The DPC, Richard Wright and Charles Beagrie Ltd are delighted to announce the 
release of the latest DPC Technology Watch Report 'Preserving Moving Pictures 
and Sound', written by Richard Wright, formerly of the BBC.



'Moving image and sound content is at great risk', explained Richard Wright.  
'Surveys have shown that 74 per cent of professional collections are small: 
5,000 hours or less. Such collections have a huge challenge if their holdings 
are to be preserved. About 85 per cent of sound and moving image content is 
still analogue, and in 2005 almost 100 per cent was still on shelves rather 
than being in files on mass storage. Surveys have also shown that in 
universities there is a major problem of material that is scattered, 
unidentified, undocumented and not under any form of preservation plan. These 
collection surveys are from Europe and North America because there is no survey 
of the situation in the UK, in itself a cause for concern.'



'This report is for anyone with responsibility for collections of sound or 
moving image content and an interest in preservation of that content.'



'New content is born digital, analogue audio and video need digitization to 
survive and film requires digitization for access. Consequently, digital 
preservation will be relevant over time to all these areas. The report 
concentrates on digitization, encoding, file formats and wrappers, use of 
compression, obsolescence and what to do about the particular digital 
preservation problems of sound and moving images.'



The report discusses issues of moving digital content from carriers (such as CD 
and DVD, digital videotape, DAT and minidisc) into files. This digital to 
digital 'ripping' of content is an area of digital preservation unique to the 
audio-visual world, and has unsolved problems of control of errors in the 
ripping and transfer process. It goes on to consider digital preservation of 
the content within the files that result from digitization or ripping, and the 
files that are born digital. While much of this preservation has problems and 
solutions in common with other content, there is a specific problem of 
preserving the quality of the digitized signal that is again unique to 
audio-visual content. Managing quality through cycles of 'lossy' encoding, 
decoding and reformatting is one major digital preservation challenge for 
audio-visual as are issues of managing embedded metadata.



DPC members have already had a preview.  Pip Laurenson of Tate commented 'This 
is  a terrific report. Thank you so much for commissioning it - it is the best 
thing I have read on the subject.'



The report has also been subject to extensive review prior before publication.  
Oya Rieger and colleagues at Cornell University who reviewed the final draft 
welcomed the report: 'It is a very thorough report. We realize that it was a 
challenging process to gather and organize all this information and present it 
in a succinct narrative. Another virtue of the report is that it incorporates 
both analog and digital media issues. The final section with conclusions and 
recommendation is very strong and provides an excellent summary.'



Another reviewer explained why the preview for DPC-members was so timely: 'We 
are currently working on a grant proposal focusing on new media art and having 
access to the preserving moving pictures and sound report was very useful. The 
report provides a thorough characterization of the current practices, 
shortcomings, and challenges. Having access to the report has saved us from 
spending expensive time on conducting a literature review. '



DPC Technology Watch Reports identify, delineate, monitor and address topics 
that have major bearing on ensuring our collected digital memory will be 
available tomorrow.  They provide an advanced introduction in order to support 
those charged with ensuring a robust digital memory and they are of general 
interest to a wide and international audience with interests in computing, 
information management, collections management and technology.  The reports are 
commissioned after consultation with members; they are written by experts; and 
they are thoroughly scrutinised by peers before being released.  The reports 
are informed, current, concise and balanced and they lower the barriers to 
participation in digital preservation. The reports are a distinctive and 
lasting contribution to the dissemination of good practice in digital 
preservation.



'Preserving Moving Pictures and Sound' is the second Technology Watch Report to 
be published by the DPC in association with Charles Beagrie Ltd. Neil Beagrie, 
Director of Consultancy at Charles Beagrie Ltd, was commissioned to act as 
principal investigator and managing editor of the series in 2011.  The managing 
editor has been further supported by an Editorial Board drawn from DPC members 
and peer reviewers who have commented on the text prior to release.  The 
Editorial Board comprises William Kilbride (Chair), Neil Beagrie (Series 
Editor), Janet Delve (University of Portsmouth), Sarah Higgins (Archives and 
records Association), Tim Keefe (Trinity College Dublin), Andrew McHugh 
(University of Glasgow) and Dave Thompson (Wellcome Library).



The report is online at: http://dx.doi.org/10.7207/twr12-01 (PDF 915KB)


--
Dr William Kilbride FSA
Executive Director
Digital Preservation Coalition

44 (0)141 330 4522
http://www.dpconline.org/
[email protected]

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Centre, University Way, York Science Park, Heslington, YORK YO10 5DG Registered 
in England No: 4492292



--
Dr William Kilbride FSA
Executive Director
Digital Preservation Coalition

44 (0)141 330 4522
http://www.dpconline.org/
[email protected]

The information contained in this e-mail is confidential and may be privileged. 
If you have received this message in error, please notify us and remove it from 
your system. The contents of this e-mail must not be disclosed or copied 
without the sender's consent and does not constitute legal advice.  We cannot 
accept any responsibility for viruses, so please scan all attachments. The 
statements and opinions expressed in this message are those of the author and 
do not necessarily reflect those of the DPC.  Registered Office, Innovation 
Centre, University Way, York Science Park, Heslington, YORK YO10 5DG Registered 
in England No: 4492292

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