.

In a community with mixed crowds (both experienced and newcomers), dancers
would need to signal which flavor of swing they wanted. And what about
folks with two different preferences meeting for a neighbor swing?

So developing those signals, and defaults, would be my focus. As for the
swing itself, I believe John Sweeny or one of the other UK members of the
list has a video catalog of various swings on a website. Good teaching tips
too.

Jerome


On Wed, Mar 13, 2024, 10:17 AM Becky Liddle via Contra Callers <
[email protected]> wrote:

> In the discussion about some men being uncomfortable doing ballroom dance
> hold swing with other men, the modified ballroom hold (hand above elbow of
> partner instead of on robin’s shoulder) was mentioned.
>
> In this discussion, much has been said about men who don’t want to do
> ballroom hold with other men, but what nobody has mentioned yet is the
> scads of women (both straight and queer) who have long been uncomfortable
> dancing ballroom swing with men (or often just with particular men). *I
> am intrigued by this modified ballroom swing idea because it might solve
> many problems at once*.
>
> I have two simultaneous (and conflicting) emotional responses to men
> uncomfortable swinging with other men:
> The ungenerous one is: "As a lesbian I had to get over my discomfort
> swinging with you in order to participate in the joy of contra. If I can do
> it, you can do it." But more importantly (and more generously): *We’d
> like everyone to be as comfortable at contra dances as is reasonably
> feasible*. To that end, I am very interested in this idea of the modified
> ballroom hold. It might solve MANY different problems. Here are a few that
> come to mind:
>
> 1. The enforced intimacy problem: this is not just a problem with straight
> men being uncomfortable swinging with other men. There is a lot of forced
> intimacy in the ballroom hold. Maybe that intimacy is not the best thing to
> force on *anyone*?. Modified ballroom swing would help with the problem
> of not wanting enforced closeness/intimacy with others for all kinds of
> reasons: keeping distance from the lecherous dancer who uses the ballroom
> hold as an excuse for unwanted intimacy; but also simply to provide a bit
> of space for folks who simply aren’t comfortable being that close to
> ANYBODY. I recently struck up a conversation with a new dancer who was
> leaving early (because we need to know why we’re losing potential dancers)
> and she said “It just feels too intimate.” She didn’t say too intimate
> swinging with men or with women. Just “too intimate” and I got the definite
> feeling that it was the enforced close hold (with *everyone*) that was
> difficult for her. I wonder if we would have lost her if we used the
> modified ballroom swing (hand above elbow instead of on shoulder).
>
> 2. There are other difficulties with the ballroom hold: sometimes there is
> simply not enough room: short arms or large girth can make it difficult to
> reach the back of the shoulder of the other partner at times, and this
> leaves the Lark in the uncomfortable/dangerous position of “where do I put
> my hand now?” While trying to avoid the “accidental side boob graze” issue.
>
> 3. Speaking of which, is nobody else out there having trouble with this
> “side boob graze” problem with the ballroom hold? I’m a lesbian who dances
> the Lark role because of knee and hip issues. At least once/evening when
> moving into or out of the ballroom hold I accidentally graze the side of my
> partner’s breast. If I were straight I wouldn’t worry about it. But as a
> lesbian my mind always leaps to “what if she thinks I did that on purpose?” 
> *Do
> straight men not also have this problem?? Why is nobody talking about
> this??* If the robin is female-presenting, the back of the robin’s
> shoulder is dangerously close to the side of her breast. Which means (a)
> it’s easy for a sleaze to cop a feel and pass it off as an accident, and
> (b) it’s easy for a lesbian or straight man to truly accidentally graze and
> then worry that they’ll be *perceived *as a sleaze. The elbow hold would
> solve both of these problems.
>
> 4. The robin clamping down their arm problem: Larks, have you ever danced
> with a robin who clamps down their arm on your wrist during the swing?
> Again, elbow hold would solve this.
>
> 5. The problem of robins dancing backwards when swinging: I have never
> danced the modified ballroom hold, but I’d like to know from folks who do:
> does it solve the problem of many robins feeling like they need to dance
> backwards when swinging? On the occasions when I do dance robin (usually
> because I’m pairing with a newbie who is dancing lark) I often find myself
> skittering backwards in the swing, instead of both of us walking/dancing
> forward. I’m not experienced enough as a robin to fully understand this
> phenomenon, but I think it has to do with the closeness and rigidity of
> some Larks’ hold in the ballroom swing. Question for folks who have used
> the elbow hold: does this hold solve this problem and allow the robin to
> dance forward instead of backward in the swing?
>
> I am particularly interested in this issue because I am about to move from
> Toronto (where the ballroom hold is firmly established) to an island off
> the coast of Vancouver (Bowen Island) where, if I want to continue to
> dance, I will have to start my own contra dance. This conversation has made
> me wonder whether I should start that group with the modified ballroom hold
> to solve many of these problems. *I’d love to hear from others who have
> used this swing about the pros and cons *(if any) and any other advice
> you’d have for someone starting a dance using this swing hold.
>
> Thanks!!
> Becky Liddle
> (Note: my email is changing from [email protected] to
> [email protected] )
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