Mac packages are easier to extract without even installing (and installing 
proprietary software is not very good for security, that's why I went straight 
to trying to extract only the files I wanted)
It's several layers of different but relatively common archive formats: dmg, 
xar, gzip, cpio.
You'll need to go into them roughly like this:
CameraRaw_10_3.pkg -> CameraRawProfiles.pkg -> CameraProfiles
At all steps ignore the file extensions and use `file` utility to test the 
actual file type. When unsure what file to try, aim for bigger files.
Perhaps some steps are harder to do on systems other than macOS, I didn't try 
to extract it on other systems.

After than I used `dcamprof`, it's 2 steps: convert to JSON and then use 
make-icc command (I had to also explicitly tell it the profile name).


> On 5 May 2018, at 00:31, Coding Dave <codingd...@gmail.com> wrote:
> 
> Hi, I would like to follow your approach and compare the Darktable profiles 
> for my Nikon D750 with the ones I did on my own and your method. I found the 
> camera raw plug-in downloader from adobe in version 10.3 and downloaded it 
> for both, mac and windows. Now Im stuck: Neither using wine and the nullsoft 
> installer nor using xar to extract the macOSX package gave me the dcp files. 
> Am I missing something? Could you please give some more details on how to get 
> your color matrices?
> 
> Cheers,
> Dave
> 
> 2018-05-04 21:10 GMT+02:00 Sarge Borsch <sausagefacto...@gmail.com>:
> So, I tried to edit an ICC file in a hex editor to put the values from that 
> website, and, just as expected, got nonsensical results.
> 
> After that I tried another idea to snatch better color profiles — I searched 
> the web for Adobe Camera Raw package, extracted the profiles from it (they 
> are in .dcp format), and figured that it's possible to convert them to ICC by 
> dcamprof.
> They seem to work very well — better than the currently built-in input 
> profiles for sony a5100 in darktable.
> Now what do you think about the copyright status of these converted ICC 
> profiles? Can they legally be distributed with darktable, or should I keep 
> them only for myself?
> They are a lot smaller than the source .dcc files, probably because they 
> don't keep nothing valuable except the color matrices. So are 3x3 numeric 
> matrices copyrightable?
> 
> If you think these profiles can be officially added to darktable, I may fix 
> the name tags and submit a pull request.
> 
> > On 4 May 2018, at 17:14, Sarge Borsch <sausagefacto...@gmail.com> wrote:
> > 
> > Hi.
> > I see that there are measured color responses at 
> > https://www.dxomark.com/Cameras/Sony/A5100---Measurements
> > Hence the question: is it a good idea to try to take the built-in profile 
> > and replace the primaries with these measured values, in order to get 
> > closer to the in-camera JPEG color rendering? (or are they already used?)
> > 
> > I'm asking that because I've noticed that none of the built-in input color 
> > profiles for sony a5100 allows me to get close to the in-camera JPEG colors.
> > The 2 of them which are the closest to the correct rendering (that is, 
> > matching camera JPEG, which is quite good when judging by eye) are the 
> > "standard color matrix" and "linear Rec2020 RGB".
> > Both of them wildly differ from the in-camera JPEG in deep blue colors: 
> > "standard color matrix" causes them to be clipped and to look really 
> > unnatural, and "linear Rec2020 RGB" looks more or less natural, but the hue 
> > is obviously different (blue gets moved to cyan). Hence I started to wonder 
> > how easy is it to get a better color profile.
> > 
> > I know that ideally this should be done with a color chart, but I don't 
> > have one and don't have spare money for it at the moment.
> > 
> > Also I can share a shot of the example object (Raw + JPEG) which has such 
> > problematic color if anyone wants to test it, too.
> 
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