-Caveat Lector-
http://sinisterforces.info/forum/viewtopic.php?t=123
Secret of the Snake: The Nine and Kepler Post new topic Reply to
topic
Sinister Forces forum Forum Index -> Ask the Author
Author Message
PostPosted: Mon May 22, 2006 3:51 pm
drewhempel
Joined: 29 Dec 2005
Posts: 37
Secret of the Snake: The Nine and Kepler
Hi Peter: Did you know that Kepler's mom was prosecuted as a witch,
that Kepler murdered Tycho Brahe, his mentor, and that Kepler was
surrounded by Rosicrucians obsessed with the secret meaning of 666?
As 2:3 the number 666 is at the center of the Pythagorean Tetrad and
creates a free energy vortex through the full-lotus pyramid power.
Here's my latest expose on what this means.
THE SECRET OF THE SNAKE AND SELF-SUSTAINABILITY
My argument is that the conspiratorial nature of science is exposed
if we understand the centrality of music as the pivot point between
emotions and math. This special role of music has been the topic of
analysis before, specifically the books of NY Times critic Edward
Rothstein: Visions of Utopia (2004) and Emblems of Mind: The inner
life of mathematics
and music (1996). In contrast to Rothstein, my focus is on global
music as a transcultural phenomenon that traditionally has been a
unifying principle of harmony. Western natural science limited global
music into a method of axiomatic deduction based on technological
imperialism.
This transcultural analysis has been similarly formulated
by music professor Ernest McClain and then by a related scholar,
philosophy of science professor Oliver L. Reiser. The concept of the
"music logarithmic spiral" by Reiser became the centrol foundation
for the
World Institute, supported by the CIA mind control scientist Dr. Andrija
Puharich, the L.B.J. administration, the U.N., and a slew of theosophist
professors. One prominent early scholar in the group was Jose Arguelles,
who started as a Princeton professor publishing in the theosophist
journal, Main Currents in Modern Thought, and then went on to launch
the 1980s New Age movement based on the Harmonic Convergence.
The goal of this music-derived techno-spiritual agenda, also called
"the applied supersting theory," is total transformation of Earth
into a transdimensional holograph integrated with the solar system.
Humans would not only be protected from comets but would in effect be
immortal and free to travel the universe. It's difficult for people
to accept this information as real hard science directives that
drives research but the think thanks tell otherwise. Los Alamos,
Sandia Labs and the Sante Fe Institute are among the top science
resarch labs in the U.S. and also ascribe to this techno-spiritual
agenda, as discussed in John Casti's recent book 'One True Platonic
Heaven" and George Johnson's recent book "Fire in the Mind."
Most people end up buying into this techno-spiritual agenda which is
really rooted in Freemasonry, as detailed in professor David F.
Noble's book "The
Religion of Technology." The modern engineering institutions were set
up with the goals of Freemasons in mind and driven by leading
Freemasons. Noble writes “If the Freemasons were among the earliest
advocates of industrialization, perhaps their most lasting and
important, and heretofore unexamined, role was as midwives in the
birth of the latest
incarnation of spiritual men, the engineer. For engineering emerged as
much out of Masonry as it did out the military (indeed, the military
itself was rife with Masonry).” Historian David F. Noble, former M.I.T.
professor and Smithsonian curator, reveals that modern
corporate-state science is driven by the concealed religious aim of
recreating God’s dominion over the earth and reviving mankind’s original
image-likeness to God. Noble traces the deeply troublesome origin of
modern science and technology policy to the ninth-century Benedictine
monks under the Carolingian Empire, as directed by court philosopher
John
Scotus Erigena.
Under Erigena, for the first time in western history “the mechanical
arts” were lead by a materialistic millenarianism. As Noble records,
according to the new view of the imperial controllers, "It was
precisely power over nature [that] Adam had lost by original sin."
With this in mind, Man was envisioned as the universal co-creator
with God, and as Noble points out, according to the elite planners:
An exclusive “saintly existence” and a “new race of men” will follow
the necessary and divine cleansing of Armageddon via the “redemptive
powers of technology.”
Noble describes how the final secularization of these scientific
“spiritual men” occurred in the development of elite engineering
institutions through the Freemasons and their offspring of
positivism. Karl Marx even became a great proponent of the
Freemasonic “Edenic respites from labor.” Space flight, nuclear
weapons production, computer-based artificial life and genetic
engineering are documented by Noble to be destructive symptoms of a
mad goal to create the second perfect Adam. The "scientific saints”
renounce responsibility for enacting escalation toward their self-
fulfilling global end-times.
