I don't understand the question. I try to visualize it as a dancer, and I imagine the locations of the other dancers. Why would I give any thought to where the caller is?
Jacob [email protected] http://jacobbloom.net/ On Fri, Nov 21, 2025, 7:57 AM Jerome Grisanti via Contra Callers < [email protected]> wrote: > I put the caller behind me on stage with the band, as I myself take the > vantage of the #1 Lark, then the #1 Robin on a second time through. If the > composition is asymmetrical, I then take on the vantage point of the #2 > couple. > > Jerome > > > > Jerome Grisanti > 660-528-0858 > http://www.jeromegrisanti.com > > "Whatever you do, or dream you can, begin it. Boldness has genius and > power and magic in it." --Johann Wolfgang von Goethe > > On Fri, Nov 21, 2025, 2:42 AM Michael Fuerst via Contra Callers < > [email protected]> wrote: > >> As a caller and/or dance composer, when mentally visualizing a dance do >> you put the caller at the top or bottom of your mental simulation. >> If the dance is Becket, do you put the caller off to the right or left? >> _______________________________________________ >> Contra Callers mailing list -- [email protected] >> To unsubscribe send an email to >> [email protected] >> > _______________________________________________ > Contra Callers mailing list -- [email protected] > To unsubscribe send an email to [email protected] >
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