Thank you Andreas and Richard.
I think I now understand the double hyphen - it appears as a hyphen in
gaps but is suppressed when space is limited. And the words were
misplaced - I was trying to get the music fixed first.
And today's Windows download is not producing any problems.
Just one thing. I'd like movement 2 to be in 4 lines with line-breaks in
the middle of bars (e.g, in verse 1 after Lord, Name and Lord)
I've tried insert line break which gives a warning that it won't work
and that I should use Allow Page/Line Break.
But alone Allow Page/Line Break does not work. Neither does it seem to
enable the normal line break (as its name indicates that it should,
especially if I check the box that says apply condition to all further
cases in this staff!)
I have probably missed something, but this seems to be something that a
relatively naive user might want to do even without combing the Manual
(which in this case doesn't help!)
Joe
On 29/01/2017 20:41, Andreas Schneider wrote:
Am 29.01.2017 um 20:56 schrieb Richard Shann:
On Sun, 2017-01-29 at 17:58 +0000, Joe Wilkinson wrote:
Hi Richard,
I can't change the initial time signature in this (edited version of
previous file)
I have just duplicated the single movement from the previous version and
copied across some lyrics and deleted the skip syllables.
Movement 1 seems OK - just a single response line.
Having removed all the notes associated with the skips in Movement 2 -
the verses - I have then removed the empty measures.
Then I have tried, three times to change the initial time signature, and
Windows10 has reported an error and closed Denemo.
I've looked over this file and it seems quite innocuous, and indeed I
can change the initial time signatures just fine. I enclose the result
of doing just that just so you can see.
I think you must have a dodgy build of Denemo. I have come across a bug
in the handling of lyrics with Undo, so try tomorrow's build.
I have noticed that in the lyrics you did not use the Lilypond syntax
for dashes. Usually dashes a typeset with -- . For instance for your
first line:
The Lord is com -- pas -- sion and love, slow to an -- ger and rich in
mer -- cy.
Moreover, there is a convention for vocal music that eight notes (and
sixteenth etc.) are typeset with beams if there is a melisma and without
beams if you sing separate syllables. Following this convention, the
eight notes in bars 8 and 11 of the second movement should be typeset
without beams. I usually use the Stop Beaming directive (under
Directives > Typesetter) for vocal music and do manual beaming where
melismata are present.
Attached you find a version of your score where I have applied these
changes. Might it be that also some of the lyrics are mapped to the
wrong notes?
Andreas
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<?xml version="1.0" encoding="UTF-8"?>
<score xmlns="http://denemo.org/xmlns/Denemo"; version="8">
<lilycontrol>
<papersize>a4</papersize>
<fontsize>18</fontsize>
<orientation>1</orientation>
<total-edit-time>5059</total-edit-time>
</lilycontrol>
<movement-number>2</movement-number>
<movement>
<edit-info>
<staffno>1</staffno>
<measureno>1</measureno>
<cursorposition>0</cursorposition>
<tonalcenter>0</tonalcenter>
<zoom>100</zoom>
<system-height>100</system-height>
<page-zoom>100</page-zoom>
<page-system-height>100</page-system-height>
<measure-width>480</measure-width>
</edit-info>
<header-directives>
<directive>
<tag>SuppressTitleRepeats</tag>
<postfix>title = ##f
instrument = ##f
</postfix>
</directive>
</header-directives>
<score-info>
<tempo>
<duration>
<numerator>1</numerator>
<denominator>4</denominator>
</duration>
<bpm>120</bpm>
</tempo>
</score-info>
<staves>
<staff id="id0"></staff>
</staves>
<voices>
<voice id="id1">
<voice-info>
<voice-name>Part 1</voice-name>
<first-measure-number>1</first-measure-number>
</voice-info>
<initial-voice-params>
<staff-ref staff="id0"></staff-ref>
<clef name="treble"></clef>
<key-signature>
<modal-key-signature note-name="C" mode="major"></modal-key-signature>
</key-signature>
<time-signature>
<simple-time-signature>
<numerator>2</numerator>
<denominator>2</denominator>
</simple-time-signature>
</time-signature>
</initial-voice-params>
<voice-props>
<number-of-lines>5</number-of-lines>
<voice-control>1</voice-control>
<transpose>0</transpose>
<instrument></instrument>
<device-port>NONE</device-port>
<volume>127</volume>
<override_volume>0</override_volume>
<mute>0</mute>
<midi_prognum>0</midi_prognum>
<midi_channel>0</midi_channel>
<hasfigures>0</hasfigures>
<hasfakechords>0</hasfakechords>
<verses>
<verse>The Lord is com -- pas -- sion and love, slow to an -- ger and rich in mer -- cy</verse>
</verses>
</voice-props>
<measures>
<measure>
<lily-directive locked="true" ticks="1152">
<tag>Upbeat</tag>
<postfix>\partial 256*64 </postfix>
<display>Upbeat</display>
<graphic_name>
î
¶
emmentaler
62</graphic_name>
<minpixels>30</minpixels>
<gx>20</gx>
<gy>15</gy>
<override>268435456</override>
</lily-directive>
<chord show="true" id="id2">
<duration base="quarter"></duration>
<notes>
<note id="id3">
<middle-c-offset>1</middle-c-offset>
</note>
</notes>
</chord>
</measure>
<measure>
<chord show="true" id="id4">
<duration base="half"></duration>
<notes>
<note id="id5">
<middle-c-offset>6</middle-c-offset>
</note>
</notes>
</chord>
<chord show="true" id="id6">
<duration base="quarter"></duration>
<notes>
<note id="id7">
<middle-c-offset>6</middle-c-offset>