The real question is what are the means by which Freemasonic music-
derived techno-spiritualism operates today as the defining
controlling factor for humanity. The answer lies in the definition of
today's most cutting-edge discipline -- "self-organized criticality."
As stated in the book
"Frontiers of Complexity": The theory of self-organized criticality
predicts that the energy released varies with the inverse of the
frequency of that event. This principle simply states that the more
powerful an event is then the less frequent it will happen but the
distribution is based on Pareto's power law, commonly called the
80-20 model or also "the 1/f noise" model. For Pareto the 80-20 power
law was applied to economics whereby 20% of the population controls
80% of the wealth and 80% of the population controls 20% of the wealth.
But this self-organized criticality is not limited in length and time
scales and "two events are equally likely to act together, whether or
not they occur close to each other in space and irrespective of how
much time has elapsed between their individual occurrence." Self-
organized criticality is beyond spacetime and energy-mass which
leaves only form as the defining trait for music-derived natural
science -- "the secret of the snake."
This critical "resonance form" issue of quantum chaos fractals is
what brings us back to music as the controlling model for science,
starting with the mystic shamanic Pythagoreans. Pythagoras means "man
of the snake" and this signifies the sine-wave form of music that
creates all resonance. Science is based on deviations of the sine-
wave, as Henri Poincare emphasized in his book "Science and
Hypothesis." The Law of Pythagoras defines the resonance of the
sine-wave so that the wavelength amplitude decreases by natural number
increases in frequency, the same definition as self-organized
criticality.
So the interval of the fourth is three-fourths of a string length, the
interval of a fifth is two-thirds and the octave is one-half. This
cycle,
called the Pythagorean Tetrad, of the ratios 1:2:3:4 (4 to 1 instead
of 80
to 20) is an infinite spiral. The Tetrad is just a transcultural
representation of the Tai Chi symbol, as well as the Ouroborus, the
snake
eating its own tail, a Freemasonic "chaos out of order," symbol
found world-wide.
Several recent studies have determined that the sine-wave is the key
factor for quantum chaos science, another term for applied
superstring theory. Nobel physicist Brian Josephson, whose claim to
fame is a macro-quantum chaos device, has recently published online
essays on how music is the key to science. See for example "Music and
Mind -- a
Theory of Aesthetic Dynamics: On Self-Organization" (Springer series
in Synergetics Vol. 61, 1994) Heidelberg: Springer, 280-7.
Autoionization, a new technique that enables previously forbidden
transistions in quantum
mechanics, thereby violating the Pauli exclusion principle, enacts
alchemy
through resonance of the sine-wave. Adaptive Resonance Theory, a
sine-wave meta-algorithm based out of cognitive science, is now used for
neural network robotics in dozens of different industries. Similarly,
"the spectrum" concept in A.I. software utilizes the law of
Pythagoras to incorporate emotions into computers that learn to
adapt. In
his book The Muse in the Machine (1994) Yale computer science
professor David Gelernter, victim of the Unabomber, discusses the
“Zombie” illusion behind humans’ amazing capability to “tune” their
brains for the sense of I-awareness. Under "the spectrum" logical
syntax is
high frequency, low amplitude resonance while strong emotions are low
frequency, high amplitude resonance. So the home-tone in music has
more power, strong emotion of resolution, while the less powerful
tension
occurs in the higher frequency, lower wave-length tones.
Professor Brian Goodwin in his book Temporal Organization in
Cells (1963) discovered the secret of the snake: "the subharmonic
oscillation always shows a considerable increase in amplitude
over that of the fundamental oscillators so that a very appreciable
amplification can occur." This is called "self-sustainability" in
nonlinear quantum chaos science and Goodwin's principle is the key to
pioneering digital biology research recently launched at M.I.T. The
1/0 operators are based on the on/off expression of genes that in
turn act as 2:3:4 resonating transducers. Dr. James Narby also
expressed this Tetrad concept as a resonance bridge across the
transcultural divide in his book The Cosmic Serpent.
Goodwin relies on modeling the sine-wave as the Freemasonic Golden
Ratio fractal. The Golden Ratio subdivides as a continuous fraction
of 1 plus (1 divided by 1) plus 1 .... which logically is the I-
thought derived from axiomatic reasoning. Consider that the formal
definition of God, "I Am that I Am" is really 1:2:3:4 with "Am" being
also "Aum"
and "Amen." The Gothic cathedrals that are the foundation of
Freemasonry are constructed based on the Golden Ratio, as detailed by
professor Arnold Pacey in his classic book The Maze of Ingenuity,
1974, reprinted by M.I.T. Press, 1992. In early Greek science the Golden
Ratio was expressed as "A is to B as B is to A plus B." So in
music the Golden Ratio is "1 is to 2 as 2 is to 3." The crucial
difference between transcultural resonance in music and western
science is
that there is no "equi-partition principle" in global music.
