-Caveat Lector-

From
http://film.guardian.co.uk/Print/0,3858,4241964,00.html

}}>Begin
Novelist condemns Hollywood's yen to rewrite history as cultural imperialism
Special report: George Bush's
America
Fiachra Gibbons, arts correspondent
Monday August 20, 2001
The Guardian
The novelist Robert Harris yesterday hit out at the "cultural imperialism" and
"sheer stupidity" of Hollywood films which reduce world-changing events to
"slushy romances".
Harris, whose own thriller Enigma, about the code breakers of Bletchley Park
during the second world war, has now been turned into a film starring Kate
Winslet, Dougray Scott and Saffron Burrows, said the American reflex to
rewrite history so they "always came out top" had become so deluded it was
now dangerous.
"It's a form of cultural imperialism. No matter what the situation, or where the
film is supposed to be set, an American has to be central, to be seen as the
good guy, or to save the day in some way," Harris said. "This domination of
the popular imagination has been allowed to go to ridiculous lengths. What
worries me most is that it has become   an almost instinctive reaction now,
so you have British and European films incorporating these pointless
American elements now too. That is very worrying and quite dangerous."
His fears were echoed at the Edinburgh book festival by the US novelist and 
screenwriter Gore Vidal, who said the twin American desire to "dominate and to be seen 
as entirely innocent at the same time... had led to the ca
sual disregard of history and all its lessons. We now see ourselves as the one 
indispensable nation".
Their attacks follow furores over big budget Hollywood movies which have taken 
liberties with history, including U-571, which had the Americans rescuing an Enigma 
machine from a sinking U-boat, when it was the Royal Navy
which pulled off the coup.
The capture of the machine which the Germans used to encode their messages was one of 
the turning points of the war, allowing the "boffins of   Bletchley", led by Alan 
Turing, to read communications.
Harris said his book Fatherland was a victim of Hollywood dumbing down. But he added 
that he was delighted with the way the playwright Tom Stoppard had adapted Enigma. 
"Fatherland was supposed to be an all-singing, all-da
ncing number until the studio bosses consulted the target audience, 16- to 21-year-old 
Americans, and discovered    that they didn't even know there had been a second world 
war let alone who had won it," said Harris. "Eni
gma is different, thankfully, it takes no prisoners in that way, it is very British, 
and it is also quite intellectually demanding for a mainstream movie."
Winslet, who attended Enigma's premiere at the Edinburgh film festival at the
weekend, said she had no trouble playing the bespectacled heroine Hester,
"a bit of a dumpy potato", in the film because she had been pregnant with
her first child, Mia. "I just go so fat we had to strap everything in," she said.
Combining motherhood and the pressure to look glamorous, however, had
been a little more tricky. "I have to remind myself to check my clothes for
carrot and snot before I go out. That's the main problem. But I'm lucky
because I can take her to work."
Winslet, who is playing the Irish-born writer Iris Murdoch in her next film,
alongside Judi Dench, admitted neither role would do much for her reputation
as a sex symbol. "Iris is not my pulling film either. I look like a soap dodger."
Guardian Unlimited � Guardian Newspapers Limited 2001

End<{{

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