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>From the New Paradigms Project [Not Necessarily Endorsed]:

From: Lloyd Miller <[EMAIL PROTECTED]>
Subject: Distributed file systems allow people to share any files, anonomously:
Date: Thursday, June 22, 2000 4:58 AM


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Sent: Wednesday, June 21, 2000 10:58 PM


From: Howard Rothenburg <[EMAIL PROTECTED]>
Subject: SNET: Beyond Napster: FreeNet

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Distributed file systems allow people to share any files, anonomously:

________

http://mmsound.about.com/library/weekly/aa061900a.htm

  Beyond Napster: FreeNet

  The future of online music distribution will be shaped by programs like FreeNet

   Dateline: 06/19/00

   Napster has generated a lot of fuss recently. The enormously popular file
   sharing program, which enables users to swap music files for free, is at the
   center of a legal controversy and is featured in dozens of headlines. Lured
   by free music -- which might otherwise cost $14 at the local music store --
   Napster's user base has grown exponentially. Venture capitalists recently
   kicked in $15 million. A San Francisco start up launched a parody Web site
   called Pay Lars, dedicated to compensating Metallica for royalties the band
   presumably lost because of Napster's free for all music distribution method.
   To top it off, Congress held hearings to debate Napster -- our nation's
   lawmakers invited rapper Chuck D to inform them about the phenomenon.

   But while Napster is the controversy du jour, there's another Web-based file
   sharing program that promises a more radical change. Called FreeNet, it's
   the creation of a 23 year-old Irish programmer named Ian Clarke. Unlike
   Napster, FreeNet has no centralized database. The program is distributed on
   thousands of servers throughout the Web, and users can upload and download
   files without needing to visit an individual URL. And FreeNet allows users
   to operate in complete anonymity -- the major record label which owns a
   given hit song will never know who posted an MP3 of the song. Or who
   downloaded it.

   This means that, in contrast to Napster, there's no one to sue. Copyright
   holders have no recourse, and digital distribution of music files (and
   video, software, images or text) can be completely free. Clarke was quoted
   as saying, "I think people will look back in 20 to 40 years and look at the
   idea that you can own information in the same way as gold or real estate in
   the same way we look as witch burning today."

   Visit the FreeNet site and you'll see the claim that "FreeNet is near
   perfect anarchy." Since FreeNet is not yet searchable, this term is indeed
   accurate (search capability is being discussed). And, not only will FreeNet
   have no centralized control, it will not even be under the control of its
   creators. In addition to the anonymity that Clarke has built into the
   program, FreeNet's features are:

     * It will be virtually impossible to forcibly remove a file from the
       FreeNet system
     * Anyone can publish information, without a domain name or a permanent
       Internet connection
     * Information will be stored throughout the network in a way that makes it
       difficult to determine where it is located
     * Availability of information will increase in proportion to demand for
       that information (by placing it on mirror sites)

   What Does It Mean?

   Although the site talks in glowing terms about FreeNet as the end of any
   possibility of censorship, this method of file sharing adds still more
   confusion to the controversy about online music distribution (not to mention
   video and software). The issues are numerous, and seem to grow more so with
   time. No one can say for how these changes will affect these three groups:

   Musicians How will musicians make money when most or all of their music is
   distributed for free? Some industry analysts see live performance and
   merchandise sales playing a larger role in musicians' survival. There's one
   school of thought that says the greater exposure provided by free music
   actually increases CD sales; believers in this philosophy point out that
   overall CD sales have increased in a recent period. But statistics also
   reveal that in the college age group (translated: serious downloaders) and
   in retail outlets close to colleges, sales have actually dipped.

   Record Labels It looks as if the the major labels will need to partially
   restructure their business. As evidenced by the constant legal wrangling of
   the label mouthpiece RIAA, the labels are clearly concerned by the MP3
   revolution. And some well knows musicians, like Prince and Todd Rundgren are
   attempting to distribute their music online without the labels. The reason
   most musicians can't do this is the major labels' greatest strengths:
   marketing muscle. Without advertising, little known bands tend to remain
   little known bands. So it's reasonable to assume that, even as online
   distribution changes the music industry in unpredictable ways, the labels'
   marketing prowess will guarantee them a major role.

   Consumers According to one recent study, 13 million Americans have
   downloaded music. And while a healthy percentage of this number represents
   college students, more than 40 percent are in the 30-49 age group and 10
   percent are over 50. (I 'd be interested to see the numbers for an
   international audience). In short, consumers have embraced online music with
   enthusiasm. And as the courts, labels and online music outlets battle it out
   (and software like FreeNet adds an unknown element) consumers have a wealth
   before them. It's a great time to be a music enthusiast (unless copyright
   issues bother you, and it doesn't seem to be much of an issue for most
   people).



   History Repeats Itself Take a look at the the above three groups and see
   who's getting the short end of the stick -- the musicians! Funny isn't it,
   they always seem to get the worst deal. The greatest hope for musicians is
   that new online distribution methods will allow them to reach a mass
   audience without the commercial restrictions of record labels. Let's hope
   so.

   Links to About articles

   MP3/MIDI Music guide Steve Allen's article about Gnutella, a file sharing
   program similar to FreeNet.

   Net Culture guide Donna Howell's article about Napster's legal controversy.



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