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QUAN-YIN
The Goddess of Compassion and Mercy
Quan Yin - Kuan Yin - is an incarnation of Mary, Sophia, and other feminine 
icons. They are all the same soul - given the Yin or feminine frequency. 
For centuries, Kuan Yin has epitomized the great ideal of Mahayana Buddhism in 
her role as "bodhisattva (Chinese "p'u-sa)--literally "a being of Bodhi, or 
enlightenment," who is destined to become a Buddha but has foregone the bliss 
of Nirvana with a vow to save all children of God. 
Quan Yin carries the Goddess and Divine Mother aspect of Buddhism. The same 
Goddess and Divine energy carried by the Virgin Mary in Christianity. In the 
Egyptian mysteries it is carried by Isis. In Hinduism it is carried by Shakti, 
wife of Vishnu, by Parvarti, wife of Shiva, by Radha, wife of Krishna, and by 
Sita, wife of Rama. 
Quan Yin's name is a translation of the Sanskrit name of her chief progenitor 
which is Avalokitesvara, also known as Avalokita. In its proper form it is 
Kuanshih Yin, which means "She who harkens to the cries of the world." 
In Korea, Japan, and China she is called Quan Yin. She is a celestial 
bodhisattva and an ascended master. One of her jobs in the celestial spheres is 
to sit on the board of the Lord of Karma. 
Buddhist mythology tells of Avalokitesvara's being born from a ray of light 
that sprang from Amitabha Buddha's right eye. He immediately said, "Om Mane 
Padme Hum". This is one of the mantras by which he can be invoked in Buddhist 
tradition. 
Avalokitesvara came to be known by most Tibetans as Buddha's earthly 
representation and as chief guardian of the dharma (doctrine) until the advent 
of Maitreya Buddha. 
Avalokitesvara and Quan Yin are embodiments of compassion. 
She is roughly equivalent to Green Tara in Tibetan Buddhism. 
In Tibetan Buddhism Quan Yin is seen in her male form as Avalokitesvara. Some 
feel that the current Dali Lama is an incarnation of Avalokitesvara. It is 
thought that the female form of Avalokitesvara, Quan Yin, originated in the 
twelfth or thirteenth century in both China and Japan. 
The Saddharma Pundarika Sutra affirms that Avalokitesvara had 357 incarnations. 
 
Quan Yin is one of the most universally beloved of deities in the Buddhist 
tradition. Also known as Kuan Yin, Quan'Am (Vietnam), Kannon (Japan), and Kanin 
(Bali), She is the embodiment of compassionate loving kindness. As the 
Bodhisattva of Compassion, She hears the cries of all beings. Quan Yin enjoys a 
strong resonance with the Christian Mary, the Mother of Jesus, and the Tibetan 
goddess Tara. 
In many images She is depicted carrying the pearls of illumination. Often Quan 
Yin is shown pouring a stream of healing water, the "Water of Life," from a 
small vase. With this water devotees and all living things are blessed with 
physical and spiritual peace. She holds a sheaf of ripe rice or a bowl of rice 
seed as a metaphor for fertility and sustenance. The dragon, an ancient symbol 
for high spirituality, wisdom, strength, and divine powers of transformation, 
is a common motif found in combination with the Goddess of Mercy. 
Sometimes Kuan Yin is represented as a many armed figure, with each hand either 
containing a different cosmic symbol or expressing a specific ritual position, 
or mudra. This characterizes the Goddess as the source and sustenance of all 
things. Her cupped hands often form the Yoni Mudra, symbolizing the womb as the 
door for entry to this world through the universal female principle. 
Quan Yin, as a true Enlightened One, or Bodhisattva, vowed to remain in the 
earthly realms and not enter the heavenly worlds until all other living things 
have completed their own enlightenment and thus become liberated from the 
pain-filled cycle of birth, death, and rebirth. 
There are numerous legends that recount the miracles which Quan Yin performs to 
help those who call on Her. Like Artemis, She is a virgin Goddess who protects 
women, offers them a religious life as an alternative to marriage, and grants 
children to those who desire them. 
