-Caveat Lector-

Crowe got it wrong: gladiators were the film stars of Rome

Analysis of bones found at Ephesus reveals that the fighters were rich,
pampered professionals with groupies in tow

Hannah Cleaver in Berlin
Sunday February 9, 2003
The Observer

Far from the Hollywood image of a grubby desperado fighting for his life in
a lawless arena of horror, the real-life Roman gladiator was a highly
trained and pampered professional - rich, famous and pursued by groupies.
New research has poked massive holes in the long-accepted image of
gladiators as poor wretches sent to gruesome deaths in front of crowds
baying for blood.

Gladiators were in fact provided with the best food and healthcare during
their years of training and were given the best medical treatments: they
were the football stars of their day, with sponsorship deals and a share of
the prize money.

'Much of that film stuff is simply wrong,' said Professor Klaus Grosschmidt
of Vienna University. 'The images in Gladiator were faulty, Russell Crowe's
kit was all wrong and they were not set up against unbeatable odds. That
would not have been a good show for the crowd.

'There were referees in the arenas, and the weapons and protection the
fighters had were carefully chosen to ensure a fair fight.'

Grosschmidt has been working with experimental archaeologists from Munich
University on remains of gladiators found in Turkey. The dig was at the
site of the ancient city of Ephesus.

He is using his medical expertise to extract clues about the daily lives of
the gladiators from skeletons nearly 2,000 years old.

'This is the first time nutrition, training and fight injuries can be
directly investigated from their bones,' he said.

'The medical attention they received was second to none. The most famous
doctor of the times, Galenus, treated gladiators at Ephesus.'

Grosschmidt described how the gladiators were the equivalent of today's
football stars, although they had no rights and could be bought and sold at
will.

Many gladiators were sentenced by courts to fight, but just as many
volunteered for the chance of fame and fortune. They spent at least three
years in a training camp, where they ate the best food with a view to
developing a layer of fat over their muscles the better to sustain cut
wounds.

'These camps were closed - they could not leave of their own free will,'
Grosschmidt said. 'But they received female visitors - groupies - often
women of good families who would sneak into the camps for assignations. One
gravestone even boasted that the dead gladiator was 'the favourite of women
in the night'.

'They were famous not only from the fights themselves, but also because
they would advertise ahead of the fights in order to encourage people to
bet on them.'

Judicious selection of weapons and pairing of fighters were combined with
the use of referees to make sure the fights were fair. The gladiators'
training included a certain amount of choreographed moves.

'Boxing is really the only comparable sport of today,' Grosschmidt said.
'There were many fights and it was well organised, with a number of short
fights one after another, although the crucial difference is that the
gladiators were fighting for their lives, making the essence of the
fighting very different.'

The audience did have a say in the fate of the loser, who could survive to
fight another day if he had put up a good show.

Going to gladiator fights was considered a more intellectual pastime than
going to the theatre - the fights promoted principles of honour, bravery
and fearlessness in face of death, while plays were merely entertainment.

This principle also applied to the wild animals often used in the
spectacles. 'There was even one lion that was buried with a gravestone
because it had killed many gladiators and was therefore honoured,'
Grosschmidt said.

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