-Caveat Lector-

from:
http://www.sandiegohistory.org/journal/00summer/railroad.htm
-----
The Journal of San Diego History
Summer 2000, Volume 46, Number 2
Contents of This Issue

Video Review

The Impossible Railroad. Video.
Marianne Gerdes, Producer. San Diego: KPBS Television, 1999. 56:46 min.
$24.95.

Reviewed by Theodore Kornweibel, Jr, who teaches African American history at
San Diego State University and is writing a book on African Americans and
railroads.

The most important chapter in San Diego's railroad history -- the story of
the ill-fated San Diego & Arizona "desert line" to El Centro -- receives fine
visual treatment in The Impossible Railroad, a production of KPBS Television.
Alternating historic black-and-white photographs and movie footage with
scenes from the line today, it reveals John D. Spreckels" dogged
determination to complete a 140 mile railroad through terrain often totally
unsuited for that mode of transportation. It proved to be his one significant
business failure.

The Impossible Railroad was made by a talented wife-husband team,
producer/writer Marianne Gerdes and director of photography Michael Gerdes,
with invaluable cooperation from the San Diego Railroad Museum, which
operates excursion trains over portions of the SD&A. Michael Gerdes' splendid
shots of the museum's vintage steam locomotive and passenger train in a
variety of locales west and east of Campo show how scenic San Diego's back
country really is, and the footage of the 1,000-foot-deep Carriso Gorge only
makes one want to experience it first hand. Mary Ann Gerdes has researched
the railroad, Spreckels, and early San Diego history well to piece together
the story of civic longing for a rail link to the east and the man who would
make that dream a reality. Her narrative is enhanced by the insights of
several experts, especially retired San Diego State University history
professor Raymond Starr, author of San Diego: A Pictorial History (1986), and
Bruce Semelsberger, a member of the San Diego Railroad Museum's library staff
and a fine amateur historian.

The San Diego & Arizona was America's last transcontinental railroad link,
finally completed in 1919. It was half a century too late. As Semelsberger
comments, San Diego, with its natural harbor, could have been the West
Coast's second premier seaport were it not for the mountain barriers to its
east. Unfortunately, when the Southern Pacific completed the first southern
transcontinental line in 1883, its terminus was Los Angeles. Competitor Santa
Fe then built a line that terminated in National City, but when a flood
devastated the line through Temecula Canyon, it re-routed to Los Angeles,
leaving San Diego dangling at the end of a branch line from that city.

Enter John D. Spreckels, a classic capitalist entrepreneur who had already
created local monopolies in San Diego street railways, water, and electric
power. What was good for Spreckels, he believed, was good for San Diego.
Where his business acumen ultimately faltered, however, was in his agreement
with Southern Pacific president E. H. Harriman to "front" the building of a
line to Yuma so that the hated Southern Pacific -- the "Octopus" -- would not
earn additional public disfavor in California. But on Harriman's death in
1909, SP directors got cold feet and demanded the return of Harriman's $3
million investment. By now Spreckels was doggedly determined to continue, and
financed further construction himself.

Even though the San Diego & Arizona followed surveyor's recommendations for
the easiest route possible, the route presented formidable natural obstacles,
first as it dipped into Mexico. The steepest part of the entire line was at
Redondo, where a double horseshoe curve was constructed. But this was nothing
compared to the Carriso Gorge portion of the line, eleven grueling miles
requiring thirteen trestles and seventeen tunnels, some of which were blasted
out of rock so hard that daily progress was measured in inches. Remarkably,
only two men died of construction accidents, but many more perished during
the influenza epidemic in 1919. The SD&A, which had already been christened
"The Impossible Railroad" and was soon dubbed "Slow, Dirty & Aggravated" by
its crews, took 13 years to build, at the enormous cost of $18 million. It
proved as expensive to operate and maintain.

Hollywood discovered the Gorge's spectacular scenery, but movie revenues
could not stop the flow of red ink. Spreckels' heirs (he died in 1926) sold
the line to the Southern Pacific in 1933, at nine cents on the dollar.
Renamed the San Diego & Arizona Eastern, it enjoyed prosperity only during
the World War II transportation boom. Even when diesels supplanted the
expensive-to-operate steam locomotives in the 1950s, profits were scarce. The
completion of highway Interstate 8 in 1970 gave truck competition an
insurmountable advantage, and the line was finally sold to the Metropolitan
Transit Development Board in 1977, which used its urban trackage for the San
Diego Trolley. Will the line to El Centro ever be re-opened to freight
traffic? Not without commercial viability and political will, which so far
have not been demonstrated. Sightseers, however, may soon be able to view the
Carriso Gorge if the plans of a railfan group come to fruition.

Anyone interested in San Diego history, the career of John D. Spreckels, or
San Diego's railroad heritage (and future prospects) will be informed and
delighted by The Impossible Railroad. Additional views of the railroad's east
end may be seen in the " Tressel [sic]" segment of the Huell Howser's
California's Gold program (which regularly airs on the San Diego KPBS-TV
channel) recording a trip into the Carriso Gorge to see the famed
633-foot-long Goat Canyon curved wooden trestle, which rises 185 feet from
the ground. The scenery is spectacular, but Howser's "gee-whiz" narration is
pedestrian. More informative commentary comes from SD&AE retirees and a San
Diego Railroad Museum volunteer who accompanied him, but regrettably their
names are not even mentioned. They deserve at least as much respect as the
trestle.
-----
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All My Relations.
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