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Message: 22
�� Date: Fri, 19 Dec 2003 09:44:05 +0000
�� From: Robin Crookshank Hilton <[EMAIL PROTECTED]>
Subject: Re: Re: club of rome�� and the da vinci coide publishers
Hi, Charles...
>This is exactly what Entropic Art - who also featured encoded Da
>�� Vinci paintings in their quest - did with the Peter Robson prints
>�� that they were selling via their website, BTW.
>
>�� I know this technique extremely well... ;-)
>
>�� REPLY --- where is this web site???� ----�� how are you connected
>to this technique ?-
Where have you BEEN, Charles? This is exactly HOW I got involved in
this entire bizarre saga... I thought all the old PoSers knew this
story by now!
In December 1995, which is in fact exactly eight years ago now, I
read Laurence Gardner's Bloodline of the Holy Grail, which advertised
the url of a website at the end of it. This website was hosting a
"quest" to promote the sale of Peter Robson's paintings, which sold
at $400 Canadian a pop, via a set of clues which, if solved, would
reward the winner with a trip to Stonehenge for two to have dinner
with Peter himself.
Peter's big "thing" was a theory that Leonardo da Vinci embedded
codes into his artwork, so he used the same technique in his own
paintings... and all the clues to the quest were basically based
around this concept.
So, for fun, I decided to solve the quest and invite Prince Michael
to Stonehenge with me as my guest. To this end, I solved the quest in
an extremely unique manner, without actually buying the painting,
invented Stella Maris as a nom de plume, and posted the solution
completely in public on their discussion forum and sat back and
waited to be contacted for my free dinner at Stonehenge, which is
only about two hours from my house.
To my astonishment, nothing happened. Perplexed by this abundant lack
of enthusiasm on the part of the company hosting the quest (which
Gardner transpired to be a part shareholder of) I decided to
systematically write out all my material completely out in the open
on the website to see what would happen.
So, Stella wrote for two years on this website about Leonardo da
Vinci's esoteric background, his coded encryption techniques, the
fibonacci series and other numerical and design curiosities, working
through background material such as Holy Blood, Holy Grail, Templar
Revelation, Starbird's books...
I wrote a complete analysis of the Vitruvian Man, the Madonna of the
Rocks which I visited here in London, and then I took my trusty
laptop, Diogenes, to Paris with me whenever I visited my French
office, writing directly from my Paris hotel room about my trips to
the Louvre, analysing the twin Madonna of the Rocks in Paris and
relating my my adventures through esoteric Paris and London.
Others joined in. One contributor, codenamed Cookie, discovered David
Hudson's monotomic gold project, triggering long analytical
discussions about the viability of this concept a good couple of
years before this ever made it into any of Gardner's books.
Stella developed a cult following, and I began to receive fan mail...
and then threats. Still, there was no reaction from the company, even
though I had now openly answered every single question set for the
quest, amidst my internet meanderings.
So, I decided to dig into the background of the DragonCourt, to see
if I could figure out why I wasn't being acknowledged, which is how I
got involved with Nick de Vere and all that lot.
Apparently I dug a bit too far, because I got a threatening anonymous
letter telling me to back off, from an AOL account in the US,
claiming to be the "barrister" of the DragonCourt. I took the letter
to the police, who investigated it, and I sent a copy to Laurence
Gardner, who confirmed that it was a definite hoax and not connected
to them in anyway.
But, as a result of this, I was immediately, after two years of
spewing my entire life and research onto their forum, declared the
winner of the quest and the contents of the entire discussion forum
was deleted (I think you can still see Gardner's notice about this on
the site).
I never got my trip to Stonehenge, as advertised... instead, I got a
full complimentary set of Peter Robson's "coded" paintings, which are
still in their boxes. You can see what's left of it all on:-
http://www.entropic-art.com/
Afterwards, I started posting on this list, which had just been
launched, and some of the members of the old Entropic forum followed.
My investigation of the PoS began at this point when I traced the
thread of John Driscoll, former owner of Castle Matrix, from the
DragonCourt to Philippe de Cherisey.
And here we are.
>�� I call it Hermetic Triggering...
>
>�� REPLY ---� I relate to the jungian archetype view of things ----
>where the viewer of such media is just relating to certain
>archetypes within the art form� ----�� and these -� accidental
>archetypes - within the artform� are a higher message from a higher
>level of universal consciousness� that is filtered within the art
>form (be it a book, movie, painting, musics, architecture... etc...)
Yes, exactly. It appears that the human brain interprets certain
electrical states as specific visual images... and that, conversely,
these images can be used to entrain the human brainwaves to receive
information via the various images. This system appears to be used by
early Qabalists, Jungians, Shamen... it's the basis of the Art of
Memory system.
Once one learns how speak this "language" one can "read" messages
encoded by other initiates which have been written completely out in
the open. One can also transmit one's own messages...
>�� And have a great holiday
You too, Charles. Sorry I missed you when you were in London - I was
having a major deadline crisis.
-----
Aloha, He'Ping,
Om, Shalom, Salaam.
Em Hotep, Peace Be,
All My Relations.
Omnia Bona Bonis,
Adieu, Adios, Aloha.
Amen.
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