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Isn't Fantasia supposed to be one of the movies used for mind-control programming?

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Jules Engel, 94, Animator Known for 'Fantasia' Scenes, Dies

September 15, 2003
 By ERIC NASH






Jules Engel, an innovative animator and educator best known
for choreographing dance sequences in the 1940 Disney
animated feature <object.title class="Movie"
idsrc="nyt_ttl" value="16752">"Fantasia,"</object.title>
died on Sept. 6 in Simi Valley, Calif. He was 94 and lived
in Beverly Hills, Calif.

Mr. Engel, who was adept in the high-art and mass-culture
ends of animation, founded the program in experimental
animation at CalArts in 1970. He was a founder of the UPA
animation studio, where he helped develop popular cartoon
characters, including the myopic, cantankerous Mr. Magoo.

For "Fantasia," he choreographed the sublimely over-the-top
sequence of slinky alligators squiring plump, tutu-clad
hippopotamuses in a ballet set to Ponchielli's "Dance of
the Hours" from "La Gioconda," as well as the eye-popping
proto-psychedelia of dancing mushrooms in the "Chinese
Dance" and the Cossack-tasseled thistles cavorting in the
"Russian Dance."

Known for his spirited treatment of movement and radical
approach to color, as seen in the somber, chiaroscuro
settings of Disney's <object.title class="Movie"
idsrc="nyt_ttl" value="3850">"Bambi"</object.title> (1942),
Mr. Engel influenced a generation of animators as a teacher
at CalArts for more than 30 years. His students have worked
on features like <object.title class="Movie"
idsrc="nyt_ttl" value="278866">"Finding
Nemo,"</object.title> <object.title class="Movie"
idsrc="nyt_ttl" value="132294">"Toy Story,"</object.title>
<object.title class="Movie" idsrc="nyt_ttl"
value="131171">"The Lion King"</object.title> and
<object.title class="Movie" idsrc="nyt_ttl"
value="119910">"The Nightmare Before
Christmas."</object.title>

Born in Budapest in 1909, Mr. Engel attributed his ability
to express motion to his early love for the Ballet Russe.
After working for Disney and serving in the Hal Roach
Motion Picture Unit of the Army Air Corps during World War
II, Mr. Engel helped start UPA, for United Productions of
America, in 1944; there he adapted the palette of modern
art to give the studio's cartoons a distinctive,
sophisticated sensibility.

In 1959 he left to help found another animation studio,
Format Films, where he worked on the squeaky-voiced singing
trio of Alvin and the Chipmunks and collaborated with
talents including the author of the Dr. Seuss books,
Theodor Seuss Geisel; the noted film-title artist Saul
Bass; and the science-fiction writer Ray Bradbury.

His abstract animated shorts are also highly regarded, as
are his brightly colored, Kandinskyesque paintings and
prints, which have been exhibited in museums, including the
Whitney Museum of American Art and the Los Angeles County
Museum of Art.

He was married and widowed twice. There are no immediate
survivors.

http://www.nytimes.com/2003/09/15/obituaries/15ENGE.html?ex=1064620672&ei=1&en=d20004d4055fb50f


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