</note>
</notes>
</chord>
<chord show="true" id="id8">
<duration base="quarter"></duration>
<notes>
<note id="id9">
<middle-c-offset>6</middle-c-offset>
</note>
</notes>
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</measure>
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<note id="id11">
<middle-c-offset>7</middle-c-offset>
</note>
</notes>
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<duration base="half"></duration>
<notes>
<note id="id13">
<middle-c-offset>6</middle-c-offset>
</note>
</notes>
</chord>
<chord show="true" id="id14">
<duration base="quarter"></duration>
<notes>
<note id="id15">
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</measure>
<measure>
<chord show="true" id="id16">
<duration base="half"></duration>
<notes>
<note id="id17">
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</note>
</notes>
</chord>
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<duration base="quarter"></duration>
<notes>
<note id="id19">
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</note>
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<notes>
<note id="id21">
<middle-c-offset>1</middle-c-offset>
</note>
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</chord>
</measure>
<measure>
<chord show="true" id="id22">
<duration base="quarter"></duration>
<notes>
<note id="id23">
<middle-c-offset>2</middle-c-offset>
</note>
</notes>
</chord>
<chord show="true" id="id24">
<duration base="half"></duration>
<notes>
<note id="id25">
<middle-c-offset>7</middle-c-offset>
</note>
</notes>
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<duration base="quarter"></duration>
<notes>
<note id="id27">
<middle-c-offset>7</middle-c-offset>
</note>
</notes>
</chord>
</measure>
<measure>
<chord show="true" id="id28">
<duration base="half"></duration>
<notes>
<note id="id29">
<middle-c-offset>6</middle-c-offset>
</note>
</notes>
</chord>
<chord show="true" id="id30">
<duration base="half"></duration>
<notes>
<note id="id31">
<middle-c-offset>5</middle-c-offset>
</note>
</notes>
</chord>
</measure>
<measure>
<chord show="true" id="id32">
<duration base="quarter"></duration>
<notes>
<note id="id33">
<middle-c-offset>5</middle-c-offset>
</note>
</notes>
</chord>
<chord show="true" id="id34">
<duration base="half">
<dots>1</dots>
</duration>
<notes>
<note id="id35">
<middle-c-offset>4</middle-c-offset>
</note>
</notes>
</chord>
</measure>
</measures>
</voice>
</voices>
</movement>
<movement>
<edit-info>
<staffno>1</staffno>
<measureno>1</measureno>
<cursorposition>0</cursorposition>
<tonalcenter>0</tonalcenter>
<zoom>100</zoom>
<system-height>100</system-height>
<page-zoom>100</page-zoom>
<page-system-height>100</page-system-height>
<measure-width>480</measure-width>
</edit-info>
<score-info>
<tempo>
<duration>
<numerator>1</numerator>
<denominator>4</denominator>
</duration>
<bpm>120</bpm>
</tempo>
</score-info>
<staves>
<staff id="id36"></staff>
</staves>
<voices>
<voice id="id37">
<voice-info>
<voice-name>Part 1</voice-name>
<first-measure-number>1</first-measure-number>
</voice-info>
<initial-voice-params>
<staff-ref staff="id36"></staff-ref>
<clef name="treble"></clef>
<key-signature>
<modal-key-signature note-name="C" mode="major"></modal-key-signature>
</key-signature>
<time-signature>
<simple-time-signature>
<numerator>3</numerator>
<denominator>4</denominator>
</simple-time-signature>
</time-signature>
</initial-voice-params>
<voice-props>
<number-of-lines>5</number-of-lines>
<voice-control>1</voice-control>
<transpose>0</transpose>
<instrument></instrument>
<device-port>NONE</device-port>
<volume>127</volume>
<override_volume>0</override_volume>
<mute>0</mute>
<midi_prognum>0</midi_prognum>
<midi_channel>0</midi_channel>
<hasfigures>0</hasfigures>
<hasfakechords>0</hasfakechords>
<verses>
<verse>My soul give thanks "to the" Lord. "All my" being () bless "his holy" name. My soul give thanks to the Lord and never for- get all his blessings.
</verse>
<verse>" It is" he "who for-" gives "all your" guilt, who heals every one "of your" ills, who redeems your life from the grave, who crowns you with love and compassion.
</verse>
<verse>
The Lord is compassion and love, "slow to" anger and rich in mercy. "He does not" "treat us" a -- ccording to our sins, nor "repay us" a -- ccording to our faults</verse>
<verse>
As far "as the" east "is from the" west, so far "does he re" -- move our sins. "As a" father has compassion on his sons, the Lord has "pity on" those who "fear him"</verse>
</verses>
</voice-props>
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<measure offset="-1">
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<tag>BeamingOff</tag>
<postfix>\autoBeamOff</postfix>
<display>No Beaming</display>
<minpixels>10</minpixels>
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<lily-directive locked="true" ticks="768">
<tag>Upbeat</tag>
<postfix>\partial 256*64 </postfix>
<display>Upbeat</display>
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î
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emmentaler
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<minpixels>30</minpixels>
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<note id="id39">
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</note>
</notes>
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</measure>
</measures>
</voice>
</voices>
</movement>
</score>
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