not sure i understand what you mean by upper.. to the top of the widget or
to the right (brighter colour)?
the four triangles in the slider define a curve like that:
http://www.darktable.org/usermanual/ch03s02s08.html.php#d0e4115
so you can select mid-tones, too (not only blacks and highlights).
-jo
On Sat, Jan 10, 2015 at 5:45 AM, Markus Jung <[email protected]> wrote:
> The upper scale is especially useful to protect parts of the image which
> would otherwise be pushed out of limits, for example very bright or dark
> areas in case of the equalizer module.
> This does not apply to input masks because of the way how the equalizer
> works.
>
> Regards,
> Markus
>
> Am 09.01.2015 um 17:37 schrieb David Vincent-Jones:
> > The discussion regarding Luminosity Masks has certainly made me rethink
> the
> > way that I process many images.
> >
> > One 'feature' of parametric masking that still eludes me however and
> that is
> > the use of the upper (second) adjustment scale that appears, in the
> light of
> > multiple module applications, to be somewhat redundant.
> >
> > I would be interested to know how many users do find the second
> adjustment
> > useful ... and is it really being used?
> >
> > David
> >
> >
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leadership blogs to news, videos, case studies, tutorials and more. Take a
look and join the conversation now. http://goparallel.sourceforge.net
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