The set list from Road Trips where Deep Elem is listed appears to be from
the early show anyway.  the sequence on the disks is jumbled, but all the
songs from the Deadlists list are there except the addition of Deep Elem

-----Original Message-----
From: owner-deadli...@nemesis.cs.berkeley.edu
[mailto:owner-deadli...@nemesis.cs.berkeley.edu] On Behalf Of Jim Powell
Sent: Wednesday, December 29, 2010 5:55 PM
To: deadlists
Subject: Fillmore East 5/15/70 Late Show list

Here's the correct list for the 5/15/70 Late Show according to my sources.
It's what's supposed to be posted on Deadlists.  I have not checked out the
Road Trips release so I don't know nothin about Deep Elem.  I note that this
list coincides with the one posted by Richard Neer except that my timings
differentiate between the music and the pauses; his timings look like track
timings that combine them.

BAND    Grateful Dead
VENUE    Fillmore East
CITY    New York
STATE    NY
DATE    05/15/70b
SET1    [45:24]  The Ballad Of Casey Jones [2:25] ; [0:40] ; Silver Threads
And Golden Needle [3:29] ; [0:20] ; Black Peter [7:01] ; [0:24] ; Friend Of
The Devil [3:47] ; [2:00] ; Uncle John's Band [6:18] ; [0:32] ; Candyman
[5:05] ; [2:16  Intro] ; She's Mine [2:40] ; [0:17] Katie Mae [4:00] ;
[1:26] ; A Voice From On High [2:41] ; [0:09]
SET2    [1:15:26]  [3:22  Intro] ; Brown Eyed Handsome Man [3:51] ; [0:32] ;
Louisiana Lady [5:50] ; [0:26] ; Can't Pay The Price [4:38] ; [0:04] % Truck
Drivin' Man [3:33] ; [0:30] ; All I Ever Wanted [7:34] ; [0:51] ; Workin'
Man Blues [4:10] ; [0:42] ; Henry [3:27] ; [3:34  broken string] ; I Don't
Know You [3:52] ; [0:25] ; Lodi [3:45] ; [0:38] ; Last Lonely Eagle [6:05] ;
[0:45] ; Mama Tried [2:58] ; [0:09] ; Sawmill [3:#09] % [0:09] Me And My
Uncle [3:32] ; [1:26] ; Connection [5:10] ; [0:21]
SET3    [1:55:50 +]  [0:06  Bill Graham Intro] ; China Cat Sunflower [2:24]
> Jam [2:06] > I Know You Rider [4:13] ; [0:09] ; Cumberland Blues 
> [4:45] ;
[1:02] ; Hard To Handle [5:05] ; [1:41] ; Beat It On Down The Line [2:47] ;
[0:47] ; Morning Dew [10:25] ; [0:30] ; Drums [0:58] > Good Lovin' [1:49] >
Drums [3:13] > Good Lovin' [7:01] ; [1:12] ; Dire Wolf [3:42] ; [0:39] ;
Next Time You See Me [3:21] ; [1:21] % Dark Star [19:29] > Saint Stephen
[4:#02] > Drums [0:25] > Not Fade Away [6:28] > Turn On Your Lovelight
[26:#16]
ENCORE    [3:52] ; Cold Jordan [2:15] ; [2:37]
COMMENTS    This is the Late Show.  Late show total time 3:58:55 +.  Early &
Late Shows total time 6:33:29 +.  SET 1 is the Late Show acoustic Dead set
complete.  David Nelson plays mandolin on A Voice From On High and Marmaduke
adds bass vocals.  SET 2 is the complete Late Show NRPS set with Garcia,
pedal steel.  Bob Weir guests on vocals for Mama Tried, Sawmill and Me And
My Uncle.  There is a brief cut in Sawmill, with less than 10 seconds lost.
After this set the master contains 15:13 of continuing signal, comprising
parts of Side B of Abbey Road (playing on the PA during the break)
interspersed with the sounds of the stage being rigged -- Drums nailed down,
etc -- followed by the sounds of tuning up.  SET 3 is electric Dead.  Beat
It On Down The Line gets 14 beats.  In the pause after Next Time You See Me
Pigpen says, in response to an audience request for Alligator, "Don't be
hollerin no emergency warnings in a place like this.  An alligator in here
could chomp off a buncha feet."  Phil meanwhile is teasing Dark Star.  Just
before the cassette side cuts off, Jerry Teases the introductory riff of
Attics.  When the tape resumes on the next cassette Dark Star begins.  From
the tape it's impossible to tell whether or not in the interval they
repeated Attics from the Early Show but it seems likelier that they didn't.
There is a cut 2:17 into Saint Stephen; probably around 60 - 90 seconds are
missing here.  There is a cut 13:33 into Lovelight, but probably only a few
seconds are lost.  Over the last year it has been rumored that there is
another SBD master of this show in the vault, which includes the rest of the
Early Show NRPS set (and which would probably allow us to patch the few
other glitches on the circulating master); however, nothing has emerged
besides rumors thus far.  Meanwhile, we owe an enormous debt of gratitude to
those resourceful Fillmore East crewmembers who took the bull by the horns
and MADE TAPE.  Muchas Garcias, guys.

Eaton lists:

05/15/70 The Fillmore East, New York City Ny - early acoustic[vbcrlf]  4.8,
060min, Sbd, A0D3, Reel M->PCM 0->Dat 2, 44k,[vbcrlf]  10inch Master
re...@7.5ips 1/2trk->PCM x 0->Dat x 2[vbcrlf]05/15/70 The Fillmore East, New
York City Ny - early electric[vbcrlf]  4.8, 069min, Sbd, A0D3, Reel M->PCM
0->Dat 2, 44k,[vbcrlf]  10inch Master re...@7.5ips 1/2trk->PCM x 0->Dat 
0->x
2[vbcrlf]05/15/70 The Fillmore East, New York City Ny - late
acoustic[vbcrlf]  4.8, 071min, Sbd, A0D3, Reel M->PCM 0->Dat 2, 44k,[vbcrlf]
10inch Master re...@7.5ips 1/2trk->PCM x 0->Dat x 2[vbcrlf]05/15/70 The
Fillmore East, New York City Ny - late electric[vbcrlf]  4.8, 119min, Sbd,
A0D3, Reel M->PCM 0->Dat 2, 44k,[vbcrlf]  10inch Master re...@7.5ips
1/2trk->PCM x 0->Dat x 2
RECORDING    340 SB (total for 05/15/70a&b)
CONTRIBUTORS    Jim Powell  Alan Mande  Tim Anderson

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