Interesting article, but it won't keep me from continuing to purchase
Hi-Res downloads.  Like anything else, there are cases where you don't
get what you pay for.  Sometimes that's gonna happen.  Way too often
now-days it seems.  But the article (in my mind) confirms that Hi-Res
is superior when you actually get Hi-Res material that is handled
properly.  The article isn't saying that Hi-Res isn't worth it, just
that sometimes, the sellers don't provide what is expected, and that
the buyer needs to beware.
For what it's worth, I have had nothing but good experiences with the
stuff I have purchased from HD-Tracks.  I didn't purchase the Framptom
album they mentioned.  I already have it on "normal" CD that I have
ripped to flac.  I don't feel strongly enough about the Hi-Res stuff
that I would purchase Hi-Res copies of something I already have in CD. 
But for new purchases, I prefer to get the music in Hi-Res.
One point in the article I don't agree with however is the assertion
that it is pointless to release a Hi-Res version of anything that was
mastered in analog.  Profesional analog tape equipment is capable of
much better bandwidth than the 22 kHz brick wall that CD is limited to.
Of course if bandwidth limiting was applied (like is required before
placing it on a CD), then I agree with the point.  But if it is truly
made from the analog masters, and bandwith limiting is not applied,
then 96kHz (48kHz bandwidth) still makes good sense to me.

Terry


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TerryS
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