Just a small bump to keep this alive and encourage more comment.  I
don't really know anything about the business, but it seems to me like
a control-grab by the RIAA.  Can anybody demonstrate how this royalty
regime is going to help independent artists, who generally are
struggling to pay the bills? 
It does appear to me that we would rather quickly end up with streaming
radio owned by the big 4 labels, once they've squeezed out anybody
ballsy enough to try streaming music from 'non-label' artists.  Of
course, then they'll squeeze revenue out of this by making them
subscription only!  (which at least will provide an opening for
independents to get back in, providing independent music at lower
subscription rates).
At the end of the day, I don't think anyone should consider the RIAA
and the big 4 labels to be representative of the artists. If it can be
shown that this royalty regime benefits the full spectrum of
music/artists, without being exclusively advantageous to a select few,
then it is fine, but otherwise, it should be fought tooth & nail.


-- 
nicketynick

Wireless SB3, Denon DRA-F101, Mission M31 loudspeakers
WinXP SP2 Slimserver, SMC WBR14g router
http://www.last.fm/user/nicketynick/
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