I have been into electronic music production for 12 years now and
always had a geeky tendency to dig into new technologies applied to
digital music production. What I can say is that a really striking
amount of innovations have always occurred in this field and the
computer assisted music production industry can provide a big deal of
insightful food-for-thoughts when it comes to creative and innovative
ways of interacting with computers. 

The senseTable reminds me another interesting project called
Reactable carried out by a team at the Pompeu Fabra University in
Barcelona. Reactable also mixes physical objects and projected
elements (Although the table metaphor is used in this case). It's
worth the look. 

Another interesting project with a more arty appeal is the Manual
Imput Sessions combining custom interactive software, analog overhead
projectors and digital computer video projectors. The hand gestures
and transparency drawings are analysed by a software that in response
generates synthetic graphics and sounds, tightly coupled to the
performers actions. 

Finally the very creative and forwardthinking firm JazzMutant have
long ago proposed multi-touch screen products that have nothing to
envy to the iPhone. It consist of a touchscreen musical interface
completely reconfigurable to suit every specific interaction needs of
the music producers and live-performers. 

With regards to your concern about the next step:"physical knobs
automatically reconfigure when you switch applications". I may say
that musical devices already integrated motorized knobs and sliders
that can instantly reconfigure to fit presets or different
pre-programmed configurations. Considering the fact that innovations
are mainly about "re-configurating", "mixing" and "remixing"
existing technologies, I can say with a certain level of confidence
that conceptually, such affordance already exists and only needs to
be creatively implemented. 


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Posted from the new ixda.org
http://www.ixda.org/discuss?post=31507


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