Number is inherently asymmetric in transcultural music with symmetric or
harmonic results for Nature while in western science Number is symmetric
and the results of experiments are asymmetric for promoting imperialism.
Proof for the Golden Ratio as imperialism has been recently
documented. The article, "The nonlinear and scaled growth of
the Ottoman and Roman Empires" by G. Gunduz in The Journal of
Mathematical Sociology, 26 (3), 2002 provides the evidence:
“In nature, bacteria exhibit S-shaped growth patterns, and
the growth rate obeys the so-called Verhulst equation that can lead to
chaotic growth depending on the magnitude of the growth factor…..When
the sum of the areas of lands and seas is used, one still gets a similar
S-shaped curve. ..This biological phenomena turns out to be true for
both
the Ottoman and Roman empires. That is, the growth goes slowly at the
beginning before sufficient accumulation is achieved…." Growth then
declines in acceleration—hence the nonlinear function which overall fits
the “self-organized criticality” of the Golden Ratio. Why?
“The faster the convergence, the faster the stability is achieved. In
a special case, the golden ratio is obtained as one of the most
slowly convergent infinite sequences of rationals. This is seen from
its continued fraction expansion, where [Phi = 1 + (1 divided by 1
plus 1)....].”
In axiomatic math it's assumed that phonetic, logical symbols are
"equi-partitioned" based on Number being symmetric -- this is the
secret of Freemasonic gematria. Again "A is to B as B is to A plus B"
applies to symmetric numbers with equal values between 1, 2, 3, 4,
etc. In music the interval between the logical symbol G to C is 3:4
while the interval between the logical symbol C to G is 2:3. Same
letters, same interval, but as an inversion. So while "1 is to 2 as 2
is to 3" works for symmetric Number based on phonetic logic, in music
theory "1 is to 2 as 3 is to 4" is also the same logical symbols as
"A is to B as B is to A plus B" even
though this violates "the exclusion of the middle" logic of
Aristotle. Natural resonance, through sine-wave form, creates free
energy
from consciousness beyond spacetime. In quantum mechanics this same
resonance paradox of logic was discovered as the "non-commutative
principle" for quantum logic.
The book Triangle of Thoughts (2000) by top French quantum chaos
mathematicians Alain Connes, Andrew Lichnerowicz and Marcel Paul
Schutzenberger (M.P.S.) ends with a promotion of music theory as the
secret key to solving humanity’s problems. The argument by
Alain Connes is that music transmitted aurally is currently in the same
stage as when people read out loud—as they did until the 12th Century
A.D. Connes states that if people could, as conductor Solti did, read
music
scores and hear multiple texts in their head "that is inscribed in a
time that would no longer be sequential, because a score is a
multitude of
chords, a tangle projected onto physical time of course, but that
manifestly evolves in an higher dimensional space, giving rise to a
variability much more pertinent to the description of individual
time." Alain Connes continues “And it could be formalized by music.
...I think we might succeed in this way to educate the human mind to
deal
with polyphonic situations in which several voices coexist, in which
several states coexist, whereas our ordinary logical allows room for
only
one. Finally, we come back to the problem of adaptation, which has to be
resolved in order for us to understand quantum correlation and
interrelation which we discussed earlier, and which are fundamentally
schizoid in nature. It is clear that logic will evolve in parallel with
the development of quantum computers, just as it evolved with computer
science. That will no doubt enable us to cross new borders and to better
integrate the mathematical formalism of the quantum world into our
metaphysical system.” The same “Quantum Triangle” is analyzed by
quantum chaos scientists Ian Stewart and Jack Cohen’s book, Fearful
Symmetry wherein Murray Gell-Mann’s Hadron QCD depends on symmetrical
rotation of protons, neutrons and many more exotic particles. The
rotation occurs literally through the equilateral Pythagorean Tetrad
based on the imaginary number graph. The secret of the snake is that the
Tetrad form "appears" to be equilateral but is really asymmetric
Number resonating as two Pythagorean 3:4:5 triangles from beyond
spacetime.