The Goddess of Mercy is unique among the heavenly hierarchy in that She is so 
utterly free from pride or vengefulness that She remains reluctant to punish 
even those to whom a severe lesson might be appropriate. Individuals who could 
be sentenced to dreadful penance in other systems can attain rebirth and 
renewal by simply calling upon Her graces with utter and absolute sincerity. It 
is said that, even for one kneeling beneath the executioner's sword already 
raised to strike, a single heartfelt cry to Bodhisattva Quan Yin will cause the 
blade to fall shattered to the ground. 
The many stories and anecdotes featuring this Goddess serve to convey the idea 
of an enlightened being who embodies the attributes of an all pervasive, all 
consuming, unwavering loving compassion and who is accessible to everyone. Quan 
Yin counsels us by Her actions to cultivate within ourselves those particular 
refined qualities that all beings are said to naturally possess in some 
vestigial form. 
Contemplating the Goddess of Mercy involves little dogma or ritual. The 
simplicity of this gentle being and Her standards tends to lead Her devotees 
towards becoming more compassionate and loving themselves. A deep sense of 
service to all fellow beings naturally follows any devotion to the Goddess. 
The name Kuan Shih Yin, as she is often called, means literally "the one who 
regards, looks on, or hears the sounds of the world." According to legend, Kuan 
Yin was about to enter heaven but paused on the threshold as the cries of the 
world reached her ears. 
 
Scholars believe that the Buddhist monk and translator Kumarajiva was the first 
to refer to the female form of Kuan Yin in his Chinese translation of the Lotus 
Sutra in 406 A.D. Of the thirty-three appearances of the bodhisattva referred 
to in his translation, seven are female. (Devoted Chinese and Japanese 
Buddhists have since come to associate the number thirty-three with Kuan Yin.) 
Although Kuan Yin was still being portrayed as a male as late as the tenth 
century, with the introduction of Tantric Buddhism into China in the eighth 
century during the T'ang dynasty, the image of the celestial bodhisattva as a 
beautiful white-robed goddess was predominant and the devotional cult 
surrounding her became increasingly popular. By the ninth century there was a 
statue of Kuan Yin in every Buddhist monastery in China. 
Despite the controversy over the origins of Kuan Yin as a feminine being, the 
depiction of a bodhisattva as both 'god' and 'goddess' is not inconsistent with 
Buddhist doctrine. The scriptures explain that a bodhisattva has the power to 
embody in any form--male, female, child, even animal depending on the type of 
being he is seeking to save. As the Lotus Sutra relates, the bodhisattva Kuan 
Shih Yin, "by resort to a variety of shapes, travels in the world, conveying 
the beings to salvation." 
The twelfth-century legend of the Buddhist saint Miao Shan, the Chinese 
princess who lived in about 700 B.C. and is widely believed to have been Kuan 
Yin, reinforced the image of the bodhisattva as a female. During the twelfth 
century Buddhist monks settled on P'u-t'o Shan--the sacred island-mountain in 
the Chusan Archipelago off the coast of Chekiang where Miao Shan is said to 
have lived for nine years, healing and saving sailors from shipwreck--and 
devotion to Kuan Yin spread throughout northern China. 
This picturesque island became the chief center of worship of the compassionate 
Saviouress; crowds of pilgrims would journey from the remotest places in China 
and even from Manchuria, Mongolia and Tibet to attend stately services there. 
At one time there were more than a hundred temples on the island and over one 
thousand monks. The lore surrounding P'u-t'o island recounts numerous 
appearances and miracles performed by Kuan Yin, who, it is believed, reveals 
herself to the faithful in a certain cave on the island. 
In the Pure Land sect of Buddhism, Kuan Yin forms part of a ruling triad that 
is often depicted in temples and is a popular theme in Buddhist art. In the 
center is the Buddha of Boundless Light, Amitabha (Chinese, A-mi-t'o Fo; 
Japanese, Amida). To his right is the bodhisattva of strength or power, 
Mahasthamaprapta, and to his left is Kuan Yin, personifying his endless mercy. 
n Buddhist theology Kuan Yin is sometimes depicted as the captain of the "Bark 
of Salvation," guiding souls to Amitabha's Western Paradise, or Pure Land--the 
land of bliss where souls may be reborn to receive continued instruction toward 
the goal of enlightenment and perfection. The journey to Pure Land is 
frequently represented in woodcuts showing boats full of Amitabha's followers 
under Kuan Yin's captainship. 
