I may be a bit confused. I thought this was all dependant upon how the
modwheel is set on the midi controller. When I do midi input I put the
modwheel half way if I was in the key of c and then move it up if I start
to see flats when sharps are expected and visa versa. I was not sure if
that is how it is supposed to work but I think I remember Richard talking
about this once so I tried it and it worked.

Jeremiah
On Mar 23, 2014 9:16 AM, "Richard Shann" <[email protected]> wrote:

> On Sun, 2014-03-23 at 09:24 -0400, Bric wrote:
> > sorry about the top-post:  it's because I will need to re-read this a
> > couple of times.  The first objection that immediately comes to mind
> > is:  Yes, I understand the sophisticated, clever, and useful algorithm
> > behind this now... but why in the world should it notate my B natural as
> > "C-flat", when my key signature is C  ??
> >
> > Like i said: you don't need to respond right away,
>
> but I will :)
> my guess is that at some point a very flat key signature was set (while
> using the educational game?). I don't recall the circumstances when it
> adjusts the range of sharps and flats for you, but generally programs
> changing things on your behalf are a nuisance, so it is quite
> conservative.
>
> >  I will re-read it and
> > explore and try to adjust my settings, such that it writes my b naturals
> > as plain, unaugmented, undiminished B's ! (particularly in the keys
> > where the B is just that)
>
> This isn't a question of "settings" - it's not a preference. For each
> piece you need to set the  range (E-b to G-# or D-# to A-b) and then
> adjust it if the piece strays into more remote keys. It does do some
> sensible default if you start a new piece, but as you have found, if you
> then change what you are doing it may no longer be sensible.
> (Oh! and it *does* remember the last range you used for a given piece,
> so when you reload a piece in E-major it doesn't carry on using E-flat
> for D-sharp).
>
> Richard
>
>
>
>
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