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Michael A. Hoffman II, Editor
March 22, 2004
Murder Inc.
Today in Palestine the Israelis assassinated the Muslim religious
leader, Sheik Ahmed Yassin. The sheik, a quadriplegic, was being taken
from a mosque in Gaza in his wheelchair when he was blown to bits by an
Israeli missile. This is an act of state terror guaranteed to provoke
more of the suicide bombings the Israeli government thrives upon.
There are many terrorist rabbis in Judaism, the late Meir Kahane being
the most notorious, though not necessarily the most murderous. The
alleged Arab assassin of Rabbi Kahane is serving a 40 year prison
sentence in New York's maximum security lock-down, while the assassins
of Sheik Yassin will receive applause from Hannity, Savage and Limbaugh.
If any Arab were to kill a terrorist rabbi in the Israeli state or in
New York state for that matter, such a killing would be immediately
labeled a terror act by the US government and the US media would search
for an "Al Qeada" link. Even if the victim was Rabbi Moshe Levenger, a
convicted murderer and one of the most bloodthirsty founders of the
Talmudic "settler" movement, who has much innocent blood on his hands,
his execution would still qualify as a terror act in the eyes of almost
all US Establishment opinion-makers.
Israeli state terror is seldom an issue for the US media or the Bush
regime and the Israelis' formidable assassination apparatus is not
investigated or exposed, even though it is financed in part, from the
US.
Sheik Yassin was imprisoned for nine years by the Israelis and only
released as part of a quid pro quo involving a botched assassination
attempt by the government of Binyamin Netanyahu on a Hamas diplomat in
Jordan, Khalid Meshal (the Israeli Mossad had tried to spray poison in
his ear with a high tech weapon).
Assassination of political and religious figures is universally regarded
as an act of terror when Arabs do it. When the Zionists commit this
crime it is described as part of the struggle against terror. Only
bamboozled goyim in America and Britain accept this double-standard; the
rest of the world does not. The rest of the world regards the
Israeli-American "war on terror" as a charade which exists to give cover
to the state terror of Washington and Jerusalem.
Those who have read my book, "Secret Societies and Psychological
Warfare" are familiar with the concept of "Revelation of the Method."
The new Hollywood movie, "The Spartan"
(http://spartanthemovie.warnerbros.com) by the Zionist David Mamet, is a
Revelation of the Method vehicle revealing the sordid Murder, Inc.
machine at the heart of the US Secret Service and the US Military.
Though it features the usual, stereotypical Arab villains (supposedly
involved in the white slave traffic), it is otherwise a factual peek at
the hideously evil world of the enforcement arm of the US Federal
Crytpocracy, which uses the tactics of both the Israeli assassination
apparatus and the original Murder, Inc., which was staffed by such
gangland charmers as Abe "Kid Twist" Reles and Louis "The Butcher"
Buchalter.
The Donald Rumsfeld character in the movie, played by Ed O'Neill, is a
vicious hoodlum in the dark corridors of US officialdom, while in a
televised newscast he is shown as jerking tears over high morality.
The title ("Spartan") is misleading. It is Mamet's pedantic claim on
western classical history (the movie makes a gratuitous reference to the
foreign policy of Sparta's heroic King Leonidas), and has nothing to do
with the wicked doings of the US officials who are shown murdering
American police officers and innocent storekeepers.
Homicidal instincts, a filthy mouth and absolute obedience to the god of
government are the pre-requisites for promotion and high standing in the
US government, according to "The Spartan."
The Cryptocracy does not issue Revelation of the Method manifestos like
this Videodrome entry, out of the goodness of its heart, but rather due
to the alchemical End Time dictates of their psy war script. Watching
these movies puts you, the percipient, under obligation to do something
about the truth to which you have been exposed, or sink deeper into
impotence and degeneracy. This is the "Truth or Consequences" component
of the Revelation of the Method and it is broadcast in the expectation
that the only reaction of the audience will to be thrilled and
titillated all the more, as part of the Videodrome's shock and awe,
slave cinema.
The message of the movie and of today's headlines is that the
Israeli-American System needs terror. It fattens on it, swears by it and
is fully manifested only by means of it. When Muslims moderate their
stand (and Sheik Yassin was a a moderating influence on Hamas), put out
feelers toward diplomacy, or seek a settlement, the Israeli-American
monstrosity responds with missiles and bullets aimed at Muslim civilians
and religious figures, in order to instigate more of the reflexive,
retributive bloodbath that is then presented on American telescreens as
"proof" of the instrinsic and ineradicable bestiality of Arabs and
Muslims.
We have a voluntary state-controlled media in the USA. Hollywood,
Newsweek, CBS, all volunteer to act as the mouthpiece of the Federal
government. Part of this mouthpiece function is to relentlessly instill
racist, anti-Arab hate in Americans. The latest manifestation of this
Establishment-sanctioned bigotry is the movie, "Hidalgo."
Jesus vs. Hidalgo
by Daniel McGowan
The Anti-Defamation League (ADL) and the Simon Wiesenthal Center began
to attack Mel Gibson and his movie, The Passion of the Christ, a year
before it appeared in local movie theaters. They claimed that it
depicted Jews as being responsible for the death of Jesus and that this
would fuel anti-Semitism.
Their criticisms were carried on every major television station and in
the print media prior to the film's opening on Ash Wednesday. Attacks by
Abe Foxman (head of ADL), Marvin Heir (head of SWC), and a host of other
pundits from The Holocaust Industry have repeatedly tried to kill The
Passion even as Christians have embraced the film by buying blocks of
tickets in advance.
Contrast this with reaction (or lack of reaction) to another
contemporary box-office hit, Hildalgo, the story of an American mustang
who is entered by the legendary Frank T. Hopkins in a 3,000-mile horse
race in Arabia and (predictably) beats all the purebred Arabian horses.
The movie is full of cheap shots against Islam and Arab culture. There
are snarling, swarthy, Arab villains, a forced marriage to a polygamist,
a slave market, the promise of a flogging, and plenty of misogyny.
Even the main supporting character Sheikh Riyadh (played by Omar Sharif)
is portrayed negatively when he orders Frank to be castrated for seeing
his daughter without her veil; the servants bring out a special box with
saws, knives, and an egg-shaped grabber for this graphic punishment.
So where is the outrage by the American-Muslim community to the bigotry
and racism in Hidalgo? Where are the protests by American-Arab
organizations that are even remotely comparable to the "kvetchen" by the
organized Jewish community over Mel Gibson and The Passion?
Where is the word for anti-Arab bigotry that compares to prejudice
against Jews, which we all know as anti-Semitism? What do you call
Arab-bashing? We don't even have a word for it. While there are more
Muslims in the United States than there are Jews, they are unorganized
and unwilling to fight prejudice even at the level of a simple movie.
Daniel McGowan, March 21, 2004
Professor of Economics
Hobart and William Smith Colleges
4078 Scandling Center
Geneva, New York 14456
Tel. 315 781-3418
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