Mike,

Thanks for providing a thorough background on what RFC is doing.

However, I think my original point still stands: if the original source
material was mixed/recorded in 2.0, you are really getting only a
facsimile of true 5.1 surround sound.  This can be achieved via the
-encoder- method as you described (subsequently decoded by a Dolby
Digital surround receiver), _or_ via a -decoder- like Dolby ProLogicII.

Regardless the result is the same.  If you take "Stairway to Heaven"
and RFC encodes it using a the Omnia DSP to 5.1, the end result
(decoded) is essentially the same as if you take the same song via
regular 2.0 CD and decode it via Dolby ProLogicII/DTS Neo:6 Music/etc. 
You are getting a facsimile or "fake" surround sound.  True 5.1 would
only come from remixing of the original session tapes to a discrete 5.1
mix.

Too bad RFC doesn't have access to broadcast some of the natively-mixed
5.1 material out there...


-- 
SamS
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