Mark Lanctot;243186 Wrote: 
> That's it, this is my breaking point, this is where I draw the line.
> 
> I am a huge Led Zep fan but I will NOT be buying this album.
> 
> Send a message with your wallets.

Sorry, but I was intrigued by the article, and so annoyed by the Amazon
reviewers who gave Mothership low ratings without actually having
listened to it at all, that I decided to get a copy and try it for
myself. (I bought it at Tescos for a tenner - more than Amazon, but I
had a "6 pounds off if you spend 30 pounds" offer which was about to
expire, and they didn't have enough sachets of cinnamon hot chocolate
:-) Remember, Remasters cost a fortune when it first came out, even the
2CD version that I have; Mothership - in the UK at least - can be found
fairly cheaply.)

I was prepared to be disappointed, but my initial impressions are that
it's rather good. I haven't listened to the whole thing properly yet,
so it's still possible I'll find things I don't like, or that I'll find
it becoming wearing; but where I've listened in comparison with
Remasters, Mothership shows more detail and clarity. The vocals at the
start of Stairway have much more presence (and before that, I can make
out more detail in the different recorder parts).  I haven't compared
with Remasters, but the entry of the drums in No Quarter was
breathtaking - my wife and I exchanged looks of awe at that point.

Sure, it's louder; but I'm sure there's more to it despite that (*). If
it's more compressed, then somehow that's not lost detail - at least not
in what I've heard so far.  One thing for sure is that it's *different*,
so if you're wedded to how Remasters sounds then you may well not like
it.

Two things that did underwhelm me were: the entry of the drums in
Stairway didn't seem as dramatic as I expected from memory; and the
repeating phrase at the end of Achilles seems to cut off suddenly
rather than fade. I've yet to go back to Remasters to check what
happens there.

I need to listen a lot more, and more carefully; but so far Mothership
seems promising.

I'm comparing against Remasters partly for convenience but mainly
because I haven't heard Led Zep on vinyl for many years; indeed, I
probably only ever had IV and Presence on vinyl. I was listening on an
Arcam Alpha 6 player, through Delta 290/290P paired amps, biamping
Mission 751s (I had to look at the back of the speakers to rediscover
the model!) Mothership also sounded fine on the iPod through my car
stereo, but that's not saying much. :-)  I have no hesitation in
admitting that I do not have golden ears.

(*) Heh: time for the Squeezebox and ReplayGain; that should eliminate
that "louder == better" psychostuff :-)

> Of course the industry would attribute any imperceptible lack of sales
> as piracy.  Personally I would rather illegally download older
> recordings than pay good money for overcompressed garbage anymore.
> 
> And it's not going to change.  It looks like mastering engineers are
> doing this all on their own now, and it'll stay that way:
> 
> <sigh>  If he thinks that then he deserves all the 'offensive' comments
> in Hoffman's forums.

Actually, this (missing nested quote) gives me hope that future
engineers might do (I dare not say "even") better. As is said in the
article, the original engineers had no idea of what might be possible
with future media. (Maybe we can even hope that some modern album
mastering disasters can be superceded.) 

I had refused point-blank to buy the expensive new Genesis remasters
when they came out - the last ones were "Definitive" after all - but
have ordered one (fairly cheap, from the US) to try it out.

-- Brian


-- 
Brian Ritchie
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