Maybe I’m missing something here, but how can a triple progression dance be
expected to work if only two hands-four are dancing?


* Elizabeth Bloom Albert *


On Thu, Dec 4, 2025 at 2:03 PM Jerome Grisanti via Contra Callers <
[email protected]> wrote:

> This is a "judge your crowd" dance for sure. The bits aren't challenging
> individually, but the gestalt may be intimidating.
>
> I'd suggest telling everyone that when they reach the end, they do the
> choreographed neighbor interaction with their partner, once and a half to
> trade, and they're right back in.
>
> Assure the crowd that they'll do fine. Sprinkly a bit of invisible magic
> contra dust on the set.
>
>  Hope it goes well.
>
> Jerome
>
>
> Jerome Grisanti
> 660-528-0858
> http://www.jeromegrisanti.com
>
> "Whatever you do, or dream you can, begin it. Boldness has genius and
> power and magic in it." --Johann Wolfgang von Goethe
>
> On Thu, Dec 4, 2025, 11:36 AM Katie A via Contra Callers <
> [email protected]> wrote:
>
>> A Different Way Forward https://share.google/1OzBw4bN7wf8Zu9JN
>>
>> I am calling this weekend and walked this dance through with a small
>> group last night to prepare. I thought it was such an easy, straightforward
>> dance. 😆 No hard moves, everything flows into the next move nicely... The
>> end effects were tripping people up even though they *knew* what was going
>> on. These were all experienced dancers. We only had 2 hands fours and it's
>> a triple progression dance, so everyone was always involved in end effects.
>> Maybe that's the only reason it was so complicated. I do know more things I
>> could point out from the beginning now (the ladies that are out won't be
>> doing the first allemande, but everybody will be doing the second
>> allemande; all the ladies will be traveling counterclockwise around the
>> major set and all the men will be traveling clockwise) but I'm afraid to
>> call it on Saturday. Is this dance really that hard? What should I think?
>> 😅 How do I do a better walkthrough? I don't want it to be information
>> overload but do I need to give a big picture explanation of the dance
>> before anyone starts moving? Or is this just all going to go better in
>> longer sets and people will sort out the end effects... ? It's such a fun
>> dance that I don't want to give it up but I don't want it to be a flop
>> either.
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