The "equi-partition principle" was found to be first violated in the
black box photon experiments, leading to Schrodinger's psi-wave
equations based on de Broglie's faster-than-light sine-wave called
"the pilot wave." Of course Telsa figured out this secret of the
snake as the
defining concept of his harmonic oscillator that he claimed could crack
the Earth in two! Victor Schauberger also utilized only natural number
resonance for his vortex generator based on "cycloid-spiral
space-curve motion" whereby suction plus pressure equals reduction of
resistance. Nick Redfern, author of Body-snatchers in the
Desert, corresponded with me about the validity of Nick Cook's claims
that Schauberger's research lead to U.F.O. designed aircraft. Redfern
confirmed that British documents show the continued use of esoteric
German research. Indeed in the summer of 1997, I had a very close
encounter with an "autoionized" equilateral Pythagorean big black
triangle. The new book "The God Theory" by the editor of the academic
journal of Scientific Exploration notes that Einstein's theory for
stimulated emission in lasers now depends on stimulated emission from
the zero-point energy field -- nonrandom results from beyond spacetime.
Arthur Young, designer of the Bell helicopter and occult technology
researcher also rediscovered the Law of Pythagoras by re-examining
the i-1 grid of Gauss. "The cube roots of one are the points that
divide the circle into three equal parts....But these roots can be
expressed in terms of square roots," Young states in his book
Mathematics, Physics and Reality. So the square root of three (really
the Pythagorean ratio 4:5) in an equilateral triangle forces, through
resonance, a higher dimension of volume, creating the illusion of a 3-
D holographic matrix. John Wheeler, one of the H-bomb engineers,
makes the same claim: "It is marvelous that such simple Pythagorean
geometry can display rules even of black hole dynamics," Wheeler
states in his 2000 book Geons, Black Holes and Quantum Foam.
Kepler made this Pythagorean secret the center of his research, as
did Newton. When Francis Bacon studied the secrets of the octave he
declared: "The Cause is Dark." The equi-partition of the sine-wave as
the
"music logarithmic spiral" created "the devil's interval" whereby the
major interval 8:9 cubed approximates the square root of two, thereby
connection the Pythagorean Theorem with the Law of Pythagoras. 8:9
cubed also equals the Tritone -- the most dissonant interval in the
major scale which also bisects the scale. Known historically as the
"Devil's Interval," the Tritone as 8:9 cubed comes from 2:3 cubed
cubed as the 666 principle of the Freemasonic secret of the snake.
"In the Harmonice Mundi he [Kepler] reinforces the belief that the
Golden Section [or Ratio] is the archetype of generation," states the
book Studies in the Musical Science in the Late Renaissance from the
Warburg Institute.
It's commonly supposed that the Bournelli brothers disproved the law
of Pythagoras when logarithmic-based statistics was created but
Newton knew better. Newton, an alchemist, realized that the overtones
of sound transmute themselves into other types of energy, in contrast
to what Galileo claimed. This was recently rediscovered in the
article "Newton and the Pipes of Pan" from Notes and Records
of the Royal Society of London, 1966. Mario Livio in his definitive
book The Golden Ratio makes the crucial mistake of not including
music analysis with the connection to the Pythagorean Theorem. So Livio
reiterates Kepler's backing of the natural number-based Golden Ratio but
then Livio claims that there is a hidden unit of number underneath the
hypotenuse of the natural number golden rectangle! This implies a fourth
dimension of space as consciousness, which is indeed the answer to
how the Golden Ratio works -- through resonance beyond spacetime. Dr.
Peter
Plichta has figured out this 4th dimensional secret based on the Tetrad
natural number resonance. Livio argues that the studies of the Egyptian
pyramids prove definitely that there was no use of the Golden Ratio but
Livio does not consider that the Egyptian definition for area of a
circle
used the Law of Pythagoras natural resonance with 8d divided by 9
based on the major tone interval.
Marsilio Ficino, funded by the Medici Dynasty, was the most prominent
restorer of the secret of the snake. As discussed in "Ficino, Daemon
Mathematics and the Spirit" by professor Michael J.B. Allen, in the book
Natural Particulars (M.I.T. Press,1999), Plato's cosmology is
derived from the fact that the music ratio 4:5, the major third,
approximates the square root of three, modeled by the equilateral
triangle. “Ficino clearly rejoiced in some at least of the figural
extensions (with the puns this terms implied) of the Pythagorean
mathematics that Timaeus is propounding here. For his own Timeaus
commentary explores the implications and arrives at an interpretation
that
identified the Soul itself as the examplary triangle, its triple powers
corresponding to the three angles and three sides of the archetypal
geometric figure.” Allen emphasizes the structural nature of this
Freemasonic control: “the notion of roots and powers—that is, of
self-divison and self-multiplication—suggests that daemonic agency is
ever
present in the realm of mathematics.” Allen concludes: “An awareness of
this mathematical Platonism (dominated by geometrical ratios) is surely
called for if we are ever to establish with confidence the valencies
governing early modern science, its artful exploration of Browne’s
‘things
artificial.’”
