There has been much discussion of tagging deficiencies when it comes to
classical music. Frankly, this has not been a huge issue for me, even
though I have a fair amount of classical music in my collection. No, I
can’t track what color shirt Mozart was wearing when he scrawled out
Eine Kleine Nachtmusik, but the fields available for saving the basic
information are robust enough to satisfy my needs.

First, some disclaimers: These comments apply to FLAC/Ogg tags. I can’t
speak for ID3 tags. Don’t use ‘em. Also, ceejay has an issue with at
least one of my practices – leaving the Artist tag blank in some
instances, so I’ll add that these comments apply to
SlimServer/SqueezeBox exclusively, although in my opinion, any
software/player that can’t handle a blank artist tag gracefully is
pretty lame.

Here’s the information I want saved with my classical music files:

- Name of piece
- Name of movement
- Composer
- Performing group
- Conductor
- Soloist(s)
- Date of recording

All of this information can be saved in the existing FLAC/Ogg tags.

When I Browse Artists on the SqueezeBox, I want composer’s, performing
groups’ (orchestra/band/ensemble … whatever you want to call it) and
soloists’ names to be listed along with the other (pop, jazz, etc.)
artists’ names in my collection. If they are listed as such, I have up
to three ways to zero in on a particular classical selection.

The other side of the coin to managing your classical collection is
your filing methodology. Here’s what I do, and 99% of the time, it
works great.

After I rip a CD, I create a root folder for its tracks. I name the
folder <performing group - conductor>, i.e. “Chicago Symphony Orchestra
– Charles Munch.” If there happens to be more than one
orchestra/conductor, then I create a root folder for each. If the CD
focuses on a soloist primarily, then I name the root folder after the
artist, i.e. “Rubinstein, Arthur.” Inside of the root folder, I create
one or more subfolders for each composer represented by the tracks,
i.e. “Beethoven, Ludwig van.” Inside of this subfolder, I create
third-level subfolders named for the pieces, i.e. “Symphony, No. 6 In F
Major.” Into these third-level subfolders, I copy the individual tracks
for the piece. In some instances, the tracks from a CD may end up in
five or six or more subfolders, depending on the number of pieces that
were included on the CD. The point of all of this is to create a
virtual “album” for each discreet piece of music that appeared on the
CD.

After I’ve created the folder structure for the tracks from the CD, I
open Tag&Rename and renumber the tracks in the various subfolders so
that they all start with “01.” For each track, I enter the name of the
piece (Album Title), the title of the movement (Track Title), the
composer (Composer), the name of the performing group
(Orchestra/Band/Album Artist), the conductor (Conductor) and the year
(Year). I leave the Artist tag empty unless a soloist or soloists
appeared on that particular track.

The advantage to splitting up CDs into multiple “virtual albums” is
that, for instance, when I want to listen to Beethoven’s 6th, I browse
directly to it, rather than to track 4 of the album that contained both
the 5th and the 6th symphonies (which is how it appeared on the CD
itself).

Regarding leaving the Artist tag blank, I have to do a little more
experimenting, but I am thinking that it should almost ALWAYS be blank,
regardless of musical style, pop, jazz, classical or whatever. I think
the Orchestra/Band/Album Artist tag is where that text belongs. I’m
thinking that the Artist tag should be reserved for an artist that is
specific to that track, not the “album” as a whole.

Your mileage may vary.


-- 
jonheal

Jon Heal says:
Have a nice day!
http://www.theheals.org/
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