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10:30 a.m.  2.Apr.99.PST

The Matrix: A Cyberpunk Triumph
by Declan McCullagh

Our future wasn't supposed to end this way.

We weren't meant to spend our lives afloat, unwillingly, in vats of VR
ooze. And who among us would want our descendants to become pod-hatched
snacks for creepy robot arachnids?

Fortunately for homo sentience, the future has its enemies. Chief among
them is Neo (Keanu Reeves), who escapes his feel-good-but-fake virtual
world and wakes up in the dystopian reality of the year 2199.

What happens next makes The Matrix the most thrilling science fiction
film to come along in ages. The twisted minds of the Wachowski brothers
-- the Larry and Andy duo who gave us the chilling Bound -- have
engineered a genre-hopping blockbuster.

It has everything and then some: A script that wings its way around
hairpin turns, actors who are skillful pilots, and exquisite special
effects that provide lift instead of drag.

At the heart of the action is The Matrix, a machine-generated simulcrum
of 1999-era reality that will be instantly familiar to fans of William
Gibson's Neuromancer.

When Neo/Reeves wakes up from his VR slumber and unplugs from The
Matrix, he joins a ragtag band of rebels led by the charismatic Morpheus
(Lawrence Fishburne). Their plan: To overthrow the artificial
intelligences that have robbed humanity of reality.

The one man who can save our species from permanently slimy vatdom is,
naturally, Neo. Morpheus tells our hero that his arrival was prophesied.
Neo is the only human who can shape the virtual reality of The Matrix,
reprogramming it at the speed of thought, and freeing us from
cyber-slavery.

That is, as soon as he figures out how.

Sound familiar? It should. This techie fantasy flick borrows liberally
from Christian mythology, Alice in Wonderland, The Truman Show, Total
Recall, and Men in Black.

The smoldering but distant (at least, at first) love interest with
Trinity (Carrie-Anne Moss) echoes The X-Files. And the ruined rooms are
right out of Bladerunner.

Somehow, though, the Wachowskis make it all work. Previous VR-themed
movies like Tron or Lawnmower Man have skittered along on the edge of
the "is-it-a-dream-or-is-it-real?" puzzle inspired by SF great Philip K.
Dick. The Matrix hones this edge to scalpel-sharpness -- fortunately,
without confusing the audience. The result bites deep.

It also requires careful handling. The Matrix demands audience
engagement. It's not a film for those who like a sedate pace -- as if
anyone could nap through the nerve-jangling action sequences anyway.

It is a film for those of us who can appreciate the kind of
technological wizardry that the Bros. W. bring to their task. The action
sequences throb with kinetic energy. �ber-cool visuals provide Kung Fu
sequences never seen before in Western cinema. The snarky bad guys --
computer-generated bots that patrol The Matrix -- just ooze kick-boxing
malevolance.

The result: Cyberpunk cinema in its best form yet. If you like action
movies or SF themes, you'll love The Matrix.

Related Wired Links:
Hackers to Shake Down Takedown
15.Jul.98
William Gibson to Write X-Files Episode
13.Jan.98
Street Cred: Cyberpunk's Patient Zero
29.Jan.97


Copyright � 1994-99 Wired Digital Inc. All rights reserved.
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