On 3/9/2019 11:22 AM, Nicola Carboni wrote:
Dear Martin,

Nevertheless I like the "artist" example, because it is a vague attribution, but useful. Exactly the things we prefer to put in E55 Type. I am intrigued by the different ways someone may be identified as artist. It reminds me the discourse about "my true mother" of George Lakoff in "Women, Fire and Dangerous Things”. The question is of course, if we could find an ontology as example which makes some objective ontological distinctions, such as people having studied fine arts, or being organized in a community of artists, or make a living by producing art. For reasoning with CRM classes, an interesting question is, if we can infer an artist from her products, or e.g., awards, without classifying the person.

That is indeed a tricky definition, and I agree that should not rely on an ontological commitment. In my opinion it should be dealt with a set of rules formalised by each institution depending on their view/culture reflect the conceptualisation of Artist.

From a functional perspective, N3 is in my opinion the best way to go. A brief example would be:

{?X crm:P14_performed ?Y . ?Y crm:p2_has_type "exhibition".}  => {?X a ex:Artist.} .

it is pretty simple way to assign the class Artist to a person on the base of a set of rules. Could that work?

Yes. I believe non-IT experts could best handle a graphical tool, on which deduction paths could be highlighted.

Even the "?Y.?Y" above is distracting.

The only problem I see is that current automatic RDFS graphical visualizations are cluttered with meaninglessly huge URIs and bad layout, huge arcs circling around.

May be someone knows a good intuitive tool?

Cheers,

Martin

Best,

Nicola







On 8 Mar 2019, at 19:36, Martin Doerr <[email protected] <mailto:[email protected]>> wrote:

On 3/7/2019 11:02 PM, Robert Sanderson wrote:

Martin, all,



One thing to note about the dbpedia ontology is that it is derived from the infobox sections of Wikipedia, mostly automatically.

So this could be a very artificial alignment, and I would not put too much emphasis on it as a precedent.
Yes, I see.

Nevertheless I like the "artist" example, because it is a vague attribution, but useful. Exactly the things we prefer to put in E55 Type. I am intrigued by the different ways someone may be identified as artist. It reminds me the discourse about "my true mother" of George Lakoff in "Women, Fire and Dangerous Things". The question is of course, if we could find an ontology as example which makes some objective ontological distinctions, such as people having studied fine arts, or being organized in a community of artists, or make a living by producing art. For reasoning with CRM classes, an interesting question is, if we can infer an artist from her products, or e.g., awards, without classifying the person.
Best,
Martin





Rob
*From:*Crm-sig<[email protected]>on behalf of Martin Doerr<[email protected]>
*Date:*Saturday, March 2, 2019 at 10:07 AM
*To:*crm-sig<[email protected]>
*Subject:*[Crm-sig] Issue 277 "artist"

Dear All,

For the test about types there was a question in which context a class "Artist" may have been defined. I found one in dbpedia:

http://dbpedia.org/ontology/Artist

I am not sure how to refer to this in our text. One may point to the utility of replacing classes with types for the mapping.

Reading the properties of this artist definition carefully, one may ask which of those are actually be restricted to artists, and which "make artists" out of a person: the awards. The latter is obviously common reasoning, but we would not populate the CRM with such secondary concepts for reasons of maintaining a core.

Best,

martin

--
------------------------------------
  Dr. Martin Doerr
 Honorary Head of the
  Center for Cultural Informatics
 Information Systems Laboratory
  Institute of Computer Science
  Foundation for Research and Technology - Hellas (FORTH)
 N.Plastira 100, Vassilika Vouton,
  GR70013 Heraklion,Crete,Greece
 Vox:+30(2810)391625  Email:[email protected] <mailto:[email protected]>  Web-site:http://www.ics.forth.gr/isl


--
------------------------------------
  Dr. Martin Doerr
Honorary Head of the
  Center for Cultural Informatics
Information Systems Laboratory
  Institute of Computer Science
  Foundation for Research and Technology - Hellas (FORTH)
N.Plastira 100, Vassilika Vouton,
  GR70013 Heraklion,Crete,Greece
Vox:+30(2810)391625 Email:[email protected] Web-site:http://www.ics.forth.gr/isl _______________________________________________
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--
------------------------------------
 Dr. Martin Doerr

 Honorary Head of the
 Center for Cultural Informatics

 Information Systems Laboratory
 Institute of Computer Science
 Foundation for Research and Technology - Hellas (FORTH)

 N.Plastira 100, Vassilika Vouton,
 GR70013 Heraklion,Crete,Greece

 Vox:+30(2810)391625
 Email: [email protected]
 Web-site: http://www.ics.forth.gr/isl

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