Amitabha, a beloved figure in the eyes of Buddhists desiring to be reborn in 
his Western Paradise and to obtain freedom from the wheel of rebirth, is said 
to be, in a mystical or spiritual sense, the father of Kuan Yin. Legends of the 
Mahayana School recount that Avalokitesvara was 'born' from a ray of white 
light which Amitabha emitted from his right eye as he was lost in ecstasy. 
Thus Avalokitesvara, or Kuan Yin, is regarded as the "reflex" of Amitabhaóa 
further emanation or embodiment of "maha karuna (great compassion), the quality 
which Amitabha himself embodies in the highest sense. Many figures of Kuan Yin 
can be identified by the presence of a small image of Amitabha in her crown. It 
is believed that as the merciful redemptress Kuan Yin expresses Amitabha's 
compassion in a more direct and personal way and prayers to her are answered 
more quickly. 
The iconography of Kuan Yin depicts her in many forms, each one revealing a 
unique aspect of her merciful presence. As the sublime Goddess of Mercy whose 
beauty, grace and compassion have come to represent the ideal of womanhood in 
the East, she is frequently portrayed as a slender woman in flowing white robes 
who carries in her left hand a white lotus, symbol of purity. Ornaments may 
adorn her form, symbolizing her attainment as a bodhisattva, or she may be 
pictured without them as a sign of her great virtue. 
Kuan Yin's presence is widespread through her images as the "bestower of 
children" which are found in homes and temples. A great white veil covers her 
entire form and she may be seated on a lotus. She is often portrayed with a 
child in her arms, near her feet, or on her knees, or with several children 
about her. In this role, she is also referred to as the "white-robed honored 
one." Sometimes to her right and left are her two attendants, Shan-tsíai 
Tung-tsi, the "young man of excellent capacities," and Lung-wang Nu, the 
"daughter of the Dragon-king." 
Kuan Yin is also known as patron bodhisattva of P'u-t'o Shan, mistress of the 
Southern Sea and patroness of fishermen. As such she is shown crossing the sea 
seated or standing on a lotus or with her feet on the head of a dragon. 
Like Avalokitesvara she is also depicted with a thousand arms and varying 
numbers of eyes, hands and heads, sometimes with an eye in the palm of each 
hand, and is commonly called "the thousand-arms, thousand-eyes" bodhisattva. In 
this form she represents the omnipresent mother, looking in all directions 
simultaneously, sensing the afflictions of humanity and extending her many arms 
to alleviate them with infinite expressions of her mercy. 
Symbols characteristically associated with Kuan Yin are a willow branch, with 
which she sprinkles the divine nectar of life; a precious vase symbolizing the 
nectar of compassion and wisdom, the hallmarks of a bodhisattva; a dove, 
representing fecundity; a book or scroll of prayers which she holds in her 
hand, representing the dharma (teaching) of the Buddha or the sutra (Buddhist 
text) which Miao Shan is said to have constantly recited; and a rosary adorning 
her neck with which she calls upon the Buddha¹s for succor. 
Images of Avalokitesvara often show him holding a rosary; descriptions of his 
birth say he was born with a white crystal rosary in his right hand and a white 
lotus in his left. It is taught that the beads represent all living beings and 
the turning of the beads symbolizes that Avalokitesvara is leading them out of 
their state of misery and repeated rounds of rebirth into nirvana. 
Today Kuan Yin is worshipped by Taoists as well as Mahayana 
Buddhists--especially in Taiwan, Japan, Korea and once again in her homeland of 
China, where the practice of Buddhism had been suppressed by the Communists 
during the Cultural Revolution (1966-69). She is the protectress of women, 
sailors, merchants, craftsmen, and those under criminal prosecution, and is 
invoked particularly by those desiring progeny. Beloved as a mother figure and 
divine mediatrix who is very close to the daily affairs of her devotees, Kuan 
Yin's role as Buddhist Madonna has been compared to that of Mary the mother of 
Jesus in the West. 
It is in truth the same soul. 




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