For Kepler the equilateral triangle circumscribing and inscribing two
circles was the secret key to modern science. The equilateral
triangle is composed of two Pythagorean 3:4:5 triangles and the 4:5
resonance ratio of Saturn and Jupiter were considered to be the
foundation for cosmic space-time. In mythology Jupiter is space and
Saturn is time (the first planets) and in quantum chaos the 4:5
resonance allows comets and asteriods to periodically destroy all
life on earth -- life dependent on the 3-D holographic spacetime
matrix. Buckyfullerenes are built of equilateral triangles and are
the cutting edge technique essential to nanotechnology,
considered the next great industrial revolution after steam and
electricity. Nanotech is getting the full support of the Bush
administration. Buckyfullerenes are not found naturally on Earth,
except,
as some scientists argue, right before the comet, ushered in by the 4:5
resonance of Saturn and Jupiter, destroyed 90% of life 280 million
years ago. Saturn is Kronos as time and Chronos as consciousness beyond
time, just as Kala is time in Vedic cosmology and Kali is consciousness
beyond time.
Jupiter protects us from comets but quantum chaos cosmology has
proven, in the article “Chaotic Heavens: Can mysterious wobbles in
Jupiter and Saturn’s orbits spell doom for life on Earth?” of the
Feb. 28th, 2004 issue of the magazine New Scientist that the ratio of
2:5 causes asteroids and comets to destroy all life on Earth. Since
this is “Order Out of Chaos” it is cyclical (just read Rene Guenon’s
anti-Freemason science book The
Reign of Quantity) and will happen again but the precise time can not
be known.
What gets left out of this cosmology analysis is that the Saturn-
Jupiter ratio 4:5 comes from the secret Freemasonic equilateral 3:4:5
ratio for humanistic science that Marsilio Ficino discovered in
Plato’s Pythagorean-based cosmological Timaeus. The Solar Dynasty
Freemasonic Pyramid Power depends on a four-sided tetrahedral
triangle with each side composed of two 3:4:5 triangles -- the same
structure of Lunar-controlled “free-energy” water molecules as
documented in the Philosophical Transactions of the Royal Society of
London by physics professor J.L. Finney in his article "What’s So
Special about water?” (2004).
Once “infinity is contained” by Freemasonic equi-partitioned
“squaring of the circle” Solar geometry philosophy, proven by UC-
Berkely math professor Abraham Seidenberg to have an ancient ritual
sacrifice history back to 3,000 B.C.E., then a logarithmic, equal-
tempered music scale can develop -- first created by Archytas for
catapults and promoted in Plato’s Timaeus. A Pythagorean analytic
geometry model was developed by Galileo for cannons. Galileo was
funded by the Medici Dynasty because he argued, as Pacey documents,
that his technology would cut down on labor costs. But the equi-
partitioned ratios of western science are in dissonance with the
Lunar-water free-energy natural resonance.
Drew Hempel, M.A.
www.ctrl.org
DECLARATION & DISCLAIMER
==========
CTRL is a discussion & informational exchange list. Proselytizing propagandic
screeds are unwelcomed. Substance—not soap-boxing—please! These are
sordid matters and 'conspiracy theory'—with its many half-truths, mis-
directions and outright frauds—is used politically by different groups with
major and minor effects spread throughout the spectrum of time and thought.
That being said, CTRLgives no endorsement to the validity of posts, and
always suggests to readers; be wary of what you read. CTRL gives no
credence to Holocaust denial and nazi's need not apply.
Let us please be civil and as always, Caveat Lector.
========================================================================
Archives Available at:
http://www.mail-archive.com/[email protected]/
<A HREF="http://www.mail-archive.com/[email protected]/";>ctrl</A>
========================================================================
To subscribe to Conspiracy Theory Research List[CTRL] send email:
SUBSCRIBE CTRL [to:] [EMAIL PROTECTED]
To UNsubscribe to Conspiracy Theory Research List[CTRL] send email:
SIGNOFF CTRL [to:] [EMAIL PROTECTED]
Om
